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Disney (and others) at the Box Office - Current State of Affairs

BrianLo

Well-Known Member
It’s basically also a writedown at this point based on the box office…so the people are speaking
Brave new world is also unofficial a flop at this point…a loser…

Not to be annoying, but you are not using the right vernacular. Disney hasn’t written off a film since their great D+ purge in Spring 2023. They’ve never really written off a theatrical production, it financially doesn’t make sense. Writing off also involves writing off the revenue, for tax purposes. The film also needs to be essentially scrubbed and pulled to do this.

I think what you want to say is “the film is basically a loss at this point”.

Secondarily, Disney really hasn’t had a tentpole flop since The Marvels. There were quite a few in 2023. Quantumania wasn’t one. This would also not qualify. It’s just another in a series of big disappointments, along with Quantumania.
 

TP2000

Well-Known Member
Wow I did not know that.

Me either! I'm tempted, because Theme Park 2000 seems kind of Late Clinton Era.

I was thinking of changing it to TP3000, to stay hip.

Are you assuming low marketing costs (0-25% of production) for Snow White?
I have it as 140 million

Really? Disney themselves bragged pre-opening that they were spending $140 Million on marketing for The Little Mermaid last year. Are they really already announcing their marketing spend for Snow White, or is that number coming from non-Disney sources?

I will say, this past weekend my YouTube channels exploded with Snow White commercials that were often 90 seconds long. I clicked off as soon as it let me, but I chuckled at how they tried to frame it as being a sacred Walt Disney treasure from 1937. Don't tell Miss Zegler that, she'll be mad! :mad:

EDIT: Okay, before I hit reply I went to the Google myself, which is a bad source of AI generated misinformation and I should have done at least 10 minutes of my own research at the library in the morning and then presented a bibliography and my findings. But anyway....

Variety is saying Snow White had a production budget of $240 Million! Sadly, that's not shocking given recent Disney bloat and the panicky rewrites and rework they had to give this film after the Seven Portland Hipsters fiasco, and whatever damage Miss Zegler did to the movie with her own charming commentary.

So a $140 Million marketing budget suddenly seems believable. The standard 50% of production for marketing would be $120 Million, so $140 Million isn't a stretch. Hopefully it's because they really salvaged this movie from its first incarnation circa late 2023, and the know they'll have a Billion dollar hit on their hands.

At 2.5x of production, it's going to need $600 Million at the box office to break even. At a 60/40 domestic/foreign box office split which may be favorable to it if it's big domestically, it's going to need at least $720 Million to break even.

Hi Ho, kids! And good luck!
 

BrianLo

Well-Known Member
Cap is continuing to track like Quantumania internationally. Pulled from Nancy’s articles from both second weekends.

Looks to me increasingly like this is going to be a total struggle bus to reach 400 now. It’s indeed going to be a small loss.

Edit - just noted Nancy says 450, but it’s tracking like 70 behind Quantumania. So I disagree on her read.


“The sophomore overseas frame was $46.4M in 52 markets with a slighter drop than in North America, coming in 57% behind last weekend’s bow — which itself was nevertheless lower than projections owing in part to softness in Asia Pacific. It’s not the worst drop for Marvel, but it’s not great either.”

“Turning back to Cap, the Anthony Mackie/Harrison Ford-starrer dropped 60% in its second international tour (-55% excluding China), and added $35.3M from 52 markets. The overseas running cume is $148.2Mfor $289.4M worldwide. It’s currently pacing slightly behind Ant-Man and The Wasp: Quantumania and The Winter Soldier internationally, and it’s looking like the movie will top out at about $450M worldwide. In Imax, the global cume is $23.3M, of which $10.2M is from overseas.”
 
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BrianLo

Well-Known Member
At 2.5x of production, it's going to need $600 Million at the box office to break even.

Honestly - I’ll happily accept 600. I believe Variety a lot more than what I’ve now realized was another stupid puff piece from Caroline Reid. The bane of my internet existence. Variety is even higher, just so we’re clear that I’m not just after the lowest benchmark, more the most credible figure and source.
 

Disney Irish

Premium Member
Cap is continuing to track like Quantumania internationally. Pulled from Nancy’s articles from both second weekends.

Looks to me increasingly like this is going to be a total struggle bus to reach 400 now. It’s indeed going to be a small loss.

Edit - just noted Nancy says 450, but it’s tracking like 70 behind Quantumania. So I disagree on her read.


“The sophomore overseas frame was $46.4M in 52 markets with a slighter drop than in North America, coming in 57% behind last weekend’s bow — which itself was nevertheless lower than projections owing in part to softness in Asia Pacific. It’s not the worst drop for Marvel, but it’s not great either.”

“Turning back to Cap, the Anthony Mackie/Harrison Ford-starrer dropped 60% in its second international tour (-55% excluding China), and added $35.3M from 52 markets. The overseas running cume is $148.2Mfor $289.4M worldwide. It’s currently pacing slightly behind Ant-Man and The Wasp: Quantumania and The Winter Soldier internationally, and it’s looking like the movie will top out at about $450M worldwide. In Imax, the global cume is $23.3M, of which $10.2M is from overseas.”
Given where we stand now I don’t think $425M is out of reach, maybe not much more than that but $425M is certainly doable in my opinion. And that would be a disappointment but more of a “we wanted more but we’ll accept this” type of disappointment.
 

BrianLo

Well-Known Member
Essay incoming. TLDR - there is meaningful differences between films that "barely break even" and "flops".


I completed a quick home work assignment. Which I think might be helpful for those newer to the hobby, from a decade when Disney is retroactively seen as nearly the uncontested Box Office Ruler.

A couple of points I want to make;

1) Look how consistently inconsistent the company is - 2024 may have been on an unusually consistent end and 2023 on the very poor end. But in the broader sense they are not really abnormal. No studios are really at risk of anything befalling them. Maybe if the 2023 pattern held fast and hard, but it also didn't.

2) I wanted to create the second list to make a point that there IS a meaningful difference between vernacular.

-Just start by glancing through the first list. Things that are clear bombs. Things that lost the company well over 100m dollars.
-Look at the second list. Things that missed, maybe lost some change, maybe barely broke even, maybe made small change.
-Consider how, with time, Disney sits and interacts on these various films from the two categories. The second list is NOT a list of highly successful films; but there is a meaningful interplay here. Many films today that people want to write off as failures in our context today aren't really how the company interacts with these franchises. There's a difference between Big Failure and Big Success; but there exists (Multiple!) categories in between. A band that perhaps isn't as bad as it is made out to be. Perhaps not an amazing place to live. Next time someone trots out the company doesn't make films to barely break even, that's certainly true. But that doesn't make the film totally DOA either. It takes a huge miss for a film or franchise to really be a major failure.

3) Let's just quickly recap a few more recent films
-Mufasa has fallen actually onto a third list I haven't produced. There's the next step up category with things that are actually moderately successful. Bringing in 3X-4X their budgets. It's almost exactly 3.5X right now. The company will interact positively with this film moving forward.
-Precluding the fourth categories, smash hits (4X+, 5X+ and beyond). No one debates this, we had three last year.
-Kingdom of the Planet of the Apes belongs in this second grouping; I anticipate the series will continue in some form like others on this list have.
-Cap 4 also looks like it's falling into the second grouping; I anticipate we'll not get a stand alone follow up, but Anthony Mackie also won't exactly disappear.


Presented as (Box Office / Production Budget)

Bomb/Flop (Around or <1.5X)
2010 - Prince of Persia (336/200), The Sorcerers Apprentice (215/150)
2011 - Mars Needs Moms (39/150),
2012 - John Carter (284/200)
2013 - The Lone Ranger (260/215)
2014 - Million Dollar Arm (38/25)*Not really a tentpole
2015-Tomorrowland (209/190), Good Dinosaur (332/200)
2016-Alice Through the Looking Glass (299/170), The BFG (195/140)
2017-
2018-A Wrinkle in Time (132/103), Solo (392/275)
2019-Dark Phoenix (252/200), The Nutcracker and the Four Realms (173/120)

"Disappointing" (Mostly 1.75-2.75X films)
2010 - Tangled (591/260), Tron: Legacy (400/170)
2011 - Cars 2 (559/200), Winnie the Pooh (49/30)*, Captain America: First Avenger (370/140), Thor (449/150)
2012 - Brave (538/185), Frankenweenie (81/39)*
2013 - Oz: the Great and Powerful (493/215)
2014 - Muppets: Most Wanted (80/50)*Kind of a bubble, bubble
2015 -
2016 - Pete's Dragon (143/65)
2017 - Cars 3 (383/175)
2018 - Christopher Robin (197/75)
2019 - Mary Poppins: Returns (349/130), Dumbo (353/170), Malificient: Mistress of Evil (491/185)


Thank you for attending my TED talk.
 

MagicMouseFan

Well-Known Member
Me either! I'm tempted, because Theme Park 2000 seems kind of Late Clinton Era.

I was thinking of changing it to TP3000, to stay hip.



Really? Disney themselves bragged pre-opening that they were spending $140 Million on marketing for The Little Mermaid last year. Are they really already announcing their marketing spend for Snow White, or is that number coming from non-Disney sources?

I will say, this past weekend my YouTube channels exploded with Snow White commercials that were often 90 seconds long. I clicked off as soon as it let me, but I chuckled at how they tried to frame it as being a sacred Walt Disney treasure from 1937. Don't tell Miss Zegler that, she'll be mad! :mad:

EDIT: Okay, before I hit reply I went to the Google myself, which is a bad source of AI generated misinformation and I should have done at least 10 minutes of my own research at the library in the morning and then presented a bibliography and my findings. But anyway....

Variety is saying Snow White had a production budget of $240 Million! Sadly, that's not shocking given recent Disney bloat and the panicky rewrites and rework they had to give this film after the Seven Portland Hipsters fiasco, and whatever damage Miss Zegler did to the movie with her own charming commentary.

So a $140 Million marketing budget suddenly seems believable. The standard 50% of production for marketing would be $120 Million, so $140 Million isn't a stretch. Hopefully it's because they really salvaged this movie from its first incarnation circa late 2023, and the know they'll have a Billion dollar hit on their hands.

At 2.5x of production, it's going to need $600 Million at the box office to break even. At a 60/40 domestic/foreign box office split which may be favorable to it if it's big domestically, it's going to need at least $720 Million to break even.

Hi Ho, kids! And good luck!
Around 700 million looks like the average.

The production budget for Disney’s Snow White is at $269.4 million as of December 2023, from Disney’s financial filings reported by Forbes.

Another Forbes article from December 6, 2024, detailed a $55.5 million tax rebate from the UK’s Audio-Visual Expenditure Credit, reducing the net production cost to $213.9 million

The $140 million marketing cost is an assumption based on trends for similar Disney live-action remakes like TLM where marketing was $140 million for a $250 million production, a 56% ratio.

A simple 50% split yields roughly $708 million.

My assumption is the 140 million marketing/advertising cost and I could be wrong on that but it seems in line with industry norms.


 

DKampy

Well-Known Member
…I’m not sure there’s a difference? Because “silly” was a takeaway

Even if you’re talking about the ridiculousness or super heroes

The ones that seem less absurd are the ones that last.

What do my personal favorites have in common?

X2
The Nolans
Superman
Winter soldier

…I’d say you can “suspend disbelief” because it’s the least absurd takes?

Just me
What does comic book movies have to do with comedic horror movies

Evil Dead has stood the test of time
 

BrianLo

Well-Known Member


Please, please, any other author. This particular author has been shown to misconstrue data over and over again. She is not a journalist, she’s a glorified blogger.

In a year we’ll have a breathless meandering (but self-plagerized) update that the production now costs 380M. But that will just bury the lead that it’s the 240 variety reported and the 140 (or 100, or 180) Disney spent on marketing the production.

Any other source. Literally any other source, I beg everyone. I’ll take the rage youtubers, because at least it’s more apparent to random onlookers the source validity. Forbes makes it seem more legitimate than it is.



So rhetorical question for everyone. Why is the presumption that when Disney overruns costs on productions that leads to the immediate assumption they’ll overspend on marketing? They’ll cost cut away at the parks, but movies have no leash? And yet the mantra that marketing is fixed and predetermined remains.
 
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Sirwalterraleigh

Premium Member
Please, please, any other author. This particular author has been shown to misconstrue data over and over again. She is not a journalist, she’s a glorified blogger.

In a year we’ll have a breathless meandering (but self-plagerized) update that the production now costs 380M. But that will just bury the lead that it’s the 240 variety reported and the 140 (or 100, or 180) Disney spent on marketing the production.

Any other source. Literally any other source, I beg everyone. I’ll take the rage youtubers, because at least it’s more apparent to random onlookers the source validity. Forbes makes it seem more legitimate than it is.



So rhetorical question for everyone. Why is the presumption that when Disney overruns costs on productions that leads to the immediate assumption they’ll overspend on marketing? They’ll cost cut away at the parks, but movies have no leash? And yet the mantra that marketing is fixed and predetermined remains.
There’s a shell game going on with these budgets

Cap 4 went through extensive reshoots…so what did it really cost?
 

BrianLo

Well-Known Member
There’s a shell game going on with these budgets

Cap 4 went through extensive reshoots…so what did it really cost?

As I’ve been told. But when I try and find it in the quarterlies, nothing all our quarterback profiteers project ever materializes.

Mark my words, they will spend 400-500 million EACH on Cap 4 and Snow White when all is said and done. Yea, you heard me right. But not in the breakdown that everyone keeps trying to massage it into.
 

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