yensidtlaw1969
Well-Known Member
It isn't much of a coincidence that those happen to be the best parts of the ride.While it is really character driven, Pooh ride does at least play around with environment and experiences a little more in the middle with "Getting to bounce with Tigger", the Heffalumps and Woozles trip-out, and floating during the flood.
I think this is part of the issue with The Little Mermaid as a Dark Ride. The movie has some strong set pieces and locations that the ride largely rejects - the biggest scenic element of the film is of course the distinction of the undersea world from our own, and the attempts to create that within the ride are not done with conviction. Under the Sea doesn't make a strong enough effort towards looking under water. Both Eric's and Triton's castles are only seen in too-simple mural (though the castle on the facade is a nice example of placemaking), the potential of Ursula's Lair and Ariel's Grotto as rich environments are squandered on what are essentially full-size window displays that do not surround and envelop. Kiss the Girl and the entrance to Ursula's strike nicer notes, but they're both too little too late, and then it's more window dressing from there out. The rest is filled in with Rockwork.
Perhaps I drove a little too far off topic here -- all this really is to say that great environmental scenic work and theatricality totally score higher than mere rockwork, and recent Disney projects do seem to have trended too far in that direction.