Baloo124
Premium Member
I didn't hear that, but wouldn't be surprised anymore.I thought Disney disowned that movie.
Though according to SNL, some of the movie characters are pretty forgettable, and not drawing the M&G popularity.
I didn't hear that, but wouldn't be surprised anymore.I thought Disney disowned that movie.
I thought Disney disowned that movie.
His cackling reminds me of the Evil Queen in Snow White (in her hag form).
It's a great movie, so I think word of mouth is carrying it. The audience I was with definitely responded to it, cheering and yelling at the screen (when characters were about to be killed) multiple times, haha.Deadline estimates Sinners dropping just 13% in its second weekend to end up with about $120 million total by Sunday
Last time an original, R-rated horror movie did this kind of business was Us back in 2019 which made $127.8 million after 10 days of release
"At this point in time, Sinners owns the second-best second weekend for an R-rated horror movie after Itās $60.1M 3-day back in September 2017. Itās the third best second weekend for Ryan Coogler after Black Panther ($111.6M) and Wakanda Forever ($66.4M). Sinners also has the second-best hold for a R-rated horror movie at -13% after Heart Eyes (+19%) and ahead of Get Out (-15%)."
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āSinnersā Heaven-Sent $45M Second Weekend, āRevenge Of The Sithā Powerful $25M, āAccountant 2ā $24M+, āMinecraftā $22M+ As Moviegoing Bounces Back
Sinners grossed $45 million in its second box office frame, leading the industry to a strong $146 million weekend overall.deadline.com
Good point. The theaters do make their money on concessions but they still canāt survive selling concessions to empty or near empty screenings.Except theaters aren't in the movie business they are in the concession business. So the actual ticket sales are secondary to the people buying popcorn, soda, and candy. So they don't care what movie is playing.
So the point is that all studios have ended up pushing out movies that don't draw an audience over the years. We just happen to track one particular studio, but all have had their issues over the last couple years, but especially so far in 2025. We'll see what happens next week.
One Disney movie, or even a string of Disney movies, not doing well isn't going to break the theaters. So lets get that out of the way right off the bat.Good point. The theaters do make their money on concessions but they still canāt survive selling concessions to empty or near empty screenings.
Good point. The theaters do make their money on concessions but they still canāt survive selling concessions to empty or near empty screenings.
One Disney movie, or even a string of Disney movies, not doing well isn't going to break the theaters. So lets get that out of the way right off the bat.
The larger issue is there isn't enough content compelling enough to bring audiences out. That isn't a Disney problem that is an industry problem. We're about to hit May and outside of Minecraft there hasn't been a real breakout movie the first 4 months of 2025. Prior years that would have never happened. That isn't on Disney, that is a whole industry problem. Why didn't other Studios counter program any movie released so far in 2025? Its clear there was space for more releases but they didn't release any. That isn't a Disney problem, that is an industry problem.
We focus so much on Disney because we're on a Disney fan site, but too many here like to ignore the fact that other Studios are having the same problems as Disney. There is no Studio that is doing it right, all have the same issues to varying degrees. But yet too many here want to make it seem like its just a Disney problem.
As has been discussed here a bunch of time but gets glossed over by many. We are in middle of a industry wide shift across the entire media landscape, from theatrical to broadcast media is being transformed right now. And while I'll be sad if it happens, I will not be surprised if by the end of this shift if theatrical goes to being a niche distribution method or even goes away completely (as I've mentioned before over the years). Studios were beginning to make this shift with day-and-date and other smaller theatrical windows, but started to get cold feet when streaming started to falter a bit so went back to pure theatrical but with varying theatrical windows. But in the next couple years I'm fairly certain they will try again and move back to a day-and-date model as it only makes sense long term given that the box office continues to go down year-over-year, and doesn't look to be stopping. So far 2025 looks to be coming in under 2022, and that isn't good if you're worried about theatrical long term.
Bottom line, if you're worried about theaters then go to the movies. Show Studios that theatrical is still alive and viable. I do my part and go almost every week. Now you don't have to do that, but try going once a month. Otherwise don't be surprised when theatrical goes away.
Who claimed flops help anyone? No one made such a claim.Yeahā¦flops help no one. Itās amazing that this comes up daily around here
I'm not ignoring anything, quite the contrary. I'm actually looking at the entire landscape and seeing this isn't affecting just one studio with a mouse mascot. I've tried to have this conversation with you in years past but you're so focus only on the mouse's failures and your grievances that you ignore everything else.Iām trying to understand you betterā¦is it possible that in attempting to be āneutralā about the different studiosā¦you end up ignoring the benchmarks for success and failure completely?
Because nothing has changed since jaws ate people and they sold about 100 billion in licensed Star Wars merch. The standards are still the standard to about a 80% certainty.
Well you donāt seem to notice itā¦but you are. Over and over againWho claimed flops help anyone? No one made such a claim.
I'm not ignoring anything, quite the contrary. I'm actually looking at the entire landscape and seeing this isn't affecting just one studio with a mouse mascot. I've tried to have this conversation with you in years past but you're so focus only on the mouse's failures and your grievances that you ignore everything else.
The standards for you might be the same, but for the rest of the industry it has changed. Which is why they have been transitioning and trying everything to squeeze more blood from stone. Ticket sales are down overall, and continue to be on a downward trend year-over-year and will likely never get back to prepandemic levels, and you keep ignoring that.
ā¦butā¦butā¦butā¦Snow white is now in 610 theatres and as of yesterday (Friday) is at 85.4 million...
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That leaves 4.6 million for it to make to pass 90 million. 46 days making $100,000 a day.
It will not be making 90 million domestic.
There are quite a few articles reporting this downward trend. They generally compare pre- and post-pandemic levels but note the other factors you mentioned earlier.Who claimed flops help anyone? No one made such a claim.
I'm not ignoring anything, quite the contrary. I'm actually looking at the entire landscape and seeing this isn't affecting just one studio with a mouse mascot. I've tried to have this conversation with you in years past but you're so focus only on the mouse's failures and your grievances that you ignore everything else.
The standards for you might be the same, but for the rest of the industry it has changed. Which is why they have been transitioning and trying everything to squeeze more blood from stone. Ticket sales are down overall, and continue to be on a downward trend year-over-year and will likely never get back to prepandemic levels, and you keep ignoring that.
How is it an indictment?I see a lot of twatter fodder saying the reception of sith in the theaters this weekend is āvalidationā of the prequel seriesā¦
Itās quite the oppositeā¦itās an indictment
And who should be fired because a bunch of the wrong people were given a platform to speak about nonsense?You just proved my point. You ignored the fundamental issue and spun yourself in circles
When a movie flopsā¦no matter the studioā¦the comment should be: āThat was a mistake. Someone should be fired. They need to do better. Thereās no upsideā
I hate to make your āgreyā world too B&Wā¦but in this case thatās it. It really is. The world is ruled by percentages and there is no ambiguity on these things.
First, I notice failures and have called them out when it actually happens.Well you donāt seem to notice itā¦but you are. Over and over again
Especially with this recent āwellā¦movies can make money over the longtermā¦ā
First, itās a strawman argumentā¦because there is never a way to attribute actual real numbers to it. It canāt be proven or disprovenā¦so itās invalid due to ambiguity.
And secondā¦the HITS can make money easilyā¦this much is obvious on about 100 different levelsā¦
But flops may āmake Penniesāā¦weāll never knowā¦
But for what? They arenāt worth the hard drives they are digitized on. End of the day. A Waste.
We just need to stop doing cartwheels and making excuses for the bad. And there will be less bickering the minute that happens.
In about 10 days weāre gonna get our chance to judge things objectively againā¦letās see how we do?
ā¦we gotta even you out a little. and Iām serious about this. I like fansā¦engaging in fansā¦and learning with fansā¦And who should be fired because a bunch of the wrong people were given a platform to speak about nonsense?
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