The Imagineering Movie Discussion Thread

PerGron

Well-Known Member
Original Poster
I triple featured again today because it was a Monday Mystery Movie day and I had it off. Caught Rumours, We Live in Time and the mystery movie was Your Monster.

Rumours
I knew very very little about going into it and so I was pretty taken aback by how wacky it was. I did have fun but it’s definitely not a movie I think I’d recommend to most people.

We Live in Time was certainly a rom-dram. Florence Pugh was fantastic here but beyond her performance I thought very little about it. I’m not a huge fan of sad cancer romance movies like The Notebook and while this focused more on living than dying, it’s still just one of those movies. Not for me, though great performance.

Your Monster was the opposite. I love stupid rom-coms and this fit the bill. It was hilarious, emotional, and had a pretty surprising finale that I didn’t expect. Melissa Barrera can do no wrong and after getting fired from the Scream series, I’m happy to see her in this and Abigail just doing these fun memorable horror comedies. If you liked Lisa Frankenstein earlier this year, I think you’ll like Your Monster
 

TheOriginalTiki

Well-Known Member
Rumours I knew very very little about going into it and so I was pretty taken aback by how wacky it was. I did have fun but it’s definitely not a movie I think I’d recommend to most people.
Is it as much of a boomer movie as the ads are making it come across as? I love Cate Blanchett but hate how try hard the "this is the movie mainstream Hollywood isn't ready for" marketing has been.
 

PerGron

Well-Known Member
Original Poster
Is it as much of a boomer movie as the ads are making it come across as? I love Cate Blanchett but hate how try hard the "this is the movie mainstream Hollywood isn't ready for" marketing has been.
It certainly is not boomer. I genuinely think if any of the boomers I know saw it they’d have a heart attack and die
 

PerGron

Well-Known Member
Original Poster
I rented Mars Express on Prime and holy **** was it a surprise. The flavor is basically Blade Runner meets Ex Machina but animated. I’ve not seen anyone talking about it at all and while it premiered last year at Cannes I believe, it released in full this year to absolutely zero fanfare. Highly recommend it, it was a blast
 

TheOriginalTiki

Well-Known Member
Still not getting Anora anywhere closer than San Francisco this week, but OH JOY OF JOYS my local theater is getting The (beep)ing Apprentice after it's been out in limited release for like a month. I obviously don't think the movie is going to actually endorse the subject matter and I love both Sebastian Stan and Jeremy Strong, but MAN do I really not feel like seeing that thing in an actual movie theater given the current political climate. It seems destined to be an "airplane" movie for me haha.

If I had a nickel for every time a hugely hyped up Oscar movie just didn't come anywhere near me this year...two nickels, weird that it happened twice, yada yada. At least I have Conclave this weekend. Genuinely stoked for that.
 

PerGron

Well-Known Member
Original Poster
Still not getting Anora anywhere closer than San Francisco this week, but OH JOY OF JOYS my local theater is getting The (beep)ing Apprentice after it's been out in limited release for like a month. I obviously don't think the movie is going to actually endorse the subject matter and I love both Sebastian Stan and Jeremy Strong, but MAN do I really not feel like seeing that thing in an actual movie theater given the current political climate. It seems destined to be an "airplane" movie for me haha.

If I had a nickel for every time a hugely hyped up Oscar movie just didn't come anywhere near me this year...two nickels, weird that it happened twice, yada yada. At least I have Conclave this weekend. Genuinely stoked for that.
The Apprentice was actually really good imo, very much the opposite of an endorsement (even though all the people in the audience were unaware of that going in, had a few walkouts.)

Anora looks like a wide release Nov 1 so fingers crossed. Meanwhile, Juror #2 is going to 50 theaters nationwide and that’s it, so I’m taking the train to Boston on the 6th to go see it at the only theater near me lol
 

TheOriginalTiki

Well-Known Member
I don't know if I've ever been so frustrated with my local theater. OF COURSE I didn't get Anora (NOWHERE in Sonoma County), but my theater is screening Hit Pig and literally the most generic Liam Neasson filler action movie I've ever seen. The new Robert Zemeckis movie that's gotten zero hype is hogging up the Giant Screens.

Screw this. At this point my interest in Anora is rapidly falling off if it's going to be THIS difficult to catch a screening of it. Between this and Sing Sing, this is definitely the set up to an "If I had a nickel..." joke. It's genuinely mind blowing that the first week of November my theater just actively has NO new releases that I'm actually compelled to see. ("Here" I'm waiting to see reactions for. Obviously Zemeckis doesn't have a great current track record but there's a possibility Hanks could be doing a lot of heavy lifting for him in this)

I mean, literal video essays are already being made about Anora FFS 🤬🤬🤬🤬🤬🤬
 
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TheOriginalTiki

Well-Known Member
Just checked. "Here" is at 31 GD percent on Rotten Tomatoes. There is literally ZERO excuse for this. I'm genuinely PO'd.

The only saving grace is that at least I have access to Emilia Perez even if it's only at a theater I have to take two buses to get to...
 

PerGron

Well-Known Member
Original Poster
I also didn't get Anora... Somehow most of the theaters being used are for Venom still this weekend. Even Here only has two showings. Probably won't be making it to the theater until next weekend when Heretic comes out
 

AceAstro

Well-Known Member
Speaking of theatres not getting movies, what the hell is WBD doing with Juror #2??? My theatre was going to get it and I was going to see it this weekend… all of a sudden WBD has pulled it from a major release to now less than 50 total theatres and they won’t be reporting box office numbers? This is probably Clint Eastwood’s last movie and it’s getting totally shafted on it’s release I don’t understand
 

PerGron

Well-Known Member
Original Poster
Speaking of theatres not getting movies, what the hell is WBD doing with Juror #2??? My theatre was going to get it and I was going to see it this weekend… all of a sudden WBD has pulled it from a major release to now less than 50 total theatres and they won’t be reporting box office numbers? This is probably Clint Eastwood’s last movie and it’s getting totally shafted on it’s release I don’t understand
Yeah it's absolute bull**** what Warner Bros did with it. I'm driving out to Boston next week because it's the only theater anywhere near me that's showing it. It's almost like studios don't want us to see their movies anymore between this, Sing Sing's absolutely botched release, Anora's terrible release thus far, etc. Like, are the masses not allowed to see the big awards contenders anymore, are those just for film festivals and critics? It's so weird.

Luckily the AMC Boston Commons has both Juror #2 and Anora so I'm gonna double up and make my train ticket or parking worth the price.
 

TheOriginalTiki

Well-Known Member
I know that most of the time it's up to the distributors for which theaters get which movies (sadly is the case with the infuriating Juror Number Two situation), but do ya'll think it's possible one of the reasons Anora is struggling so hard to get into theaters is just because of its subject matter? My town is just "old money Boomer" enough that I could totally see management at my theater seeing the premise and just not thinking it's worth booking. If that's the case, freaking infuriating considering they're letting literal garbage like Hit Pig slip through the cracks. Maybe I'm just trying to find someone to blame in this situation. I can also pretty much guarantee that because Anora is so difficult to catch a screening of, that's going to inflate my expectations to unrealistic levels and I'm almost inevitably going to think it's a good movie but not worth the absolute headache that it's been to see it.

Definitely stoked to check out Emilia Perez this weekend though even if it's not in the most convenient location for me.
 

TheOriginalTiki

Well-Known Member
Definitely stoked to check out Emilia Perez this weekend though even if it's not in the most convenient location for me.

Just checked and it looks like the out of the way theater is definitely getting Anora next week. Glad I get to actually see it in theaters, but being in that theater very much increases the likelihood of the effort not being worth it.

On a more positive note, Piece By Piece is very likely making my top ten list this year. It's a shame it flopped because conceptually it feels like a total game changer. It genuinely made me appreciate pop music in a way I never have before.
 

PerGron

Well-Known Member
Original Poster
Well it's the end of Spooktober and by God was I putting in the work this month. I managed 31 for 31 in October and I got quite a bit of garbage but also some great stand out films. Let's jump right into it!

#31- V/H/S/ Beyond
VHS Beyond.jpg

[Watched on Shudder]

I'm not a fan of the V/H/S/ franchise to begin with; found footage isn't really my jam and the low-quality production is just something I can't really look past, especially when the movie is so freaking long. The best parts about this movie is the documentary stuff discussing aliens and the history of believing in aliens and whatnot, I found that really engaging and like a fun Mermaids: The Body Found type of thing that Animal Planet or History Channel would've done. However, the interspliced shorts just did nothing for me. I don't find found footage particularly scary, nor do I find aliens particularly scary (Signs withstanding on both counts) so combining those two just really didn't do much for me. I think for fans of the series, this is definitely among the better ones, but for a consistent every year release, the most consistent part is how consistently meh they are.

 

PerGron

Well-Known Member
Original Poster
#30- Joker: Folie a Deux
Joker- Folie a Deux.jpg

[Watched in theaters]

I'm famously a Joker (2019) hater, it's a movie I just don't jive with despite the elements that certainly do work (the score, Joaquin Phoenix's performance, the cinematography, etc.) I just felt like it was a ripoff of Scorsese movies without a ton to add to it. Add onto that the fundamental misunderstanding that so many fans of it had and its just not a movie I enjoy... Joker: Folie a Deux made me appreciate Joker (2019).

This is an absolute trainwreck of an experience with some of the most confusing decisions ever made in movie history. The performances are not nearly as strong as in the first film, Lady Gaga was entirely wasted here, the story made little to no sense, the trial stuff was unengaging fluff that doesn't matter at all, and the musical elements don't work like a musical should. Musical songs are supposed to progress the narrative and show what the characters are going through but in this movie they grind the progression to a complete halt and do nothing to further the narrative. I appreciate the swing of making the sequel to a billion dollar movie so different, but it seemed like "let's make it a musical" was less because they wanted to do a musical and more because it would be subversive. Finally, the ending was so unfulfilling and straight up insulting to the audience that it's disgusting. My favorite part of this movie is that after this year I'll never have to think about it again because it's such a flop and has no staying power.

#29- The Bad Guys: Haunted Heist
The Bad Guys- Haunted Heist.jpg

[Watched on Netflix]

Yeah, sometimes movies (or specials in this case) aren't made for you and that's just how it is. The Bad Guys: Haunted Heist is an example of Netflix's lowest common denominator kid's trash that they keep getting away with. DreamWorks has done some really solid specials in the past with the Shrek and Madagascar franchises and The Bad Guys has the iconography and characters and fun to do something like that. Unfortunately, this movie played on DreamWorks other recent thing where their tv animation section is just hot garbage and produces slop like this and Megamind vs. The Doom Syndicate which (as of writing) remains the worst movie of the year for me... and I saw Reagan.

The fact they can't even get the original voice cast for a short (what is Awkwafina doing that she wouldn't say yes, she says yes to everything) and I think having Sam Rockwell and Anthony Ramos and the likes would've made this more tolerable (though a whole rewrite would certainly be better). The plot is whatever, I didn't actually mind it much, it's cute and fun and makes sense, but the dialogue and humor is atrocious. It's made exclusively for kids, but if I had kids I'd just show them It's The Great Pumpkin Charlie Brown or the ghost episode of Suite Life of Zack and Cody if they needed a Halloween special.

#28- Girl Haunts Boy
Girl Haunts Boy.jpg

[Watched on Netflix]

It's crazy this movie managed to come in only fourth worst for the month, that's an achievement because what on Earth is this Hallmark Channel slop Netflix dropped on us. Seriously, if you've seen a Hallmark movie, that's what this is with the contrived plot, the forced romance, the flimsy sci-fi logic just to make the movie work. Sometimes I wonder what Netflix's ultimate goal is: to be the premiere streaming service or to take Hallmark's place as home of the slop romance movies.

The ghost stuff here is kind of fun I guess until they either A. forget Peyton List is a ghost and just have her do human things until they remember or B. Try to explain ghost lore when they haven't quite ironed out the details, both of which happen in this movie. I feel bad because the director was on Letterboxd reading all the reviews and I hate to crush her dreams, but this movie was not good.


#27- Brothers
Brothers.jpg

[Watched on Prime Video]

We're at the point where the movies aren't particularly "bad" they're just kind of "meh" and that's where Brothers stands for me. There are certainly charming elements here and the heist isn't a bad one in the slightest, but it felt just too generic to really stand out. Peter Dinklage feels like he's overdoing the scumbag thing and Josh Brolin doesn't really do anything all that interesting at all. The idea of two brothers coming out of retirement as criminals for one final job is a tried and true one that can work and the chemistry between Brolin, Dinklage, and Glenn Close is pretty good, but the movie just felt too generic and forgettable to really be one I'd care to see again. Also, Oscar winner Brendan Fraser everyone... :(

#26- The Platform 2
The Platform 2.jpg

[Watched on Netflix]

You want a movie that 100% didn't need to become a franchise? That's The Platform which was a pretty big hit for Netflix but, to me, felt entirely hollow in its messaging and to quote Peter Griffin for a second:



The sequel here was just not something we needed and does absolutely nothing to add to the story or the world of this prison. I thought reading Don Quixote in the first film was on the nose but wow was this movie beating you over the head with its message while thinking it's way smarter than you for coming up with it. It's not even a bad message, it's about the failures of a trickle-down economic system and it's certainly a better indictment of the system than Reagan was (last time I bring that movie up, I promise) but it just didn't really stand as anything truly great. It's also a prequel, it's not something I knew going in, but it's a prequel and while that's clearly a reveal in the movie, it makes zero sense watching the movie without that context which is crazy.

#25- House of Spoils
House of Spoils.jpg

[Watched on Prime Video]

I don't know if Ariana DeBose is just a bad actor or if she needs a new agent because between this, Argylle, Wish, and I.S.S. she's had a tumultuous at best film career just in the span of one year. This movie felt like someone watched an episode of The Bear or something and decided "that should be a supernatural horror movie" but couldn't find a way to really balance the two concepts. Unfortunately too, the best elements were the restauranteur stuff and I'd much rather have watched a descent into madness ala The Menu than this weird witchcraft chef movie. It really isn't the worst thing ever and of the four films I mentioned, it's probably the best one with elements that work (again, the cooking and restaurant scenes are great) but the horror feels so tacked on that it took away from the movie overall.

#24- Don't Move
Don't Move.jpg

[Watched on Netflix]

Sam Raimi produced this movie but it's absolutely not a Sam Raimi-style film in the slightest. Instead, it's a pretty standard serial killer thriller with the gimmick that the character is physically paralyzed for much of the movie and can't move or speak or anything. This is where the movie falls into a trap: they need their protagonist to be an active participant in the story but they can't let her move or talk, so they keep having to balance the drug with the scenes that she needs to be engaged in. It's certainly realistic how the drug takes time to ware off and whatnot, but it's frustrating when the character can't do anything in scenes we want to see a reaction from or something.

The killer here is pretty alright, he's charming enough (reminding me of Josh Hartnett in Trap last month) and also sadistic enough that you believe it's possible he's this type of monster. He really has to carry a lot of scenes as the victim is, again, incapacitated. It makes for some really frustrating (in a good way) moments where she's so close to being saved but she can't get out the words or signal she needs help before he catches on and gets out of the situation. Really, this movie isn't bad, it's just kind of a flawed concept that feels more like a short film than a feature. That said, it's the first movie on the list I'd say it's not a total waste of time to watch.

#23- Time Cut
Time Cut.jpg

[Watched on Netflix]

This is just Totally Killer from last year but set in the 2000s and not nearly as fun or funny. The lead character is from 2024 and is fine, but not as funny as Kiernan Shipka was in Totally Killer. The plotline was also kind of ridiculous in how similar the two movies are, like beat for beat, it felt like I had entered an alternate universe where this movie was made instead. That's not to say there's no charm here, the 2000s were a unique era and the sequences really hamming that stuff up was a blast even if I was only a toddler and don't have the nostalgia the millennials among us may have for the time period. The biggest issue really is the similarities to an overall better movie that came out one year ago. Maybe a bit more time would've solved it, or maybe we'd forever be comparing the two but it's at least got some fun to be had and is worth watching if you're a slasher fan or a millennial nostalgic for the 00s.

#22- Hold Your Breath
Hold Your Breath.jpg

[Watched on Hulu]

This is one I have mixed feelings on because half of it I absolutely adored, but the second half fell kind of flat for me. This is set in the 1930s dustbowl in the American Great Plains region and had some of the most interesting Americana folklore I've seen in a movie. Seriously it was like some Blood Meridian Red Dead Redemption 2 type lore with a creepy pastor with magical powers, the mythology of the dust storm, the terrifying sense of being trapped with nowhere to go and slowly dying from inhaling so much dust. That said, the second half of the movie takes a sharp right turn into wackyville and loses a lot of that Americana I loved about the first half and becomes a bit more generic of a "parent going mad" plotline that we've seen in better movies like Hereditary and The Babadook. I really wish this movie had stuck to the supernatural element they built up and didn't go down the "crazy mom" route, but I can still look at the first act and a half as some great Americana horror and it's worth it for that if nothing else.

#21- Salem's Lot
Salem's Lot.jpg

[Watched on MAX]

Salem's Lot is in my top three Stephen King books (Cujo and The Shining are the other two for those curious, I've not been able to get through IT) so to see it get a modern adaptation after the 1970s miniseries was pretty exciting. Overall, I think this movie captured the broad strokes really effectively and made for a fun vampire killing movie with a great scene at a drive-in movie theater. That said, it really is the broad strokes and leaves out a lot of the nuance and elements of the book to cram into a singular film. The effects are good and the acting is alright, but as a King adaptation, it falls pretty squarely in the middle. It's nowhere near as bad as last year's Pet Sematary: Bloodlines but it's nowhere near the heights of a Doctor Sleep either for modern adaptations. If you like vampires and vampire lore, this is a fine movie to watch, but as a King fan, it's just good, not great, and that's disappointing.​
 

PerGron

Well-Known Member
Original Poster
#20- Venom: The Last Dance
Venom- The Last Dance.jpg

[Watched in theaters]

I'm not surprised the third and final installment in the Venom trilogy was just kind of meh, the whole trilogy as a whole has been a total fluke in how much money it made and how popular it became. I struggle to place this one because on one hand, it's probably the best the dynamic between Eddie and Venom has been, the two have a lot of banter and dialogue that I enjoyed, but on the other hand, the movie is just clearly the worst plot of the three. The first film had the novelty of it being a Venom movie and thus getting to do the tried and true thing of making a superhero origin film where the good guy fights a similar bad guy. The second film got to use Carnage, a character that's a ton of fun and I'm happy to have seen on screen, but this third film had almost nothing going for it.

Andy Serkis as Knull is such a non-presence in the movie it's astounding they got Andy Serkis to play the role. They must've paid a fortune for a dude to be stuck to a wall and never interact with a single character besides some CGI monstrosities. The road trip elements were pretty whatever and the subplot with Chiwetel Ejiofor and Juno Temple absolutely waste both of their talents playing such generic characters. The CGI monster battle at the end is fun enough if you're still into that type of thing, but after over a decade and a half of MCU and DCEU sky beacon faceless army type finales it has wholly lost its luster if you ask me. The only reason to see this movie is for Tom Hardy and Venom's banter but it'll end up on Netflix in like a month anyway, so probably just hold out for that.

#19- Carved
Carved.jpg

[Watched on Hulu]

Being October, we're gonna have quite a few cheesy stupid horror movies and Carved is one of those. It's essentially Children of the Corn meets Little Shop of Horrors but if both were produced by the SYFY channel and was written by a person who's never seen either movie. The idea of a nuclear powered mutant pumpkin running around killing people is such a ridiculous and yet fun one that it really just captured me and engrossed me in its sheer stupidity. The violence and blood is ever-present and the camp even moreso with some of the most fun kills full of pulpy neon pink blood that I have been on the record of just loving. It's by no means a great movie, even for a cheesy slasher, but watching this one on the leadup to Halloween was just a good time and will probably end up on my rotation for Halloweens to come for a background party movie.

#18- Mr. Crocket
Mr. Crocket.jpg

[Watched on Hulu]

We've gotten "what if Pooh was a killer" and "what if Mickey Mouse was a killer," so why not "What if Fred Rogers was a killer?" That's essentially what Mr. Crocket gave us, but it was more of Fred Rogers by way of Don't Hug Me I'm Scared. Elements of this movie worked for me as a super cheesy dumb slasher and Mr. Crocket himself was such a big part of that; he reminded me of a Freddy Krueger type with the travelling through the TV rather than dreams and he had a bit of The Ring build in as well with the VHS travelling around thing. The element that he targets who he deems are bad parents, this is all really fun and interesting (and the gore and kills are pretty shockingly dark too).

The movie's biggest failure (for me personally) is that it focuses on the adult characters instead of the kids. I feel like this movie would be so much more interesting if it was about a kid kidnapped by his tv icon and brought into a fictional Blue's Clues house just to want to escape and go back to mom rather than mom going looking for her kid. The fact the movie took a character who is all about "saving kids" from "bad parents" and didn't focus on the kids' perspective is a missed opportunity. It's still fun, but could've been better.

#17- The Menendez Brothers
The Menendez Brothers.jpg

[Watched on Netflix]

We take a quick break from the cheesy slashers to report on a documentary about a murder in the 80s that is gaining traction now because TikTok true crime people are bringing it up. Between this doc and a limited series I didn't bother to watch, this case is picking up traction and the brothers have a bid at freedom in December. Compared to the other true crime docs I've suffered through this year, this one was actually really interesting with a really complex crime that I was invested in. While I've spent all year whining about "this didn't need to be a doc," I think this one actually really did a good job being both interesting true crime, but also a decent marination on what happened and posing questions of "did the brothers deserve the punishment they got." I still won't say I'm in love with it because I just don't love true crime and find it exploitative of the victims and their families, but I guess that's not really the case here since the family of the victims are the culprits. Idk, it didn't sway me to the true crime side of things, but it was interesting and engaging enough. It also had the single most infuriating talking head interview I've ever seen, so it has that going for it.

#16- Haunt Season
Haunt Season.jpg

[Watched on VOD]

And now back to our regularly scheduled programing. This was actually such a blast and I wish I could put it higher but I just couldn't bring myself to do it because the movie is kind of generic and kind of dumb, but I had so much fun with it. Kind of like with House of Spoils, this movie's strongest elements were actually the team behind the haunt experience hanging out and doing their thing and the fact there hasn't been a workplace comedy set at a haunt feels like such a missed opportunity because it was so much fun to watch them do their thing. The slasher stuff was kind of pushed to the side for a bit of it and I didn't find the mystery behind the slasher to be all that engaging because as soon as you see the slasher and then the lineup of characters it's so clear who the slasher is because every character is the same height except for one and the slasher is clearly that guy's height.

Still, the ending with the killer just out doing his thing as the haunt is filled with people and chaos ensues, I had a total blast with it and wish it was on streaming so I could send people to watch it without spending $5. Now that the Halloween season is over idk that it's really even worth checking out because it really requires those Halloween vibes in the air to work, but if you're so inclined, I did find this one to be a lot of fun. From here on up, it's three and a half star out of five films so we're in the recommendation leagues now bois.

#15- We Live in Time
We Live in Time.jpg

[Watched in theaters]

Now for a movie that's not a lot of fun...

We Live in Time is essentially if something like The Notebook or Me Before You or one of those other cancer/illness melodrama romances focused more on the living than they did on the dying. Florence Pugh puts in a really great performance here, one I'd say is on my shortlist for the Golden Tikis as of right now, and gives that emotional through line that you're rooting for the entire time. Her relationship with Andrew Garfield's character is believable (and kind of toxic I won't lie, like she didn't really want kids but he really really did, idk, it's a whole thing) though his performance wasn't nearly as strong as I wanted it to be. It's sad, it's sappy, it's one your partner will need tissues for when watching (and you might too, who's lying here?) but that's not my genre so it can't really go higher.

#14- Hellboy: The Crooked Man
Hellboy- The Crooked Man.jpg

[Watched on VOD]

I saw so many reviews dunking on this movie and I genuinely don't get it. Sure, it feels a bit fan-filmy especially in the effects and sure it's not nearly as good as the Del Toro and Ron Perlman movies, but I had so much fun with this movie it was crazy. This movie took the horror and supernatural elements from the Hellboy franchise and put them front and center making this one pretty handedly a horror film with zombies and witches and The Devil all being prominent creatures in the movie. All of that really comes from this movie's sense of Appalachian horror too as a movie set in the 1950s in the Appalachian region where the saying is "if you see something weird in the woods, no you didn't." The inherent mystery and horror of a mountain range that is literally older than bones (there are caves in the mountains that were formed before animals evolved bones and only invertebrates existed) plays perfectly for a supernatural horror comic book movie.

I do wish this movie got more of a budget and wasn't made clearly just to hold onto the IP (like a Fant4stic) because I had such a good time watching this movie and I wish it got a little bit more love. Honestly, it felt like an extended pilot to a Hellboy series ala Supernatural and that sounds like such a good idea I hope something like that spouts from the IP since this didn't do very well. It's not something everyone will love, but I don't get all the hate it's gotten, I had a lot of fun with it.

#13- Woman of the Hour
Woman of the Hour.jpg

[Watched on Netflix]

In her directorial debut, Anna Kendrick directs the hell out of this movie. Again, I'm not a true crime guy, it's a thing I'll never shy away from criticizing or critiquing, so when I learned this was a true story about "The Dating Game Killer" and his crimes, I was kind of bummed that was the direction she went with her first feature film. That said, having watched it I found it really respectful of the victims, never showing them brutalized or sensationalized and never once painting the killer as anything more than a complete monster. Even when one of the guys on the dating show is a scumbag, he tells Kendrick's character to look out for the guy who won (the killer) because he was off.

This movie also does something similar to The Substance where all the men in this movie just completely suck, focusing on the looks of a woman rather than her as a person. The movie makes you feel for these women, not just the victims of the killer but the victims of the creepy men all around them from TV producers to cameramen to potential dates, etc. As a men, it's moments like this where you reflect and realize how normalized some of the stuff these guys do and check yourself. While very few of us are going to be brutal killers, we all definitely commit microaggressions that have been normalized by society and when movies like this point it back, it's our job to take it in stride and work on it instead of getting offended by it. Overall, it was a solid movie with decent commentary and great directing and one worth watching.

#12- Caddo Lake
Caddo Lake.jpg

[Watched on MAX]

The southern boondocks feel of The Peanut Butter Falcon with the time f*ckery of The Twilight Zone and you've got yourself an absolutely crazy horror sci-fi thriller. Really, Shyamalan should be using his influence to keep producing movies like that instead of doing vanity projects for his daughters because this movie is crazy and fun and terrifying all at once. It really did feel like an extended modern Twilight Zone episode with how everything works and how the sci-fi time stuff works. There's a twist later in this movie that rivals the twists in most of Shyamalan's own movies and totally answers the questions you've had thus far. I don't want to give away any more than that because I think you really should go check this movie out.

#11- It's What's Inside
It's What's Inside.jpg

[Watched on Netflix]

This movie had similar vibes to a Bodies Bodies Bodies and while that's not among my favorite movies I do think it had a great vibe and this movie captures it as well. It also has some great sci-fi f*ckery that worked really well for me with the whole body switching angle being pretty scary but also great for building emotional tension between these friends. The movie jumps the shark a little bit (it's a small shark, one of the ones at the touch tank that don't really bite but is still a shark) at the end, but it's not enough to wholly derail the movie. Again, I don't want to give much away because I absolutely think this movie is worth checking out.​
 

PerGron

Well-Known Member
Original Poster
#10- Daddy's Head
Daddy's Head.jpg

[Watched on Shudder]

Here in the top 10 there are (at least) three movies that absolutely shocked me with how much I enjoyed them; Daddy's Head is one of those three. With a movie like that you think it would be a movie on an adult site or something, but no, this is a really effective monster movie with a shapeshifting (some say alien, I'm going fae) creature who wants to take a mourning child to its lair. I think this movie is fascinating because the creature (while clearly being "evil") feels less like a malicious demonic entity and more like an animal doing what it does to survive. It's certainly out here being creepy and crawling through vents and being manipulative, but it's in a way that feels like it was out here looking for food rather than trying to corrupt the youth or whatever. Sure, not a great defense I know, but still, I found that interesting. Does the monster represent grief like every monster in a horror film since the mid 2010s? Yeah. Does it still work as a creepy creature and have elements in the movie that are super strong? Also yeah. This is the third in a row I don't want to give too much away because yeah, I think it's worth a watch.

#09- Your Monster
Your Monster.jpg

[Watched in theaters]

If you liked Lisa Frankenstein earlier this year (like I did) I think Your Monster is 100% up your alley. This is basically the next Pokémon evolution of that movie anyway and I do mean that in the best way. Melissa Barrera is great here and is consistently popping up and proving herself as a modern horror icon between the Scream V and VI (I'll not forgive Skydance for firing her from the series) as well as Abigail and now this. This movie is certainly more of a rom-com than it is a horror (though there are horror elements throughout), but what I liked about it most is despite the romance between Barrera's character and Tommy Dewey's monster, the movie is more about loving yourself and that's a message I can always get behind.

This movie is surprisingly funny (though please don't watch the trailer, the best moments are given away there) and it's a shame it seems to have come and gone with almost no fanfare. I didn't see any of the big channels review it, it's not showing in my theater anymore after its two weeks there, it's too bad. If you get the chance, Your Monster is a good time and I recommend checking it out.

#08- Smile 2
Smile 2.jpg

[Watched in theaters]

Another crazy surprise for me, I expected almost NOTHING out of Smile 2. I'm kind of not a fan of the first Smile film, like, it's fine but I don't get all the hubbub about it. I found Kevin Bacon's daughter to not be a great protagonist, the jumpscares felt forced in some moments, and I just didn't get scared from it. That said, I went into Smile 2 and was blown away by how much better this movie is than its predecessor. This is like the Evil Dead II to The Evil Dead or Terrifier 2 to Terrifier, it's such a leap up in almost every capacity that the first just feels like a tech demo (I still love you The Evil Dead).

Naomi Scott is freaking incredible in this and her commitment to this role is 100% what makes this movie work as well as it does. Without her commitment, I genuinely don't think this movie would've worked even half as well. Her performance mixes with the absolute insane f*ckery (gonna see how many times I can say it at this point) that is going on around her. While the first movie had moments of you questioning what's real and what isn't, this movie takes that to like twelve million percent and it's perfect for that. Smile 2 is the rare sequel (and even rarer horror sequel) that just one ups the first movie in every single way. Go see it.

#07- Rumours
Rumours.jpg

[Watched in theaters]

If The Bad Guys: Haunted Heist was a movie not at all made for me, Rumours is a movie crafted almost exclusively for me and me alone. I can 1000% see a world in which I stand alone on an island defending the movie with self-pleasuring bog mummies serving a giant brain in the woods as they terrorize the most powerful people in the free world under the command of an AI program and if that doesn't sound like a movie you'd enjoy, you're probably right. For me though, this was so ridiculously weird and out there that I couldn't help but love it and that's kind of all I have to say about it. It's weird, it's crazy, it's funny, and it's just a movie written and filmed for me alone. The best part is Charles Dance playing the president of the USA and not dropping his British accent AT ALL. Very funny.

#06- Saturday Night
Saturday Night.jpg

[Watched in theaters]

Saturday Night was one of my most anticipated movies of the year and it unfortunately is probably among my most disappointing of the year. That's not to say the movie is bad, it really isn't, but for the hype it was getting and the real-time element it had going for it, I feel like it dropped the ball in the third act. The performances were pretty strong, especially for Chevy Chase and Dan Aykroyd's performers, but that's kind of where the excellence begins and ends. The first two acts were fun high-octane fast-paced moments, but that third act takes a nosedive into absurdity and kind of lost me. I still had a good time with it, but this has slipped out of my top 10 of the year and all the way down to #6 in October, forget the rest of the year and I can honestly see it slipping further back as the year goes on. If you're an SNL fan, I think it's worth the watch and again, I did enjoy it, but not as much as I really wanted to.

#05- Piece By Piece
Piece by Piece.jpg

[Watched in theaters]

I remember when LEGO announced their next film was about Pharrell Williams my flabbers were ghasted because what the actual hell do they mean by that? Once I got into the theater though, this movie absolutely blew away every minute expectation I had for what it is and that is the greatest compliment I could give this movie. Piece By Piece does things with color and movement that you couldn't do outside of LEGO and I don't think the movie would be even a fraction as good if it hadn't been done in this seemingly harebrained way. The movie also absolutely picks on the fact it has to be PG because LEGO is a children's toy and they wouldn't go any higher than that and gets away with a lot more than I thought LEGO would let them get away with. LEGO is famous for not depicting anything or commenting on social issues like religion, politics, race issues, etc. but this movie has depictions of all of that from LEGO BLM protests to LEGO church sequences with a choir to LEGO Kendrick Lamar rapping, it was shocking how much rope LEGO gave them. We even get a scene with Snoop Dogg (famous for... partaking) that is genuinely the funniest scene I've seen all year in the movie theater. I and the mom sitting near me were both cackling while her kid who sat next to me had no idea what we were laughing at so he was laughing too, it was really really a good time. If this is still showing near you, I recommend going to see it because it's crazy how good it ended up being.

#04- Terrifier 3
Terrifier 3.jpg

[Watched in theaters]

I'm not a fan of the original Terrifier film, it felt like it was gore for gore's sake and was kind of malicious and sexist and all of that other stuff people accused it of being. I don't mind gore (hell, I've praised movies for their use of it earlier on this list, though usually as pulpy cheap fake blood) and while my limit is pretty high up there, I felt sick by the first movie, not from the images but from the mean spiritedness. That's all from when I was a big baby because holy **** I had so much fun with Terrifier 3.

This is a franchise that I 100% understand and respect is just too much for some (most) people with the overly cruel kills and violence towards literally anyone and everyone including kids. If this movie seems to be or is too much for you, I fully respect that and you're probably a better person than I am for holding those standards, but for me, this was crazy kills, overindulgence, and one of the best killers in the game. Seriously, move over Jason and Michael Myers, you're boring silent killers compared to how great Art the Clown is. He's become an icon in his own right and I think it's deserved, especially after this film. That said, I didn't 100% love this, I'm kind of over the lore already. Terrifier 2 introduced lore to the universe and Terrifier 3 expands on it, but I think that's the worst part. I'd kind of rather just have Art doing his thing than this whole Hell embodiment of evil thing they've got going on. The final 20 minutes of this movie (while still brutally fun) are just a bit lore heavy for me and while I'm certainly a lore guy, I don't think this franchise requires it. Still, if you're into this type of thing, I think Terrifier 3 is the best one so far, and if you're not, good for you, you're a better person than me.

#03- The Apprentice
The Apprentice.jpg

[Watched in theaters]

My favorite part of this movie is that my whole audience didn't understand this movie was pretty firmly anti-Trump and they were all VERY angry upon leaving the theater.

Obviously, The Apprentice is a movie that I think will be pretty divisive and depending on the outcome next Tuesday, we're either gonna see it showing up more in conversations for acting awards or it'll fade away into obscurity and I don't think there's any other way about it. I don't want to get too political here (though I don't think my politics are really hidden well, just look at my review of Reagan [I KNOW I'M SORRY I HAD TO BRING IT UP ONE MORE TIME]) but neither does this movie. The movie isn't about politician Donald Trump, it's about businessman and real estate mogul Donald Trump and his rise to the top amongst wealthy New York elite. It shows the scummy things he did back then while hinting at things he would go on to do in the future but I think it was done overall pretty fairly. It certainly doesn't idolize him, but it also doesn't dehumanize him, quite the opposite. We see a portrayal of a broken man with a neglectful father, a junkie brother who he loves, a terrible role model, and a wife who he truly loves (until he doesn't.) I think it's important to humanize figures like Trump who have gone on to become larger than life and to bring them down a peg, republican or democrat. I think overall, this movie is effective at what it seeks out to do and for that I give it props. I enjoyed the performances, I enjoyed the cinematography, and I enjoyed what the movie set out to do.

#02- The Remarkable Life of Ibelin
The Remarkable Life of Ibelin.jpg

[Watched on Netflix]

Going from a divisive film that will pit people against each other to a unifying film about how an online community and people all over the world can be positively impacted by one person and that's what we get with this doc. This is a complete tear jerker about a guy with muscular dystrophy who is relegated to a wheelchair and spends almost all of his time gaming. The doc starts with his parents talking about how sad it was he'd never have friends or love or community and it's really dark and depressing, but then we get into his second life online in World of Warcraft and it's super sweet to see how important and beloved this guy was. It also doesn't paint him as perfect, he rubs people the wrong way, he womanizes, he gets into and starts fights, but its about his presence and how he and everyone else in the community help one another in game and it affects their lives outside of it. Throughout I found myself thinking about this community and how there are similarities; most of us have never met but we all know one another and communicate frequently and I'm sure in some way many of us have been impacted by the people here positively. It shows the good side of the internet where so much shows the negative side. I do recommend tissues when watching though.

#01- Conclave
Conclave.jpg

[Watched in theaters]

We're at the point of the year where the Oscar-bait movies are coming out and I apologize in advance as they start taking up the slots near the top of my monthly lists. Still, I was really into Conclave despite the fact I'm typically not into religious films or films set in the church (Catholic childhood trauma and all, you know) but this one was super engaging. It reminds me of movies like The Post with this thrilling intrigue that just really stuck with me. The performances from the legendary Ralph Fiennes and Stanley Tucci are phenomenal, the cinematography may just be the best of the year so far with some insane shots, and the story and mystery are so good. The reveal at the end does come out of left field and I did have a man stand up and walk out during it, but it worked for me and actually showed the beauty and purpose behind religion with the acceptance of all people of all walks of life should they find and embody faith. Yes, it's Oscar-bait and yes, I get why not everyone loves those movies, but I really enjoyed Conclave.
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Alright, so into November we go and holy **** do we have some BANGERS coming out. Some of my most anticipated movies of the year are dropping including Anora, Heretic, and Gladiator 2 but we also have potential hits like Red One and Wicked and interesting ones like Moana 2 which I have no idea where to place.

My first movie of the month will be the hard to find Juror #2 followed immediately by the equally hard to find Anora so I suspect this month will hit just as hard. I can't wait to see it all!​
 

Chaos Cat

Well-Known Member
Well it's the end of Spooktober and by God was I putting in the work this month. I managed 31 for 31 in October and I got quite a bit of garbage but also some great stand out films. Let's jump right into it!

#31- V/H/S/ Beyond
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[Watched on Shudder]

I'm not a fan of the V/H/S/ franchise to begin with; found footage isn't really my jam and the low-quality production is just something I can't really look past, especially when the movie is so freaking long. The best parts about this movie is the documentary stuff discussing aliens and the history of believing in aliens and whatnot, I found that really engaging and like a fun Mermaids: The Body Found type of thing that Animal Planet or History Channel would've done. However, the interspliced shorts just did nothing for me. I don't find found footage particularly scary, nor do I find aliens particularly scary (Signs withstanding on both counts) so combining those two just really didn't do much for me. I think for fans of the series, this is definitely among the better ones, but for a consistent every year release, the most consistent part is how consistently meh they are.

Now, I like the V/H/S movies and that includes this movie. However, I recognize they're not for everyone and will not object to you placing this low.

I do, however, object to you placing this below Joker 2, because holy hell, calling anything worse than Joker 2 is an insult worthy of damnation.
 

TheOriginalTiki

Well-Known Member
I weirdly had the opposite reaction to the performances in We Live in Time. I thought Andrew was adorable and super sympathetic in a "lost puppy dog" kind of way where Florence I just felt at a distance to the whole time which I get is part of the character but by contrast she definitely comes off as the more cold of the two and she makes a super selfish decision that never fully gets resolved in the plot and left me really PO'd on behalf of Andrew's character. I definitely agree with the toxicity and that on some level it feels like these two maaaaaybe shouldn't have gotten together in the first place which kind of puts the rest of the themes of the movie into chaos. Plus the whole "fine dining competition" sub plot did nothing for me but give me flashbacks of "The Bear" which fell off a cliff this year after two absolutely wonderful seasons and is just not a world I'm super excited about diving into right now. The repeated "yes, chef" phrase literally gave me "The Bear" PTSD flashbacks 🤣 That's probably why I'm as unsympathetic as I am towards Florence's selfishness regarding the competition stuff haha.
 

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