GhostHost1000
Premium Member
only if he has an AP park reservationEA has a 5 story office in downtown Orlando (they do Madden there) so Wilson could pop over to WDW from there on a side meeting.
only if he has an AP park reservationEA has a 5 story office in downtown Orlando (they do Madden there) so Wilson could pop over to WDW from there on a side meeting.
The FX stuff is great but that’s John Landgraf. Shogun is the best thing I’ve seen this year but it’s also a show that cost $200m and got low viewership numbers.Disney content walks away with record number of Emmys and Oscars and other awards.
That's what you're calling a 'mess.'
Why or how any show gets greenlit for $200M in this post-peak TV day and age is beyond me.The FX stuff is great but that’s John Landgraf. Shogun is the best thing I’ve seen this year but it’s also a show that cost $200m and got low viewership numbers.
The FX stuff is great but that’s John Landgraf. Shogun is the best thing I’ve seen this year but it’s also a show that cost $200m and got low viewership numbers.
Why or how any show gets greenlit for $200M in this post-peak TV day and age is beyond me.
Ah, I thought she was in charge of the movie studio as well. My bad.You seem to be confused on what Dana Walden is actually in charge of. FX is one, the film studios (which was the majority of the D23 panel), are not.
She’s been mostly navigating the one division within a company that has been notoriously difficult to weather (primarily original general entertainment) in a declining TV state. It’s kind of the one arm of the company that we can’t overly criticize. Abbott Elementary, the Bear, Only Murders, Shogun, Percy Jackson, etc. are very much her domain.
Whether she deserves a lick of credit or it’s merely luck is our best guess. But general entertainment is flourishing for the first time in decades at Disney.
Ah, I thought she was in charge of the movie studio as well. My bad.
I don’t chalk that up to D’Amaro. In fact, since Iger‘s return we‘ve seen Imagineering basically do a complete 180 and they are doing what they can to bring back talent. The parks output we’ve been seeing lately is the product of the Chapek era.creative output of the parks has been bad and a lot of the parts of the parks divisions have gone through massive brain drains under his reign
Alan Bergman has been leading the studio for a long time and under his leadership Disney is the highest grossing studio almost every single year. Universal has been doing well too, but I much prefer Disney’s movies over Universal’s output.Only obvious person outside of the company that seems like a good fit is Donna Langley, as she's been running Universal well and turned it into a hit factory.
I’m very excited about the upcoming film slate. I think it looks great! They’ve gone through a rough patch recently, no doubt, but I’m optimistic.I agree with the TV division being in a good creative place, the film state, especially the main Disney studios slate, isn't that good.
I don’t chalk that up to D’Amaro. In fact, since Iger‘s return we‘ve seen Imagineering basically do a complete 180 and they are doing what they can to bring back talent. The parks output we’ve been seeing lately is the product of the Chapek era.
Yes, Josh seems to know exactly what announcements the fans would like, and to bury (but still push forward) what they won’t like.Indeed. I think he's been unfairly saddled with Chapek's legacy. Chapek was both the lead of the division for quite some time and then micromanaged it immediately as Iger checked out. Iger didn't give the reigns for a lot of things, but he seemed happy sidelining parks immediately in 2020. We also know Parks are a division that largely requires 5-7 years to manifest its pivot in the macro sense. We're only rounding out year 2.
That said, Disneyland MMRR, Luminous, the newest DVC's, the very latest iterations of pricing and lightening lane systems are starting to fall on his feet.
DCL (including Lighthouse point) is still lingering from Chapek. The broader 2023-2026 parks major investment lull is very much on Chapek's decision making as CEO.
I think we're more clearly seeing Josh's true colours at D23. Which is fairly capital intensive and meant to appeal to millennial Disney adults. Investments very driven by returns on lightening lanes. In tune with, but not unwilling to p*ss off the uber fans. He seems to be the only modern parks exec that knows how people will react. Not that the decision making is going to be better. But a lot of his predecessors seemed quite clueless. What was and was not shown at D23 was very clearly related to his sensibilities. Even down to the Villains show, which wasn't a bad announcement, but he clearly did not want to cause angst in his presentation regarding his one more thing announcement. Chapek would have never understood that. Staggs barely, but he was a wet paper bag and everyone else had more documented disdain for their portfolio. Chapek did actually seem to like the parks, even if he was a bad manager, bad public figurehead, bad communicator and decision maker.
Had to come over here just to see if this was being talked about. If he became CEO the parks would be well and truly cooked.After re-reading the article from Variety: https://www.msn.com/en-us/money/com...is-not-a-front-runner-source-says/ar-AA1tXDRv I’ve found out that despite of Andrew Wilson being a potential candidate, he’s not a front runner. Phew! Thank goodness!
I understand the spend on content, but I also think the $36B represents the bloated budgets Disney issues on each of their titles - Indiana Jones as a particularly noteworthy example.Because the company spends almost 36 billion on content. Shogun was very successful, to the point it has had a two season renewal despite being a miniseries. The services still need prestige series. Post-peak doesn’t mean no prestige TV.
Shogun and Andor still justify their spend. Yes, we know instances where they clearly lost their minds; She Hulk and to a lesser extent Acolyte.
Josh is a ham-handed panderer with only the most surface understanding of what fans love about Disney and little to no grasp on the core of the IP itself. A genuine understanding of an IP and its fans and an ability to cater to that without cheapening the product is vanishing rare - Feige has that understanding, and that’s about the only example I can think of. Joshes are a dime a dozen in board rooms.Yes, Josh seems to know exactly what announcements the fans would like, and to bury (but still push forward) what they won’t like.
I mean the difference is shocking in terms of what was announced at D23 2024 vs the Chapek-era D23 announcements.So, Chapek was responsible for everything bad when he was the head of the parks, but once he was the CEO and someone else was the head of the parks, that head of the parks was no longer responsible for all the bad decisions with the parks, and now that the CEO is gone, it is the former CEO who is STILL responsible for all the issues at the parks? Is it really not possible that Chapek was executing the overall plan of Iger (albeit maybe worse than Iger would have had it, but still his overall plan), and Josh the overall plan of Chapek (though more people friendly when doing it), which is why he transitioned well into the overall plan of Iger?
I mean the difference is shocking in terms of what was announced at D23 2024 vs the Chapek-era D23 announcements.
There’s not a single parks project that I’m not excited for. I definitely could not say the same during the Chapek era where there was multiple projects that left a lot to be desired, IMO.
I strongly disagree and I think time will prove otherwise.Neither have much by way of good taste or long term foresight.
In a leader you want someone to stand up to their core values. Josh never seemed to have any core values. I read there were decisions Josh did not like, but he never stood up and said no, this is not the way Disney Parks should go. Famous statement is "Lead, follow, or get the heck out of the way". Josh needs to get the heck out of the way.Josh is a ham-handed panderer with only the most surface understanding of what fans love about Disney and little to no grasp on the core of the IP itself. A genuine understanding of an IP and its fans and an ability to cater to that without cheapening the product is vanishing rare - Feige has that understanding, and that’s about the only example I can think of. Joshes are a dime a dozen in board rooms.
The new attractions themselves look great. The problem is moving away from each park having a different theme to all becoming very similar.I mean the difference is shocking in terms of what was announced at D23 2024 vs the Chapek-era D23 announcements.
There’s not a single parks project that I’m not excited for. I definitely could not say the same during the Chapek era where there was multiple projects that left a lot to be desired, IMO.
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