the.dreamfinder
Well-Known Member
They do for specialty chains. Per screen averages on well platformed releases can be insane.Yeah, I just meant for theater operators. Not for studios/companies.
They do for specialty chains. Per screen averages on well platformed releases can be insane.Yeah, I just meant for theater operators. Not for studios/companies.
They do for specialty chains. Per screen averages on well platformed releases can be insane.
This news deflates me to no end. I very much have enjoyed the movie going experience my entire life. I have very vivid memories of seeing big movies on the big screen. As a busy father, it’s one of my few regular hobbies I’ve kept up with with other fathers in the same boat.
Yet neither of them will turn a profit in those markets alone.Meanwhile Tenet and The Eight Hundred are doing very strong numbers abroad theatrically in countries that actually have COVID under control.
Yet neither of them will turn a profit in those markets alone.
Regal and AMC can go to debt markets and Uncle Sam. Hundreds of mom and pops can’t.
I feel like ABC and ESPN should be sold off. They were bought during Eisner's crazy spending spree in the 90s and never really fit Disney's Core business model.
Disney's not going to sell off the most profitable part of their company.
Eisner’s spending spree was a housewife going a little crazy buying things not needed at the sams club.I feel like ABC and ESPN should be sold off. They were bought during Eisner's crazy spending spree in the 90s and never really fit Disney's Core business model.
They already tried to sell the parks ten years ago.Disney's not going to sell off the most profitable part of their company.
I don't think theaters are on their way out, just that worldwide theater-oriented filmmaking is going away. These days, even the big blockbuster films have to be edited into different versions for the sensibilities of the biggest emerging markets. Movies don't need astronomical budgets (production and marketing) in order to do well internationally, they just need to be good. The streaming model is leaning into the reality that lower-budget movies targeting niche audiences will result in more revenue than gambling big on a blockbuster that may or may not do well around the world.I love reading all these folks who think theaters are on their way out just because of what they’re seeing in the United States. Meanwhile Tenet and The Eight Hundred are doing very strong numbers abroad theatrically in countries that actually have COVID under control.
If Disney was ditching theatrical then we wouldn’t have seen Black Widow or Eternals pushed back again which could have been their strongest D+ release ever.
No studio has been brave enough to drop a giant film franchise on streaming/PVOD yet and we won’t see the landscape truly change until we see studios comfortable enough to release major blockbusters just weeks apart from each other instead of making each release an event film.
They already tried to sell the parks ten years ago.
More along the lines of working out rent payments, forcing them to actually do wide scale drive ins next summer etc.I think you shot past the point...those theaters have to be packed Friday - Sunday. The math will not work otherwise. They can’t wait 2 years while “people get over it” and forget and start sitting on top of each other. That’s likely never to happen. The world has changed. There was no instant global digital media in 1919.
I’m not a debt hawk...but the government’s will not pay the movie theaters to operate. I’m not even sure they’ll pay the airlines for long...or cruise ships...or hotel operators.
I’m a fan of anything that makes good content more accessible and in demand. Streaming does this and I think it’s a net positive for the industry.I don't think theaters are on their way out, just that worldwide theater-oriented filmmaking is going away. These days, even the big blockbuster films have to be edited into different versions for the sensibilities of the biggest emerging markets. Movies don't need astronomical budgets (production and marketing) in order to do well internationally, they just need to be good. The streaming model is leaning into the reality that lower-budget movies targeting niche audiences will result in more revenue than gambling big on a blockbuster that may or may not do well around the world.
I can’t tell if you’re joking?More along the lines of working out rent payments, forcing them to actually do wide scale drive ins next summer etc.
The "linear channels" were the only profitable segment in all of the Disney Company the past quarter (that we have financials for). They offset the losses of all the other segments such that the last quarter was a net wash (that is, they didn't have a loss, but, they didn't profit $4B like they would have per quarter).I feel like ABC and ESPN should be sold off. They were bought during Eisner's crazy spending spree in the 90s and never really fit Disney's Core business model.
I’m a fan of anything that makes good content more accessible and in demand. Streaming does this and I think it’s a net positive for the industry.
This is Hollywood’s largest experiment ever. Even Netflix right now doesn’t exactly profit a whole lot of money right now, so it’s going to be interesting to see what the future holds. Obviously higher prices are in the future.
I think Hamilton was the first bellwether.Seems like COVID just accelerated what was already looking inevitable. Onward and Mulan were interesting test runs but Soul will be the true barometer of just how successful (and profitable) releasing a major feature on a streaming service is.
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