Not sure how we got on the little mermaid... since we were talking the projection tech... but Ursula and Scuttle are very impressive. The wardrobe and Lumiere are both great examples of both the flexible material and projection techniques in use now. RSR blends both techniques extremely well too. Remy is another impressive figure demonstrating technical achievements.
It's clear each attraction has its own objectives and choices in technical direction -- not that Disney as a whole is going backwards.
I don't find Scuttle to be impressive at all. Ursula is when she is working (she was partially inop last week when i was there). Disney could be doing far better in 2014. It's like riding Pooh here and riding it in Tokyo where it is essentially the exact same attraction, but the Disney Store mannequins are replaced by real AAs and the ride system is completely different.
Oh, and while I love Lumiere and the wardrobe, to me, they are wasted in a meet-greet-and-dance-around-with-paper-masks.
The type of setting that we get in POTC or even SSE are very different from what one would expect from fast moving cartoon-like characters. The 'living museum' as I call most of Disney's AA setups was always about 'live performance' to me and not about 'realism'. They were great because it was more than static displays. I mean, look at the Grand Canyon diorama vs UoE.. but no matter how realistic the Abe Lincoln face looks.. we are no where close to the type of live movement and variety you can get with the transparent projection screens like you see in Disaster at USF.
Talking mannequins >> static ones... but they still stand there like stiffs.
Yes, Disney was going with live performance, but they were trying to do so BY making the AAs as lifelike as possible. That's why AA tech kept advancing through the decades until Disney decided they were largely too pricey and passe.
***Fanboi alert: It's Disney Night on Dancing With the Stars. I may be far from a TV tonight, but don't Let It Go without you!!!