Agardini51
New Member
Isn't this movie doing better at the box office than the new Transformers movie? I've always seen it ahead of Bumblebee in terms of gross money.
Welcome!I’ve been lurking on this forum for years, and have never added a single thing to the conversation because you all pretty much cover the bases without yet another person rambling on. I had major reservations about this film despite my love for Lin and Emily Blunt. I’ve adored Mary Poppins since I was four years old and was worried about the music, the tone, the artistic choices, etc. In my opinion, Mary Poppins Returns is almost perfect. The Place Where the Lost Things go is as chillingly beautiful as Feed the Birds or Judy Garland singing Have Yourself a Merry Little Christmas to Tootie in Meet Me in St. Louis. The story is so relatable as an adult, the entire cast is spot on. Emily Blunt is A+. My three kids played “Nowhere to go but up!” with twelve birthday balloons last night, singing the song and laughing. It really feels like a Walt Disney film to me. We even bought the $$$ parrot umbrella at the Disney Store, and we don’t buy much merchandise. I truly hope they use their brains and do this ride the right way. In my experience, those who love Poppins really LOVE Poppins. Make this ride truly magical, WDW. The material is all right there.
Also: I love the way they integrated musical phrases from the original film’s songs throughout the score. It feels perfectly natural, and could be done in the ride.
Yes, its been ahead every week of Bumbebee.Isn't this movie doing better at the box office than the new Transformers movie? I've always seen it ahead of Bumblebee in terms of gross money.
The movie is on pace to do numbers that are domestically around or better than The Greatest Showman, which is the most successful modern musical only behind Grease (not counting the live action BatB since that drew from nostalgia). Worldwide is another story though. If it gets nominated for some big Academy Awards or not will likely determine how long the legs are on this one.
I keep thinking of a Disneyfied version of Diagon Alley.
The movie is on pace to do numbers that are domestically around or better than The Greatest Showman, which is the most successful modern musical only behind Grease (not counting the live action BatB since that drew from nostalgia). Worldwide is another story though. If it gets nominated for some big Academy Awards or not will likely determine how long the legs are on this one.
Out of curiosity, do you have a source for the numbers? $130M was the production cost and I can't find anything on the marketing costs... It's already at $250M+ globally, so you're saying it needs to hit $380M?I hope so. MPR still needs about another $130 million worldwide to break even in the theatrical window. TGS numbers would do it.
Box office gross doesn’t all go Disney.Mary Poppins Returns had a production cost of about $130 million dollars. The current domestic gross is about $139 million dollars.
(worldwide gross about $258 million) [per Box Office Mojo] Not a run-away hit, but a $128 million dollar profit is not bad. The original
Mary Poppins a classic and a ride, combing the music from both could actually fit into the UK area.
Out of curiosity, do you have a source for the numbers? $130M was the production cost and I can't find anything on the marketing costs... It's already at $250M+ globally, so you're saying it needs to hit $380M?
Here's the recent Disney Studios batch...
View attachment 339170
The Studio gets roughly half of gross Box Office (the other half goes to the theaters).
Production costs is generally well-known. Marketing and other business overhead isn't. As a rough ballpark, that's an extra 50% of production cost.
So, for MPR, the Studio is pocketing about $130 million after spending the same amount on production. However, the marketing of about $65 million is still on the ledger. Since the Studio only gets half of B.O., then MPR needs to make another $130 million to break even.
Great movies don't happen unless you take risks.Maybe the problem isn't making good, well reviewed movies,..... it's making them with sensible budgets. I'm as far from an expert as it gets, but even I could tell you that John Carter wasn't going to make a profit with a 250 million dollar budget.
Maybe the problem isn't making good, well reviewed movies,..... it's making them with sensible budgets. I'm as far from an expert as it gets, but even I could tell you that John Carter wasn't going to make a profit with a 250 million dollar budget.
I'm close to posting my big movie thread which looks at the ratings and economics of all of Disney's studios and related films.
Do you know of Pixar, Marvel, LucasFilm, Disney Film, and Disney Animation, which has the best return on investment. Well, obviously, LucasFilm since only one Star Wars movie didn't make a big profit.
But the second? Fox Animation/Blue Sky. Why? Because even though their animated films are rated much lower by critics and audience, they make them on half the budget of Pixar or Disney Animation. So, think about that: Blue Sky is a more profitable animation studio than Pixar or Disney Animation.
So, yeah, big budget movies are a huge gamble and likely to be unprofitable.
Mary Poppins Returns had a production cost of about $130 million dollars. The current domestic gross is about $139 million dollars.
(worldwide gross about $258 million) [per Box Office Mojo] Not a run-away hit, but a $128 million dollar profit is not bad. The original
Mary Poppins a classic and a ride, combing the music from both could actually fit into the UK area.
Here's the recent Disney Studios batch...
View attachment 339170
The Studio gets roughly half of gross Box Office (the other half goes to the theaters).
Production costs is generally well-known. Marketing and other business overhead isn't. As a rough ballpark, that's an extra 50% of production cost.
So, for MPR, the Studio is pocketing about $130 million after spending the same amount on production. However, the marketing of about $65 million is still on the ledger. Since the Studio only gets half of B.O., then MPR needs to make another $130 million to break even.
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