DubyooDeeDubyoo
Active Member
I haven't posted on a Disney board in a long, long time. Apologies if I get things wrong.
This parade is "okay" and I think Entertainment did the best they could with their Chapek-assigned budget. There are large gaps in the parade which make me think there's room for future budget to add more to look at. I could see adding Mulan given that the floats have a lot of diverse backgrounds, and what the company was doing this year. I also agree that the Moana segment is a little long and the Maui float could be cut. What I do like about the parade is it puts a lot of characters on the ground and they seem to go to the sides and interact with kids at the curb as much as they can without holding the parade route up. People think the ending theme should be loaded up front and I'll disagree, it has that dreamy, sometimes sappy appeal going on that's good both for the Sleeping Beauty float and Disney "endings".
I'm not a parade guy usually. I feel like everything, say, after Hercules but before Soundsational wasn't that good? Once they hit the absolute pits with that blink-and-you-miss-it Hunchback 'procession' the daytime parades turned into character marches to the same orchestrated Disney music tropes that I could miss. The engagement and talent you saw in parades up until the EuroDisney-related recession was gone.
I'm not immediately in love with the parade because it needs some more work, but it reminds me a bit of a modern retooling of Party Gras which was my childhood parade. I doubt a Disneyland parade will ever throw collectables into the audience again, nor cover Main Street in confetti (janitorial is thankful), and yeah the "camp avant-garde" drag aesthetic is not personally my thing. But I get it, because it's that aesthetic that's associated with late 80s/early 90s dance nostalgia. It's fine for a troupe of people voguing to what sounds like an homage of "Everybody Dance Now". If you're going to throwback to Party Gras and Totally Minnie in 2020, that's how it's gonna be.
This parade is "okay" and I think Entertainment did the best they could with their Chapek-assigned budget. There are large gaps in the parade which make me think there's room for future budget to add more to look at. I could see adding Mulan given that the floats have a lot of diverse backgrounds, and what the company was doing this year. I also agree that the Moana segment is a little long and the Maui float could be cut. What I do like about the parade is it puts a lot of characters on the ground and they seem to go to the sides and interact with kids at the curb as much as they can without holding the parade route up. People think the ending theme should be loaded up front and I'll disagree, it has that dreamy, sometimes sappy appeal going on that's good both for the Sleeping Beauty float and Disney "endings".
I'm not a parade guy usually. I feel like everything, say, after Hercules but before Soundsational wasn't that good? Once they hit the absolute pits with that blink-and-you-miss-it Hunchback 'procession' the daytime parades turned into character marches to the same orchestrated Disney music tropes that I could miss. The engagement and talent you saw in parades up until the EuroDisney-related recession was gone.
I'm not immediately in love with the parade because it needs some more work, but it reminds me a bit of a modern retooling of Party Gras which was my childhood parade. I doubt a Disneyland parade will ever throw collectables into the audience again, nor cover Main Street in confetti (janitorial is thankful), and yeah the "camp avant-garde" drag aesthetic is not personally my thing. But I get it, because it's that aesthetic that's associated with late 80s/early 90s dance nostalgia. It's fine for a troupe of people voguing to what sounds like an homage of "Everybody Dance Now". If you're going to throwback to Party Gras and Totally Minnie in 2020, that's how it's gonna be.