Which could be largely forgiven because for this most amazing park the philosophy was to invest in capacity, not queues. Lines were for the 50s
parks and their midget rides. Intimate and quaint, but inadequate for the 21st century. Where we're going, we don't need lines. Rather, you show up and get seated and off you go.
Every design philosophy has a drawback, or they wouldn't be a choice but an obvious standard. And the drawback of EPCOT's philosophy to me was not the sparseness of the queues, but the over-reliance on omnimovers. Theater settings, two boat rides, and otherwise omnimovers everywhere. All can swallow crowds whole. But left EPCOT lacking variety of ride modes.The one novel breakthrough was Energy's moving theater. Together with GMR so unceremoniously discarded.
I noticed in 87 that the Seas had a beautiful queue area, the first in EPCOT, apart from the show holding areas. Something had changed in the evaluation since 83.