bryanfze55
Well-Known Member
Good insight. I'm sure there are key demographics Disney is trying to target that we sometimes may not understand. Regarding criteria as to what does and doesn't work, i'd argue an IP will work if the ride and its story stands on its own without the IP attachment. Some do, some don't.
As for people going to see the IP's for familiarity.. as @marni1971 previously pointed out, attractions like Soarin' and Test Track and Everest are still pulling in solid crowds. Doesn't that matter?
Mission Cheapout is Guardian's of the Galaxy, Mission Breakout in Disney's California Adventure. In Joe Rhodes words, it's a "Warehouse Fortress Power Plant" (and looks like an oil complex industrial building) in the middle of what was a decent looking area. It makes no sense, nor does the futuristic story, especially had there been no IP attachment.
Pandora is extremely well made, but IMO that's because Pandora in Avatar was extremely well made. The creativity was still limited because the land had to "feel" like Avatar. I'm not ragging on Pandora by any means - it's just this "we're gonna copy the movies and only do that" attitude that's taking the parks in a whole new direction.
I think the average guest is drawn to IP. Everest, Test Track and Soarin’ have long waits due to being in parks that have less than ten rides and maybe five “good” rides.
When Disney took down Maelstrom decor and put up Frozen decor in its place, wait times went from 5 minutes to multiple hours. The message that Disney has been receiving for the last decade is that IP matters. Kind of all started with the nearly universal (no pun) positive reactions to Harry Potter Land in Universal.
As much as I love Tom Sawyer Island, Enchanted Tiki Room, and Country Bear Jamboree, would Disney stay in business if that’s the type of attractions they were cranking out?