Tha Realest
Well-Known Member
I do think they had to anticipate some of this, but were helpless to correct. I think the mentality of “well fix the story and create entire worlds in postproduction” means these films are insanely expensive. Having seen most of the MCU films in the theatre, and staying for post-credit scenes, it feels like there are dozens and dozens of VFX firms working on these movies. I also wonder if the budgets are inflated because of the over reliance on the post-theatrical window, meaning they have to pay up front to actors and producers more.I think the honest post-mortem is, Disney has been too slow to adjust to a changing market, ie lower budget fair.
Quality discussions aside, had they anticipated a slow down in the theatrical market and lowered budgets we wouldn't be having a lot of these conversations. The fact they continued to steamroll ahead with tentpole budgets on lesser quality films shows they thought they could buck the trend.
Hopefully lessons were learned and budgets and quality adjustments are made moving forward.
It’s been a running joke that Disney’s theatrical slate is booked out years in advance with UNTITLED PIXAR FILM and UNTITLED SOLO MARVEL FILM, which implicitly means some group that lives in spreadsheets knows if you release a Marvel team up in April you will get $850M-$1.1bn WW - just plug in an IP and you’re set. Those rigid release dates also mean you have a lot of late work churning to make a release date, often at a much higher cost and poor overall quality.