Professortango1
Well-Known Member
For me, the entire “wow” of the original was when we broke the vertical plane and moved forward out of the shaft signaling we’ve entered the Twilight Zone and are no longer in a normal elevator. The magic is in the set up and breaking of expectations.
In the DCA version, the doors of the elevator open to a HALLWAY because that’s what elevator doors do. What? Then the elevator for some reason instantly moves backwards. What? No set up, no magic, not even a sense for a moment that we are in a real elevator.
Where the original was genius, the knock off makes no sense and I can’t understand how the Imagineers didn’t see the difference. As they said in Spinal Tap “It’s such a fine line between clever and stupid”.
That’s why I like the Guradians overlay - the ride makes no sense anyway, let’s at least play some fun tunes while we go up and down.
The pullback and push forward are one of the things I love. You enter an elevator and instead of it going up, it pulls backwards. It's a total mind trip. We feel as we're being literally pulled into another dimension. The surrounding shaft slowly fades and the doors are hovering in nothingness.
At the end, we're pushed forward back into reality. The doors open and we're right where we started with the same bellhop. Did we imagine the whole experience? Are we going crazy.
It is my favourite thing that Disney has done. I loved Indy, but this new version of TOT always left me so amazed at the psychological aspect and the amazing update to the original. When we went back and rode the original, it just was kind of slow and quiet with campy moments where we see images from the opening credits. It didn't hold up having ridden the updated version.