Lafayettecalboy
Member
That could imply an unfortunate fate for Blue Sky.I could see Ice Age moving to Pixar.
That could imply an unfortunate fate for Blue Sky.I could see Ice Age moving to Pixar.
That could imply an unfortunate fate for Blue Sky.
The Rio movies, Horton Hears a Who, The Peanuts Movie, and two William Joyce projects: Epic and Robots.I mean for the most part they were only ever an Ice Age factory. I dont think they ever did anything beyond that franchise?
I mean for the most part they were only ever an Ice Age factory. I dont think they ever did anything beyond that franchise?
The Rio movies, Horton Hears a Who, The Peanuts Movie, and two William Joyce projects: Epic and Robots.
Night of the Museum & Alvin and the Chipmunks could get new movies under Walt Disney Pictures.
Out of all the Studios Disney is getting(Searchlight, Fox 2000, 20CF), I think Blue Sky is the one I have most worries about it's future, I just don't see Disney keeping another Animation studio.
Disney would most likely use the Peanuts gang in WDSP in Paris.The Peanuts movie was great! But I hope the characters stay at Knott's Berry Farm, and not wind up in DHS or wherever...
So anyway, and I can't remember if I brought this up before...I wonder if Disney will use the 20th Century Fox fanfare in front of any Fox-produced movies..? Because it would be a shame if that went away forever...
Blue Sky is literally on the other side of the country from Pixar, being located in Connecticut just north of New York City.Unless Disney merge Pixar and Blue Sky? If thats even possible.
I have a lot of friends that work there and Disney executives have been spending a good amount of time at Blue Sky recently. Disney is telling them they want them to keep making theatrical movies but they all expect a decent amount of their work to shift to Disney+.Out of all the Studios Disney is getting(Searchlight, Fox 2000, 20CF), I think Blue Sky is the one I have most worries about it's future, I just don't see Disney keeping another Animation studio.
The situation has had longtime employees on the Fox lot suffering a kind of prolonged trauma since the merger was announced, in December 2017. To hear them tell it, they are being issued mostly vague, Orwellian-lite guidance that outlines dress codes and explains key-card access, but they have been left wanting in terms of business directives. In the middle of February, Fox’s marketing and distribution departments gathered with the filmmakers of Dark Phoenix, the latest X-Men installment from producer-director Simon Kinberg, to lay out their plans for the film’s June release. It was a typical meeting. Ad buys were discussed, and the publicity tour for the film’s stars, including Sophie Turner, Jennifer Lawrence, and Jessica Chastain, was laid out. But it was still disconcerting, both because of all the new faces in the room—a handful of high-end consultants have been hired temporarily to fill the jobs recently vacated by long-term employees—and because of the ad hoc approach the Fox marketing team was taking toward the film’s release, four months away.
“We know when we are dropping a trailer, but we are nowhere near where we should be at this time,” said one marketing exec who was at the meeting. “It’s frightening. I would be mad if I were a filmmaker.”
I have a lot of friends that work there and Disney executives have been spending a good amount of time at Blue Sky recently. Disney is telling them they want them to keep making theatrical movies but they all expect a decent amount of their work to shift to Disney+.
It means Disney will be borrowing lots of cash.
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