News New Crêperie restaurant coming to Epcot's France Pavilion as part of Ratatouille expansion

rkleinlein

Well-Known Member
In addition to the atrocious architectural design others have already pointed out, the overall theming is nonsense. It looks nothing like Paris (or anywhere else in France). Not even close.

Perhaps the people who designed this have never been to Paris.

Or watched any movies filmed in Paris.

Or looked at any photographs of the most photographed city in the world.

Or walked through the France pavillion at Epcot.
 

ToTBellHop

Well-Known Member
In addition to the atrocious architectural design others have already pointed out, the overall theming is nonsense. It looks nothing like Paris (or anywhere else in France). Not even close.

Perhaps the people who designed this have never been to Paris.

Or watched any movies filmed in Paris.

Or looked at any photographs of the most photographed city in the world.

Or walked through the France pavillion at Epcot.
But they HAVE eaten french fries and french toast.

To be fair, they DID say the existing pavilion has a certain "je ne sais quoi". Apparently the designers literally don't know what is special about the existing pavilion. Or France. Or french toast.
 

lazyboy97o

Well-Known Member
Ok so first what the heck is a faux Mansard wall and party walls. I've spent summers in France, no one mentioned party walls. Joking

Could it be that you are in the architecture industry??

I don't think an "orphan " window makes it look cheap? I know nothing about structure design so I ask in general interest, i don't think I've taken that deep of of a notice outside of the general " that's pretty"
So again I don't see how it resembles a "mall", or at least not any malls I've been too.
Looks nice to me.
A Mansard roof has a specific purpose, the creation of additional occupied space. That is why they are typically full of dormer windows, because they created an attic space that could be be used as an additional floor. A faux-Mansard is one created simply to sort of mimic the style and in applications such as this is very much rooted in strip malls. There is no evidence of a livable attic and there would be no need for such a space in a two story building, especially when there are two story buildings on both sides.

Party walls are the common walls between connecting buildings. They can easily be seen throughout the France Pavilion as they stick up above the roofs because they help prevent the spread of fire between buildings. The chimneys then stick up above them so that hot embers are less likely to fall on the roof and catch the building on fire.

The orphan window isn’t cheap, it is lazy and poor design. It’s there to easily try and add visual interest but lacks any sense. What is it trying to communicate? Why would there be just one window that is completely different in its size, ornament and placement from the others? Nothing else suggests something like an expansion or renovation of the building.

The whole methodology is one that is typical of poor suburban developments. It’s random bits that are sort of something historical but applied with no regard for that history.

I guess every concept art released that is not super detailed will be scrutinized even if Disney did on purpose and wants to keep it vague.
The problem is not a lack of detail or trying to be vague. A collector head at the top of a parapet is just wrong, flat out. You don’t put a shower drain in the ceiling. There is no benefit to it being drawn wrong.
 

Bostb71

Well-Known Member
In addition to the atrocious architectural design others have already pointed out, the overall theming is nonsense. It looks nothing like Paris (or anywhere else in France). Not even close.

Perhaps the people who designed this have never been to Paris.

Or watched any movies filmed in Paris.

Or looked at any photographs of the most photographed city in the world.

Or walked through the France pavillion at Epcot.
They built 2 theme parks 26 miles outside of Paris - they should have some frame of reference
 

Missing20K

Well-Known Member
A Mansard roof has a specific purpose, the creation of additional occupied space. That is why they are typically full of dormer windows, because they created an attic space that could be be used as an additional floor. A faux-Mansard is one created simply to sort of mimic the style and in applications such as this is very much rooted in strip malls. There is no evidence of a livable attic and there would be no need for such a space in a two story building, especially when there are two story buildings on both sides.

Party walls are the common walls between connecting buildings. They can easily be seen throughout the France Pavilion as they stick up above the roofs because they help prevent the spread of fire between buildings. The chimneys then stick up above them so that hot embers are less likely to fall on the roof and catch the building on fire.

The orphan window isn’t cheap, it is lazy and poor design. It’s there to easily try and add visual interest but lacks any sense. What is it trying to communicate? Why would there be just one window that is completely different in its size, ornament and placement from the others? Nothing else suggests something like an expansion or renovation of the building.

The whole methodology is one that is typical of poor suburban developments. It’s random bits that are sort of something historical but applied with no regard for that history.


The problem is not a lack of detail or trying to be vague. A collector head at the top of a parapet is just wrong, flat out. You don’t put a shower drain in the ceiling. There is no benefit to it being drawn wrong.
The scupper at the top of the parapet is just plain hilarious. They even took the time to draw the downspout going out and around the lower cornice. The cornice right below the gutter of the mansard roof is a nice touch as well. Which they also took the time to have the downspout routed around the cornice. :hilarious::banghead:

EDIT: And the quoins on the side. Just......the artist obviously does not know what they are, their purpose, or why one would use them. They are just a decorative element they believe adds authenticity, when in fact it just adds to the "fauxness" and treats the building as pastiche.
 
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eliza61nyc

Well-Known Member
A Mansard roof has a specific purpose, the creation of additional occupied space. That is why they are typically full of dormer windows, because they created an attic space that could be be used as an additional floor. A faux-Mansard is one created simply to sort of mimic the style and in applications such as this is very much rooted in strip malls. There is no evidence of a livable attic and there would be no need for such a space in a two story building, especially when there are two story buildings on both sides.

Party walls are the common walls between connecting buildings. They can easily be seen throughout the France Pavilion as they stick up above the roofs because they help prevent the spread of fire between buildings. The chimneys then stick up above them so that hot embers are less likely to fall on the roof and catch the building on fire.

The orphan window isn’t cheap, it is lazy and poor design. It’s there to easily try and add visual interest but lacks any sense. What is it trying to communicate? Why would there be just one window that is completely different in its size, ornament and placement from the others? Nothing else suggests something like an expansion or renovation of the building.

The whole methodology is one that is typical of poor suburban developments. It’s random bits that are sort of something historical but applied with no regard for that history.


The problem is not a lack of detail or trying to be vague. A collector head at the top of a parapet is just wrong, flat out. You don’t put a shower drain in the ceiling. There is no benefit to it being drawn wrong.

Thanks @lazyboy97o it's evident that this is some thing you know about. I really never think of a window as trying to "communicate" anything. Open, shut and let in light is probably about as deep as I've ever gotten. lol, I don't think I thought this much about the first house I lived in but again I'm not into design or architecture, I do love furniture shopping.

Sorry, just not some thing I can get really outraged about it.

I love crepes so this is great news and I can't wait. will I get there and say "ugh, the building is nothing like France" we'll see. I don't think I've ever had a discussion about Disney buildings before so this just maybe a topic I can't participate in.
 

rkleinlein

Well-Known Member
They built 2 theme parks 26 miles outside of Paris - they should have some frame of reference
Exactly. And yet, they still give us this architectural mash-up.

So what's the explanation here? It simply defies belief that that every person on the design team doesn't know better. Or that every person in the various stages of the approval process doesn't know better. I'm not an architect and I know better.

So why? Why design it this way when it would have been just a easy to design something appropriate, i.e. something authentic with architectural integrity?

Jokes aside, it's baffling.
 

Missing20K

Well-Known Member
Thanks @lazyboy97o it's evident that this is some thing you know about. I really never think of a window as trying to "communicate" anything. Open, shut and let in light is probably about as deep as I've ever gotten. lol, I don't think I thought this much about the first house I lived in but again I'm not into design or architecture, I do love furniture shopping.

Sorry, just not some thing I can get really outraged about it.

I love crepes so this is great news and I can't wait. will I get there and say "ugh, the building is nothing like France" we'll see. I don't think I've ever had a discussion about Disney buildings before so this just maybe a topic I can't participate in.
You've never seen windows as a manner of communicating with the outside world and vice versa? You've never looked in or out of a window upon nature or an interior and been pleased or displeased with the view? I fear you don't give yourself enough credit for what windows accomplish beyond the utility of heat/cool/light/dark.

Outrage might be an exaggeration but I think what some of us are attempting to point out is that the small details that seem inconsequential add up to a lesser experience. It's the idea of Gestalt psychology and that the sum of the parts are greater than the whole. The je ne sais quois of a place, if you will.

And a lack of technical knowledge shouldn't preclude you from opinions, but those opinions should also take into consideration those with technical knowledge pointing out shortcomings in proposed designs.
 

lazyboy97o

Well-Known Member
I really never think of a window as trying to "communicate" anything. Open, shut and let in light is probably about as deep as I've ever gotten.
This is something more specifically related to themed entertainment, the telling of a story through a built environment. The various design elements all communicate the story being told, from the setting to the mood. These are the details that people gush about, design elements that all support the story.
 

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