Timeless, relevant and Disney?Maybe they gave in to the fact that it has been the primary function of that building lately?
Timeless, relevant and Disney?Maybe they gave in to the fact that it has been the primary function of that building lately?
Maybe I'm thinking of the wrong building - the big, mostly empty one over there that I most often find myself in to get a flight of beer and sit down at a table in a very empty, big hallway.Timeless, relevant and Disney?
The one they gave up on? Yep.Maybe I'm thinking of the wrong building - the big, mostly empty one over there that I most often find myself in to get a flight of beer and sit down at a table in a very empty, big hallway.
Very few things should be "timeless", the only constant is change.Timeless, relevant and Disney?
And it some times smells, why not tear it downMaybe I'm thinking of the wrong building - the big, mostly empty one over there that I most often find myself in to get a flight of beer and sit down at a table in a very empty, big hallway.
So I can see how suits in an office said, "Hey, all we're using this for is a booth during all the festivals. Let's just go with that and make it a bar.The one they gave up on? Yep.
Although they also sold coffee.
And it some times smells, why not tear it down
Then why not build a bigger bar for less money using what is there? The new festival center was not something that could be moved and was less flexible than the CommuniCore building it is replacing.So I can see how suits in an office said, "Hey, all we're using this for is a booth during all the festivals. Let's just go with that and make it a bar.
Not saying I agree/disagree. That's just how these things go sometimes.
Putting something somewhere for the sake of putting something somewhere is not the best idea, either. Maybe when they have a story to tell, the bar can be moved or built around or eliminated. It seems they either don't have a story to tell to suit that building, or can't/won't spend the money on one right now. In the meantime, pouring liquor is like pouring jewelry when it comes to margins, so...
You know what's funny (or maybe sad)? I was there a couple of weeks ago and even though the building is gone, that awful smell is still there......So I can see how suits in an office said, "Hey, all we're using this for is a booth during all the festivals. Let's just go with that and make it a bar.
Not saying I agree/disagree. That's just how these things go sometimes.
Putting something somewhere for the sake of putting something somewhere is not the best idea, either. Maybe when they have a story to tell, the bar can be moved or built around or eliminated. It seems they either don't have a story to tell to suit that building, or can't/won't spend the money on one right now. In the meantime, pouring liquor is like pouring jewelry when it comes to margins, so...
This is true about the smell.
Fortunately for the rest of us, neither does your nonsense.Lucky for us, that has no practical bearing on anything.
And what was the point of leaving the Odyssey as is and not refurbing it to be the Festival Center? Before the advent of the Preview presentation, it was more useless than Launch Bay.
Then why not build a bigger bar for less money using what is there? The new festival center was not something that could be moved and was less flexible than the CommuniCore building it is replacing.
And what was the point of leaving the Odyssey as is and not refurbing it to be the Festival Center? Before the advent of the Preview presentation, it was more useless than Launch Bay.
Without going into details, EPCOT (the painting) was just a thrown together backdrop for a film to be made for the Florida Leg and wasn't designed by be seen by the public until someone decided to air it as a trubute on TWWOD. John Hench made the remark once "We're haunted by that <expletive> painting" EPCOT could never have worked. You simply cannot experiment with peoples lives. Once built the E, P and T would be gone. Imagine if they had built a city using that garbage system for the MK/Cont that always clogs up? Or a prototype kitchen that forever breaks down (One Imagineer said "Can you imagine telling people 'well its only a prototype' when the can't make dinner?") Once they got down to brass tacks, as they say, they realized the concept was unworkable unless people were there for just a day. Much of that concept was worked into building WDW. Celebration is what Disney built as a planned community.It’s unnecessary, it’s pandering, it’s excessive.
The partners statue is PERFECT in MK. It fits perfectly right there in the heart of the hub.
This however, why? Why is it here? Why is there a push? If Disney were so intent to honor Walt and EPCOT wouldn’t they have built the city? If the Disney of today wanted to honor Walt’s dreams of honoring, and pursuing, the capabilities of man and his achievements wouldn’t EPCOT continue to be a park about limitless possibilities in human achievements through science and industry? Call me negative all day long, which hey I’ve gotten some lovely DMs about, but this does not belong in EPCOT. At least not in the context Disney is pushing.
If we have to do a Walt statue in EPCOT let’s make it worthwhile. Let’s forgo the pixie dust about dreams. Let’s make the statue about the hard facts and realities that Walt was aware of that have shaped our future. Let’s honor Walt with a statue of him that isn’t about dreams, but instead about his steadfast faith in man to create a bolder, bigger, brighter tomorrow. That statue I would be behind all the way. But that isn’t a message about Walt that is going to happen. Instead it’ll be a safe message about dreams or magic which doesn’t belong in EPCOT.
This statue is not about Walt, it is about marketing.
Garden Cities of To-Morrow is still read, studied and understand by urban designers today. EPCOT was more than just a painting and there is enough direct and related information to understand it as an urban form.Without going into details, EPCOT (the painting) was just a thrown together backdrop for a film to be made for the Florida Leg and wasn't designed by be seen by the public until someone decided to air it as a trubute on TWWOD. John Hench made the remark once "We're haunted by that <expletive> painting" EPCOT could never have worked. You simply cannot experiment with peoples lives. Once built the E, P and T would be gone. Imagine if they had built a city using that garbage system for the MK/Cont that always clogs up? Or a prototype kitchen that forever breaks down (One Imagineer said "Can you imagine telling people 'well its only a prototype' when the can't make dinner?") Once they got down to brass tacks, as they say, they realized the concept was unworkable unless people were there for just a day. Much of that concept was worked into building WDW. Celebration is what Disney built as a planned community.
I am not up on exactly what they are replacing it with - something more open air, something traditional, a square box - I honestly just haven't heard.
Maybe it's because of things like the smell, or the building itself needing attention. Maybe it was just time to go - clean slate, new style. Maybe they just want as many things as possible to look new and fresh for whatever the 50th might end up being. I could hear the reviews: "For Disney's 50th celebration, they stuck some booths in an old building [snicker] that smells a little. Not very magical!" (Although I suppose that's what will happen if the new bar isn't open by then. Is it scheduled for 2021?)
What I do know is it never felt "right" or "intentional" in there lately. You could tell the building was not being used for that which it was originally intended. The festival thing was shoehorned in, not terribly well. You knew you were in a leftover space. That's not very Disney show, IMO. Temporarily is one thing, but not long term.
The CommuniCore buildings were designed to be flexible, to host content that would change. They’re ultimately big open spaces. Being flexible seems like a desire in a festival center as it should be able to change seasonally with each festival. The new building is an elevated, likely post-tensioned structure that will be smaller and less flexible than what it is replacing.
Its there for that. People sit on them, take pictures. Its not really meant to be something sacred. It is meant for kids what not to pose with. That's all ok. I guess my comment about it being just decoration is that a single statue in one place is more special - honoring - than many statues in many places. I don't fault Disney for putting it up, heck we'll be there getting a picture by it. But their not putting it there as some sort of honorific, some revered thing - they're putting it there for decoration, for the guests to pose etc with. Most of the statues around WDW are like that, accessible in that way.My problem with the statue is people are going to be climbing all over it, if it has to be there I'd rather it be a fenced off water feature and flowers around it or something.
Elevated building at center right.Epcot new central spine concept art - Photo 7 of 7
Epcot new central spine concept art - Photo 7 of 7www.wdwmagic.com
It seems you may be confusing the CommuiCore/Innoventions building that is being demolished with the Wonders of Life pavilion (the gold domed building). Wonders of Life is what was long serving as the Festival Center with various events held amongst the attraction remnants.
If the building needed serious attention it stands to reason that its near identical twin would also need attention, which would be more important in a building with a major food service component. If it was about a new look, again, it’s ugly old twin will still be sitting right there.
The CommuniCore buildings were designed to be flexible, to host content that would change. They’re ultimately big open spaces. Being flexible seems like a desire in a festival center as it should be able to change seasonally with each festival. The new building is an elevated, likely post-tensioned structure that will be smaller and less flexible than what it is replacing.
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