'Strange World' Disney's 2022 Animated Film

Disney Irish

Premium Member
I for one will watch Strange World when it goes to D+ and I will not go to the movie theater to watch it.
How many folks have the same opinion I wonder?
And that is Disney's hope, that if you don't see it in theaters that you see it on D+.

Because for all those that think that Disney's strategy on D+ is changing now that Iger is back is mistaken. Iger basically just reaffirmed Disney's strategy with D+ and DTC in his town hall with CMs today. His goal is to make sure its profitable, ie Daddy Iger will be opening the wallet to make sure it had what it needs to be profitable.
 

Communicora

Premium Member
Its the backgrounds. They don't have the usual look of a pixar or Disney animated film. I think they were trying to go for maybe a chalk or watercolor look, but made them too pastel and still kept the characters semi realistic. None of it really matches together. And this is from someone who considers themselves a Turning Red apologist.
See, I loved the backgrounds. I still enjoyed the movie, but the character design was a turn off. The people look like fan art on tumblr with their red noses and bean mouths. No thank you. Strange World had a similarly unappealing and, dare I say, not very Disney, character design.
 

Vegas Disney Fan

Well-Known Member
And that is Disney's hope, that if you don't see it in theaters that you see it on D+.

Because for all those that think that Disney's strategy on D+ is changing now that Iger is back is mistaken. Iger basically just reaffirmed Disney's strategy with D+ and DTC in his town hall with CMs today. His goal is to make sure its profitable, ie Daddy Iger will be opening the wallet to make sure it had what it needs to be profitable.

I’d love to see their internal data on how releasing movies on D+ so early impacts D+ subscriptions, maybe I’m the anomaly because the theatrical release window going to 6 months wouldn’t affect my decision to get or keep D+ at all, I pay primarily for the new series and the catalog, not for quick access to theatrical movies.

It just seems odd to sacrifice box office when I don’t think it’s necessary. If I were Iger I’d go back to the old Blu-ray release schedule and see how that affects box office vs D+ subscriptions, even if they could just break even on production it would make more sense.
 

CaptainAmerica

Premium Member
See, I loved the backgrounds. I still enjoyed the movie, but the character design was a turn off. The people look like fan art on tumblr with their red noses and bean mouths. No thank you. Strange World had a similarly unappealing and, dare I say, not very Disney, character design.
Which is a huge bummer because the environments in Strange World are gorgeous. It was a rare example of a movie that had me hyped from the teasers and then when the characters started speaking in the full trailer, I completely checked out. Felt like a bad 90s Saturday morning cartoon.
 

Disstevefan1

Well-Known Member
Minions and Top Gun would love to meet you.
SCOREBOARD: Thats two non-Disney movies folks will show up for VS. (fill in the blank) number of Disney movies folks would show up for. I am thinking zero for Disney.

I for one will be watching both Minions and Top Gun on streaming at home.

The money I save on Gas+tickets+concessions is a lot. Not to mention the comfort of watching at home.
 

TwilightZone

Well-Known Member
Which is a huge bummer because the environments in Strange World are gorgeous. It was a rare example of a movie that had me hyped from the teasers and then when the characters started speaking in the full trailer, I completely checked out. Felt like a bad 90s Saturday morning cartoon.
The cringey dialogue seems to be a large point of contention. If the average person doesn't like the dialogue, there's something wrong.
 

Ghost93

Well-Known Member
The cringey dialogue seems to be a large point of contention. If the average person doesn't like the dialogue, there's something wrong.
I think for me the biggest problem of Strange World is the lack of solid worldbuilding. I don't think the movie did a good enough job establishing what Avalonia or Pando is like and how the world functions and what is really at stake. While the "Strange World" had interesting designs, I didn't care about anything happening related to the plot. I found the Clade family dynamic midly interesting, but not interesting enough to carry a lackluster story.

The dialogue is a problem I've had with most of Disney movies lately. Too modern. Whether it's Maui joking about "Tweeting" in Moana or the endless anachronisms in Raya and the Last Dragon, I feel recent Disney movies have been lacking dialogue that feels "timeless."
 

CaptainAmerica

Premium Member
The dialogue is a problem I've had with most of Disney movies lately. Too modern. Whether it's Maui joking about "Tweeting" in Moana or the endless anachronisms in Raya and the Last Dragon, I feel recent Disney movies have been lacking dialogue that feels "timeless."
"Don't know if I'm elated or gassy, but I'm somewhere in that zone."

She's Just Like You and Me™️
 

MisterPenguin

President of Animal Kingdom
Premium Member
Turning Red was doomed to fail. Its audience is horribly narrow, being designed almost exclusively for Asian girls.

Luca had a chance to be a success.
Really? Since it was marketed almost exclusively to Italian mer-boys?


The canard of "people can't relate because they're not exactly the same type of person" is insane. We watch movies to in order to vicariously live as others. To see ourselves in strange circumstances.

Can anyone appreciate a war movie if they've never been in the military? Can they appreciate a superhero movie if they've never had super powers? Can you appreciate Coco without being Mexican? And so on and so on...
 

MisterPenguin

President of Animal Kingdom
Premium Member
Reminder: The animated movies released to D+ during the pandemic get high ratings from critics and viewers.

Your personal dislike doesn't mean it was awful in the eyes of everyone else.

E.g.,I despise movies with organized crime murderers as the protagonists... but I'm not going to say that "people hated The Godfather and it was awful."
 

CaptainAmerica

Premium Member
Can anyone appreciate a war movie if they've never been in the military? Can they appreciate a superhero movie if they've never had super powers? Can you appreciate Coco without being Mexican? And so on and so on...
That's sort of the point, though. Nobody is making these complaints about Coco because Coco doesn't suffer from this problem.

Reminder: The animated movies released to D+ during the pandemic get high ratings from critics and viewers.

Your personal dislike doesn't mean it was awful in the eyes of everyone else.

E.g.,I despise movies with organized crime murderers as the protagonists... but I'm not going to say that "people hated The Godfather and it was awful."
Quality and commercial success are not the same thing. Transformers: Revenge of the Fallen was a worse movie than Frost/Nixon but which one had a better 2009?
 

Disney Irish

Premium Member
I’d love to see their internal data on how releasing movies on D+ so early impacts D+ subscriptions, maybe I’m the anomaly because the theatrical release window going to 6 months wouldn’t affect my decision to get or keep D+ at all, I pay primarily for the new series and the catalog, not for quick access to theatrical movies.

It just seems odd to sacrifice box office when I don’t think it’s necessary. If I were Iger I’d go back to the old Blu-ray release schedule and see how that affects box office vs D+ subscriptions, even if they could just break even on production it would make more sense.
Extending the theatrical window is something I'm sure that will be looked at. However it'll take a couple cycles of movies to break some out of the habit of 45ish days before it hits D+. The genie is out of the bottle though, its now been programmed into the consumer that they can wait and see everything on D+ for their monthly sub.

I wouldn't even be surprised if Premier Access makes a return.

But in my option it'll be continue to make D+ domestic exclusives but lower the cost of production and open the wallet for imported content as needed. Otherwise if it was just slashing across the board for D+ to make it profitable they'd lose subs big time. Its a balancing act, lower costs while increasing ARPU while spending to maintain the subs you have.
 

erasure fan1

Well-Known Member
I for one will watch Strange World when it goes to D+ and I will not go to the movie theater to watch it.
How many folks have the same opinion I wonder?
It's something Disney is going to have to come to terms with. They've trained the audience to wait for D+. So now they need something special to get people to the theater. Anything that looks just meh, or average is going to have a rough go of it. I will squarely put myself in the wait and see category as well.
 

TwilightZone

Well-Known Member
It's interesting to me because it seems like D+'s offerings are better than some of the movie offerings that go to theaters. I have heard nothing but good things about most of the marvel shows, the star wars shows, even the animated offerings seem pretty good. I am not saying it should be the other way around, but they need to put whatever love is going into those into their theatrical output too.
 

MisterPenguin

President of Animal Kingdom
Premium Member
Quality and commercial success are not the same thing. Transformers: Revenge of the Fallen was a worse movie than Frost/Nixon but which one had a better 2009?
Not my point at all. People were declaring those movies as bad because they didn't like it. Box Office had nothing to do with my comment.

But, since you bring it up. Most of the films being called bad didn't have a wide release. And there are those who are pointing to a lack of a theatrical profit -- in which there was no wide release -- as evidence of the movie being bad. In reality, with regard to Box Office, there is a *lack* of evidence either way. There was no wide release for them.
 

CaptainAmerica

Premium Member
Not my point at all. People were declaring those movies as bad because they didn't like it. Box Office had nothing to do with my comment.

But, since you bring it up. Most of the films being called bad didn't have a wide release. And there are those who are pointing to a lack of a theatrical profit -- in which there was no wide release -- as evidence of the movie being bad. In reality, with regard to Box Office, there is a *lack* of evidence either way. There was no wide release for them.
Understood, maybe I haven't been clear (or maybe you weren't talking to me in the first place).

I am speculating that Turning Red would have done poorly at the box office even if it had been given a historically normal theatrical window and if it had premiered outside of the pandemic. I'm not pointing at any data to back this up because there's no way to prove my counter-factual. It's just a gut thing. I don't think it would have totally flopped, but I think we'd be looking at Bolt numbers.

Disney movies that do well are either funny, or have a banging soundtrack. Turning Red had neither.
 

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