BrianLo
Well-Known Member
That's not trolling, that's just not agreeing with your formula that doesn't reflect the often broad sweeps of domestic vs. overseas box office many Disney films have.
You like a formula that takes a blanket approach, that a film breaks even at 2.4 times its production budget. Always.
I have a formula that has more nuance; a film's break even is determined by taking its production budget, adding 50% of that figure for distribution/marketing (unless Disney brags beforehand about spending even more, like they did with the $140 Million they announced spending on Little Mermaid global marketing last year), and then taking 60% of the domestic box office and 40% of the overseas box office. The result hopefully creates a profit for Burbank.
We can agree to disagree on which formula is better. Sometimes my formula helps Disney films when it does better domestically than overseas, and sometimes your formula helps Disney films when the domestic and overseas box office are even. But in the case of many Disney films, where overseas box office flopped spectacularly (Lightyear, Strange World, Little Mermaid, etc.) my formula can cause Disney films to be weaker than just giving them a blanket 2.4x treatment, as if the overseas box office created the same profit margin as the domestic box office (when it doesn't).
No. I’m really just not sure if you don’t get what I’ve said in the past. For which I apologize. By the way I’m honestly not just referring to you, even though it seems like I am.
I do not have any issue whatsoever with you breaking out domestic and international. That’s fine. It’s just your marketing benchmark is completely made up. And you for some reason require a film to cover its post theatrical marketing spend with theatrical dollar figures. That’s it.
If you’d just quarter the production as a pre theatrical spend you’d have my unending blessing.
It’s the costs I take issue with, not the nuance. Because the costs are founded on a very clear industry profitability rule and merely inferred, incorrectly as an actual accurate marketing spend by you. Which it isn’t. It’s often grossly undercalling the final total marketing for any movie that’s mildly successful