Mirror Disneyland: One Final Edition (Seriously)

Charlie The Chatbox Ghost

Well-Known Member
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In the late 1980s, CEO Michael Eisner challenged WED to design for Disneyland an attraction based on Disney Animation’s then-biggest hit: The Little Mermaid. Imagineer Tony Baxter was again assigned to lead the design on the new attraction, a true successor to the Fantasyland dark rides of yesteryear.

But where to put it? The Enchanted Snow Palace had taken up the real estate next to “it’s a small world,” and Dumbo’s Circusland had occupied the remainder of Fantasyland for almost a decade until that point. That’s when it was suggested, “what if Fantasyland had an entire forest hidden in plain sight?” Fantasy Forest was thereafter “discovered.”

Found beyond the outermost walls of Sleeping Beauty Castle and the tents of Dumbo’s Circusland is an area of Disneyland that transports us into an enchanted world, a diverse forest the likes of which we’ve never before seen. This realm brought together several of Disney’s most beloved animated characters like never before, including those from The Little Mermaid and The Many Adventures of Winnie the Pooh.

According to legend, Fantasy Forest existed long before it opened to the Disneyland public. The characters and creatures of Walt Disney’s animated classics - Sleeping Beauty, Cinderella, Snow White and the Seven Dwarfs - retired to an enchanted forest hidden away from the hustle of Hollywood. Walt Disney himself knew of this forest, and chose the site of Disneyland based on its closeness to the fairy tale knights, dragons and princesses of his animated canon. In fact, Fantasyland was built right next door so that his beloved fantasy characters could come and visit with guests as they pleased.

In 1990, the residents of Fantasy Forest gathered and made an important decision - they would live in secret no longer. They decided to open the bridge to their secret oasis and announced that it would be open to Disneyland visitors in 1993. Since then, guests of all ages have been able to explore the magic and mystery of the Fantasy Forest - an ever-changing hamlet of tranquil beauty and Disney’s wondrous nostalgia.


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The Forest is entered beneath the tracks of the Disneyland Railroad and through a passage of magnificent springwaters and soaring rock formations. Waterfalls mark our entrance into a kingdom near-surreal and isolated from the rest of the Park. Small World Plaza behind us, we find ourselves in the shadow of these beautiful, supernatural rock formations - thundering cascades, shimmering rainbows, and lush foliage accent these mysterious formations designed in the not-so-subtle image of Disney characters - Cinderella, Aladdin, Belle, Peter Pan, and the Magic Mirror among others - an incredible effect that would not be replicated again until the opening of Fantasy Springs at Tokyo DisneySea in 2024. A magnificent wilderness awaits on the other side. As night falls, the waters undulate in an ethereal, otherworldly light.

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A river divides the forest from the road we have taken and travels through the vast woodlands throughout, allowing the road to take many quaint footbridges and lush poolsides. Our grand-entry takes us first across an arched footbridge, churned beneath by a thundering waterfall from a nearby rock formation in the shape of an ogre. The bridge is inhabited beneath by none other than the troll from The Three Billy Goats Gruff, making this footbridge effectively a “Troll Bridge.” This three-headed creature might have a grim sense of humor and a big appetite for Disneyland guests, but don't be alarmed, he's just as goofy and ugly as the same three-headed troll once found in Epcot's Maelstrom attraction. In fact, he is the same!

In the endless acreage of medieval ruins and trees on the other side of the Troll Bridge, we are immersed by the orchestral sounds of European wildlife and mysterious music. It follows our journey as we discover a wooded “wonderland” beyond our wildest dreams. At any moment, one might expect a chance encounter with a fearsome dragon, or a fleeting glance at a knight on his galloping steed. The crumbling arch of a tower frames a “postcard view” of granny’s house from Little Red Riding Hood in a charming glen and - is something snoring inside? The very pavement in which we walk upon tells a story - wolf tracks, wheel lines, horseshoes, and dragon claw prints hint at the stories happening out of sight.


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First we visit the woodland estate of Cinderella, located right here in the forest, where Cinderella lives with her wicked Stepmother and Stepsisters. The Pumpkin Coach is right outside the entrance to Cinderella’s Chateau. A hands-on training session with the Fairy Godmother will help us prepare Cinderella for the Royal Ball, while also enlisting the assistance of brave young “coachmen” and “handmaidens” to retell the Cinderella story through simple props and comical costumes. Cinderella is transformed from rags to riches right before our very eyes, and one lucky child will get to experience a magical transformation of their very own. A second Bibbidi Bobbidi Boutique can be found here, though here it shares the attraction space and name. Old Mr. McGregor has hand-grown the fruits and vegetables sold at McGregor’s Produce Cart down the road, a nod to the 1901 children’s book The Tale of Peter Rabbit. The faux vegetable garden nearby is ransacked by adorable Audio-Animatronics rabbits, with Flopsy, Mopsy, Cottontail, and Peter poking their heads in and out of every which way in the garden.

The Gingerbread House of Hansel & Gretel (Tim Burton’s Hansel & Gretel) is home to a wicked witch with a candy cane nose - and what so happens to be Fantasyland’s largest candy shop. Aurora’s Cottage is close by, where Flora, Fauna and Merryweather are holding a surprise birthday in honor of Princess Aurora’s 16th birthday. This magical “Sweet Sixteen” invites party guests to make birthday cards and greetings for the young Briar Rose. Although she won’t be awake for much longer, Aurora does arrive at the party, mixing and mingling for all to enjoy. Of course, Maleficent is not invited. Goldilocks & Co., with a clever logo in the silhouette of Goldilocks and her Three Bears, is found inside the cottage of the bears. It seems as if the invasive Goldilocks has turned the vacant residence into a pawn shop of sorts where she sells the bears’ belongings. Naturally, the “belongings” for sale are Disney Princess merchandise and the like.

The above attractions and elements opened with the rest of Fantasy Forest in 1993, the attractions as simple meet ‘n’ greet locations with interactive elements in their queues. When Fantasy Faire opened in 2013 as another simple, equally well-themed meet ‘n’ greet location, the Chateau and Cottage received a fresh new spin, creating hands-on, interactive experiences, as opposed to “waiting in line for an hour, meeting the princess, and instantly leaving,” as one Imagineer put it.


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The Fantasyland Theatre was another Opening Day attraction for Fantasy Forest. The first ever Broadway-style theater at Disneyland, the Fantasyland Theatre is hidden between towering trees and tucked between lush waterfalls. Both the exterior and interior of the theater were inspired by the forest - beautiful tapestries and murals celebrate the woodland creatures and forests of classic Disney Animation, from Beauty and the Beast to Bambi. However, due to budget at the time, the theater sat long vacant.

The first major production to appear at the Fantasy Forest Theatre was Animazement in 1998, which replaced a long-running musical revue of Disney songs, a decidedly boring and not-so-enchanting spectacle for such a spectacular venue. Animazement brought together the characters and stories of the Disney Renaissance. “It’s a daunting task bringing all these stories together. In fact, it’s ‘Animazement.’Animazement came and went, and in came Disney’s Aladdin: A Musical Spectacular in early 2003. The much beloved show ran until 2016 - a run of almost 13 years! - when it - actually, it’s still running today. The long-running smash hit of Disneyland celebrated 20 years of performances in 2023.


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Inspired by “Alice’s Curious Labyrinth” at the then-new Disneyland Paris, Fantasy Forest debuted with Unicorn’s Cove, a labyrinthine hedge, forest and cavern-themed maze that would later inspire concepts for Beastly Kingdom at Disney’s Animal Kingdom, an unrealized land themed to the myths and legends of the animal world. The mysterious trails, streams and caverns ahead provide exploration amidst the fantastical settings experienced, with luscious, technicolor waterfalls, glistening crystal grottoes, and an enchanted spring for rest and reflection, the home of an encounter with the Cove’s namesake unicorn and the fantastic geysers that surround it.

Fantasy Forest encompasses a key location in every classic fairy tale: the woods. Tall trees provide a lush hideaway for those wishing to evade the law or the spiteful eyes of a wicked witch or stepmother. Trickling streams and miniature waterfalls roll along the side of the road, while the occasional cottage or castle ruin protrudes from amongst the tree stumps and tops. Two such of these fairy tale settings are found in a hidden clearing backed by an impressive mountain range with an even taller waterfall.


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When Fantasy Springs opened at Tokyo DisneySea in June of 2024, it opened with two attractions themed to the classic animated film Tangled, the first was a restaurant, The Snuggly Duckling, the second a gondola ride, Rapunzel’s Lantern Festival. Both were built simultaneously in Disneyland’s own Fantasy Forest, a conjoint attraction and restaurant exclusivity deal with the Tokyo Disney Resort and the OLC, the latter who owns the former.

The Snuggly Duckling not only has a large tree growing into it, but also appears from the outside looking in to be slanted and sloped at an unrealistic, impossible angle, just like it was in the film. The watering hole of famous thugs and ruffians, hook-handed or otherwise, has a menu full of “dreamy” fare, from Duckling Dream Turkey Legs and Cheeseburgers to Pastrami Dream Dips and a live pianist for the evening’s entertainment. Everyone’s got a dream here, from the weapons lodged in the walls and ceiling, to the fliers advertising “Hook Hand’s ‘I’ve Got a Dream’ World Tour.” “Sounding Sharper Than Ever! Performing in a Kingdom Near You!


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In a romantic voyage through the blossoming romance and “best day ever” of Rapunzel and Flynn Rider, Rapunzel’s Lantern Festival begins outdoors under the shadow of Rapunzel’s Tower, where its namesake resident sings “When Will My Life Begin” from her opened window, both she and the tower viewed and heard from near and far. Previously this area in the Enchanted Forest was a water playground themed to The Little Mermaid and King Triton.

The voyage in itself is simple. There is no conflict, there is no drama. The scenes are gorgeous, faithful to the film, faithful to the romantic setting and elements, free of villainy, full of romance. It is in essence the heart and soul of the Fantasy Forest theme.

Imagineers long desired an attraction themed to The Many Adventures of Winnie the Pooh for Disneyland. Pooh had been a popular character since the publication of Winnie the Pooh in 1926, and a venerable star of Disney Animation since Winnie the Pooh and the Honey Tree released in 1966. Still, he did not make his debut in a Disneyland attraction until the opening of Pooh's Hunny Hunt in 2003.


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Pooh’s Hunny Hunt brings to life the delightful tales of the “bear with very little brain” and all of his friends from the Hundred Acre Wood. Pooh’s Thoughtful Spot, a meet ‘n’ greet location and themed playground had opened with Fantasy Forest in 1993, and had guaranteed for a full decade prior the appearance of Pooh and his Friends from the Hundred Acre Wood with its slides, tire swings and familiar locales of the Hundred Acre Wood. Pooh Corner, which was later and conveniently attached to the exit of Pooh’s Hunny Hunt, is a charming cottage overflowing with charming British decor, baked goods and merchandise from all corners of the Wood.

Pooh’s Hunny Hunt was the first “trackless dark ride" in the world, debuted first at Tokyo Disneyland on September 4, 2000. It soon became the most popular attraction overseas, with wait times no shorter than two hours at a time. Its success led WED to petition for its addition to a vacant corner of Fantasy Forest. Management agreed, and with a budget of $130 million, Pooh's Hunny Hunt opened inside a large, cottage-sized storybook in the summer of 2003 at Disneyland.

In vehicles fashioned to resemble honey pots, we soon learn our vehicle has no visible track - in fact, the pots move through the fully realized scenes and pages of the storybook at a constant speed, independently moving, starting, stopping, dancing, reversing direction, spinning, and holding a mind all their own. In one scene Tigger invites us to bounce - and we bounce along with him - and in another scene, Heffalumps and Woozles transform our (and Pooh’s) flight of fantasy into a colorful, whirling, twirling nightmare. The still groundbreaking adventure is accompanied by the musical score from the Winnie the Pooh featurettes, and was incorporated into the attraction under the supervision of Disney Legends Richard M. Sherman and Buddy Baker. Richard, along with his brother Robert B. Sherman, wrote the songs and Buddy conducted and arranged the score for the original featurettes.




The whole reason for Forest Forest being is Under the Sea: Journey of The Little Mermaid.

Imagineers at first toyed with the idea of an entire The Little Mermaid land in lieu of what would become Fantasy Forest. At Eisner’s insistence for a The Little Mermaid attraction, “Mermaid Lagoon” was envisioned as an “underwater kingdom” to the northern berm of Fantasyland, concealed in a black-lit dome with an exterior fashioned to resemble the kingdom of Atlantica, and the dome’s interior as a snapshot of the film’s famous “Under the Sea” sequence, featuring carnival flat-rides themed to marine animals, and a “C-Ticket” dark ride as the starring feature.


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When ideas evolved and other characters filtered in, the ideas were allocated to creating an E-Ticket dark ride instead, with a whole forest and lagoon carved around it. Prince Eric’s Castle and its surrounding bluffs, lovingly adapted from the film and set sometime after its happily ever after, became the second major castle in Fantasyland, and captured the royal estate in a slight state of ruin after decades of weatherwear. A sub-tropical lagoon sits at the base of a salty waterfall, with remnants of a majestic sailing ship strewn along its jagged rocks and shores, and, too, a full shipwreck in the foreground with Ariel as the figurehead. We enter a sea cavern at low tide and meander the sandswept tunnels and ruins within the castle. The ceiling of one such rotunda is graced with mosaics depicting ferocious sea monsters and naval battles, including one with a giant octopus that resembles a certain sea witch.

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A song-filled “shell-abration” in a floating seashell (similar to Peter Pan’s Flight), our underwater journey takes us fathoms below on a tour of scenes from the film, including Ariel’s grotto and a graveyard of lost ships. Immersive effects and fully-dimensional scenes of song and dance recreate each unforgettable scene from the film that kickstarted the Disney Renaissance. Sebastian conducts a spectacularly realized “Under the Sea” sequence, followed by the eel and soul-infested lair of Ursula before her startling transformation into a gargantuan, hulking kraken amidst a raging maelstrom. We emerge from the depths in time to celebrate Ariel’s happily ever after in a romantic fairytale finale of fireworks.

Gadgets & Gizmos Aplenty is held inside an “above-the-surface” recreation of Ariel’s famous grotto, right down to the statue of Prince Eric and treasures untold strewn along its rocky walls. Ariel’s Grotto itself is in the cave nearby, the all-too-appropriate meet ‘n’ greet location for the Little Mermaid herself.

Fantasy Forest has a vast “nature trail” that follows along the backside of the railroad tracks and through to the other side of Disneyland itself, the southwestern stretch of Frontierland known as Folktale Forest. Because there are no attractions on our journey to this secondary fantastical realm, the beautiful streams, hills and trees are sporadically dotted by static vignettes of classic fairy tale scenes and Silly Symphonies. Here Humpty Dumpty is sat on a wall, not quite yet having had his great fall. The Flowers and Trees sing and dance, and the Cookie Carnival is seen at a moment’s glance. Elmer Elephant and Tillie Tiger share a kiss, the Tortoise and the Hare have their race, and The Wise Little Hen enlists the help of a reluctant Donald Duck and Peter Pig in baking her famous bread. Peter and the Wolf even appears in a snowy cutaway. Several other vignettes are also here, but it would take too long to name them all!

The Fantasy Forest Trail was added in an effort to round-out the entirety of Disneyland. Folktale Forest had long been a dead end, and foot traffic often congested in Frontierland and Fantasyland as a result. By leaving this remarkably quaint walking corridor intact, guests can escape the hustle and bustle of the rest of the Park and just enjoy a moment’s peace, with ample opportunity for seating and snacking along the way. As we draw near the American Folktale Forest, the vignettes transition from European fairy tales and settings to American, including those of Johnny Appleseed and Paul Bunyan. The figure of Paul Bunyan and Babe stand at 25 and 15-feet, respectively, and Paul’s hat can be seen from the Rivers of America!


***
Next time: Tomorrowland!

I'll do a full breakdown of Fantasyland soon, including anything that might not have been mentioned, but woof, that was a lot of work to get all those sub-lands done and out!

Just started reading this thread today, and with Pooh being in Fantasyland I’m really excited to see what happens with the Country Bears!
 

Charlie The Chatbox Ghost

Well-Known Member
The attraction, first opened at Disney’s Animal Kingdom on May 27, 2017, the same day as Guardians of the Galaxy: Cosmic Chaos at Disneyland, this incredible simulator-attraction transports us from Crater Town on Earth to Pandora through a state-of-the-art technology that actually works (looking at you, X-S Tech).
I love the detail that Flight of Passage and the Guardians ride opened on the same day even in the mirrored timeline, meaning Joe Rohde couldn’t escape having to be at both premieres in one day in either timeline 😂
 

MANEATINGWREATH

Well-Known Member
Original Poster
Back from a break. Had to focus on the wedding, new job, and so much else. On the plus side, I just got back from France and of course went to Disneyland Paris.

Walt Disney Studios was utterly disappointing. Can't say I took much away from this park. It was like if Disney was given $1,000 to replicate Universal Studios Hollywood and did the least amount of work possible to do so. When I do start on Disney-Universal, don't expect much inspiration from WDS. I wasn't even impressed with Ratatouillie, truthfully. The original Toy Story Land is also kind of let down, really showing its age with lots of chipped paint and decrepit scenery. And don't even get me started on the Cars Road Trip haha. I do think that Arendelle and The Lion King will give the park a much needed shot in the arm, but it is sad that the areas in the front half of the park will still be half-baked. Crush's Coaster and Tower of Terror were great, though Crush's Coaster has some reeeeeeally creepy scenes in the beginning, and the area that surrounds it is truly bland and un-themed.

Disneyland on the other hand was wonderful. Richly detailed, richly designed, just wonderful. From the second you see Disneyland Hotel to the first step you take on Main Street, every land is full of beauty and attention to detail. Frontierland and Discoveryland were real standouts to me, and even if the latter is a mish-mash of themes concerning its attractions (PhilharMagic was next door to Star Tours), it is still the strongest Tomorrowland I've been to. It feels timeless. Adventureland has an excellent bazaar section right at the entrance and I loved the overall feel. As you branch off from said area, you really get lost on a jungle trek, it's almost like you stumble upon Pirates, Adventure Isle and Indy hiding in the jungle on untamed paths. Really spectacular. What's more impressive is how close Pirates is to Peter Pan's Flight. The two are virtually neighbors separated by a covered walkway. You can see POTC from Fantasyland and it works really well.

Fantasyland was excellent and Small World here is superior to the states, even the DL original. I'm not sure why, but the modernized art-style really worked for me, and the scenes overall are that much more cohesive and visually impressive. Storybook Land was another standout, just recently reopened from a refurbishment that regrettably removed the Emerald City from Return to Oz and Peter and the Wolf for Frozen. Even with those disappointing removals, this version beats the original by a mile.

Frontierland with Phantom Manor was, naturally, my highlight. Phantom Manor exceeded my expectations (despite its controversial rehab from a few years back), and honestly is better than both Mansions stateside. The Haunted Mansion will always be my all-time favorite, but Phantom Manor is superior in its storytelling, aesthetic, and appearance. The Grand Staircase and the Catacombs were a huge highlight. I knew what to expect, but I still got jump-scared by the hellhound and some of the skeletons in said scene. Also, the figures in the ballroom are utterly grotesque. Their faces were genuinely warped and freaky. Boot Hill is also incredible at the attraction's exit.

The Imagineers did an excellent job tying it all together through the Thunder Mesa storyline. It is very evident that you are in a boomtown and it really feels like you are in the real wilderness. Big Thunder is also superior to the states. The drops that take you beneath the Rivers of the Far West are intense and really unexpected. We were caught off guard.

If DLP had a Jungle Cruise and a proper Indiana Jones Adventure, it would very much be the best Disneyland on Earth. I for one liked it better than Magic Kingdom and Disneyland, though take me to Tokyo Disneyland and I might give a different answer.

I will definitely be taking much inspiration from Disneyland for the remainder of Mirror Disneyland (we still have Part Two of Adventureland, Frontierland, New Orleans Square, and Folktale Forest to go!), and look forward to sharing those ideas with you soon.
 

MANEATINGWREATH

Well-Known Member
Original Poster
Okay, we're back! When last we left off, we had explored Part One of Adventureland, so here is, respectively, Part Two!

Here in Adventureland there is a welcoming committee around every bend in the river.

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The Jungle Cruise was, at one time, what many considered to be Disneyland’s finest achievement. The Jungle Cruise has hosted millions of would-be explorers aboard its thrilling excursions into the jungle with the tropes and tones of all the old-fashioned Bob Hope and Bing Crosby adventure movies and Jungle Jim comics abounding.

“Jungle Navigation Co. Ltd - Est. 1931
‘World Class’ Riverboats Departing Daily from Paradise Springs Harbor
Passengers - Freight - Pets - Feed - Cursed Relics by Permit Only
Deep Jungle - African Veldt - Crocodile Parts
‘Guaranteed’ Safe Passage Thru Hippo Pool & Banana Country
Connecting with Riverboats to Schweitzer Falls & Temple of the Forbidden Eye

Agents in Zanzibar & Calcutta”

Based on Walt Disney’s True-Life Adventure films, the Jungle Cruise has us in the hands of our outspoken riverboat skipper, with whom we traverse down rivers rarely seen by civilized man. Here we will encounter rich, mist-filled marshes, crocodile-infested areas, pools filled with bathing pachyderms, the thundering Schweitzer Falls, lion-filled grasslands, boat-charging hippos, and other such signs of a secret, almost mythical world in the most unknown of the world’s tropical rainforests. A band of exuberant gorillas overrun a deserted safari camp; a rhinoceros has trapped a misguided camera crew up a tree; ancient spirits materialize before our very eyes in the depths of an ancient temple. Always at the final bend is Trader Sam’s Gift Shop, a former Lost & Found site for the Jungle Navigation Co., gone awry.

The Jungle Cruise underwent its largest refurbishment in 1994, which included a brand-new, two-story Victorian boathouse, with a theme tied directly into the new Indiana Jones and the Lost Expedition attraction(s). The Boathouse is sinking, gaps in the rooftops and railings made by long-invasive tree branches. The boathouse, like the attraction, is set in the year 1935, camouflaged amongst the trees. Adventureland, once the smallest land in Disneyland, became one of its largest based on the large real estate from Indiana Jones and the Lost Expedition, which called for an entire re-route of the Jungle Cruise. The new route takes riverboats through the innermost sanctums of the waterlogged Temple of the Forbidden Eye. A magnificent Southeast Asian temple soars above the banks of this lost river delta, waterfalls thundering from and around it. The Temple of the Forbidden Eye is this very temple. Even the Disneyland Railroad is a passer-by through the interior narrative of this massive and mysterious temple. The Jungle Cruise sails through the temple itself and encounters ancient spirits and rusted mine cars careening past in lava-filled, hallowed-out ore mines.

Imagineer Marc Davis was brought from retirement for the redesign of this classic attraction. The humor, drama and brilliance in staging and design he had brought to the Walt Disney World version of the attraction in 1971 were replicated once more for Disneyland in addition to the brand-new show scenes in and around the temple. This Jungle Cruise fittingly became the gold standard for all Jungle Cruises to follow as the Walt Disney World version had before it in 1971.

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If the images above stir feelings of nostalgia and the make-believe, then you know a little something about what Adventureland at Disneyland is meant to evoke. From the ancient statues of tigers and elephants rotting away in the underbrush, to the false storefronts and dwellings belonging to some adventurer or jungle denizen out on a fool's errand, this version of Adventureland is one of the most detailed lands ever conceived for a Disney Park. One of these details is an old phone booth, crawling in moss, still in operation. Picking up the receiver will barrage one's ears with chatter and transmissions from neighboring regions: “Aloha! This is the operator from the Remote South Seas Island Outpost. I’m sorry, but we have been unable to find the Swiss Family Robinsons. Thank you. Mahalo!”

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The Swiss Family Robinson came to the screen in 1961, and one year later the Swiss Family Treehouse “grew” to life-size in Adventureland on a small desert island all its own with a suspension bridge to the mainland and shores circumnavigated by the Jungle Cruise. The tree used six tons of reinforced steel and 110 cubic yards of concrete in construction. With over 300,000 handmade vinyl leaves and blossoms, the 80-foot high wonder weighed almost 150 tons when it opened to Disneyland visitors. “The world is full of nice, ordinary little people who live in nice, ordinary little houses on the ground...but didn't you ever dream of having a house up in a treetop?” Resonating from a shipwreck-salvaged pipe organ to this day we can hear the memorable “Swisskapolka” through our climb and descent of the famous treehouse, though in the year 2025, we’ve climbed a different residence of the classic treehouse…

The Adventureland Treehouse debuted in 2023, not long after Tarzan and Jane enjoyed a 24-year stay in the former Swiss Family Treehouse, closed in 1999. The Adventureland Treehouse continues the lore of Paradise Springs, where a new family has moved in to create their own oasis among the treetops. While they’re off on an adventure, we’ve been invited to explore the fascinating rooms and interactive elements that they have designed entirely from found objects and natural resources.

We follow the old suspension bridge across the bubbling, piranha-filled waters below, take the bamboo staircase up, up, up into the boughs, and discover the mother’s music den, the son’s nature room, the father’s kitchen and art studio, and the daughter’s astronomy loft. Adjacent to the stairway is the home’s iconic waterwheel, which generates the energy required to power the family’s gadgets and inventions. This is, of course, not forgetting the eerie and explorable caverns and colored waterfalls at the foot of the treehouse, so named by the son as “Ben Gunn’s Treasure Caves” after reading Treasure Island.

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With Disney-Universal Studios in 1990, and the agreement that brought Steven Spielberg and George Lucas to the creative table with Imagineering, it was inevitable that an attraction based on Indiana Jones, the khaki-clad adventuring saga of both Spielberg and Lucas, would follow. Although Disney-Universal Studios would have made sense for an attraction of this theme to make its Disney Parks debut, there was another location that better deserved this thematic shot in the arm: Adventureland.

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Little debate brought forth a radical transformation of Adventureland into the mega-attraction complex called “Indiana Jones and the Lost Expedition.” The huge complex was built to contain two rides centered around a crumbling “River Temple” sat on the edge of the world-famous Jungle Cruise. Though the ideas evolved over time and the River Temple became the Temple of the Forbidden Eye, two ideas remained consistent throughout, one being that of an “ore car attraction” to recreate the mine chase scene of Indiana Jones and the Temple of Doom, and the second being a “jeep ride” to recreate the on-foot adventures of Indiana Jones, including his miraculous escape from a several-ton rolling boulder.

Remarkable, especially with the astronomical price tag to its name, Indiana Jones and the Lost Expedition was built as designed with two “E-Ticket” attractions for its world debut on March 3, 1995. With it came the Adventureland Big Band, a jazz ensemble decked in safari gear on the rooftop of Tropical Imports, the long-standing fruit and snack vendor still at the entrance to the Jungle Cruise, and the return of the Trinidad and Tobago Showboat Orchestra, who had been performing steel drum music at Disneyland and Walt Disney World for decades, and has continued as an Adventureland mainstay from 1995 on.
As we trek past the “last outpost of civilization” in the Adventureland Treehouse and trample through a thicket of bamboo and rock formations out of The Jungle Book, we come across an even remote-er section to the Paradise Springs safari village, a rickety collection of makeshift buildings right out of the Amazon Rainforest. This includes Dole Whip, I Presume, named in tribute to explorer Henry Stanley’s famous 1871 quote upon meeting the following individual, “Dr. Livingstone, I presume?,” and the kitsch-tacular Tourist Temple, what one could best describe as a roadside gift shop off Route 66 thrown into the jungle. Floor to ceiling, the shop is oozing with pulp adventurous memorabilia, from a large Fiji mermaid in a glass coffin to bad B-Movie posters about mad jungle animals and damsel-stealing swamp creatures; hundreds of plastic jungle animals and a miniature Jungle Cruise boat sailing through a trough along the store’s ceiling, this one-stop shop has it all. A huge, huge gorilla skull is on display in the center of the store with a plaque that reads “Megaprimatus kong.” Hmm…

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When Indiana Jones and the Lost Expedition was uncovered in the dense jungle of Adventureland, it included not one, not two, but three major attractions:

  • Indiana Jones Adventure: Temple of the Forbidden Eye
  • Raging Spirits
  • Theater in the Wild
Within the catacombs of the long-forgotten Temple of the Forbidden Eye, we follow in Indy's footsteps as we encounter the intricate booby traps, dusty skeletons, and flutter of unseen bats he had before us. Carvings and hieroglyphs tell the legends of Mara and this lost civilization, and the vengeance to those foolish enough to gaze into her all-seeing eyes. The unearthed artifacts and shimmer of excavation lanterns lead our trail into a rusty motor pool for the Indiana Jones Adventure. The WWII-era troop transport vehicles will not only carry us down a well-hidden track, but also act as a self-contained motion base, an enhanced vehicle motion system that was developed for this attraction (EMV), and gave the Imagineers free rein to create this adventure as if it were right out of the movies.

Some off-roading in the jungle brings us inside the temple from the outdoor motor pool and into the Chamber of Destiny. Someone in our group foolishly looks into Mara's eyes and, in the blink of an eye, we are thrust into the middle of inconceivable danger; screaming mummies, giant insects, spear-wielding wraiths, collapsing bridges, slithering snakes, and a massive, two-ton rolling boulder. This is, of course, not forgetting a near-climactic race along the water's edge whilst the temple collapses around us.

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Rumor also tells of an abandoned mining operation at the Temple of the Forbidden Eye from ancient times. As the legend is told, a band of thieves sought to outwit the deity Mara, and believed they could tunnel their way to her earthly riches and forgo the Chamber of Destiny altogether. Before long, these bad eggs took a detour to doom of their own. A short trek from the main excavation site in 1935 brings us to such a mining operation now in use by the excavation team, where the base camp of Indiana Jones is seen being ransacked by curious tiger cubs. A radio announces that archaeologists mining for ore in the abandoned caves of legend have gone missing inside, and survivors report that these same ancient caverns are reportedly haunted by the long-deceased, vengeful thieves of ancient times.

In a mine car of our own, one seemingly possessed by the phantom thieves, we embark on an incredible race through a setting all-too-familiar with fans of Indiana Jones and the Temple of Doom. The swaying, tilting Raging Spirits has us careening through a huge inversion, under and over a 50-foot tall stone ape holding a boulder. We continue to pick up speed, heading through the beak of a crumbling stone eagle, before entering the Temple itself through the hollowed, stone eye socket of a Mara statue, where inside we sail over molten lava in a scene shared with the Jungle Cruise, Indiana Jones Adventure and the Disneyland Railroad, before slowing down into a long, dimly-lit tunnel deep within the ruins.

Incredibly, 4500 gallons of water are released on either side of the mine car as we come to a brief stop. Flooding the tunnel from either side, we launch backward before the flood waters drown our safari in its tracks. Our rickety roller coaster ride turns around for the best when we are at last rescued not by Indiana Jones, but instead by Marion Ravenwood who points us on a safe route out of the Temple and back to base camp, but not before a close call with the jaws of a snarling tiger in the waiting jungle outside.


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But our adventures in Adventureland are not finished yet! Just off a jungle trail near the site of Indiana Jones and the Lost Expedition is Theater in the Wild, hidden from the sights and sounds of the digsite.

It took many years for a show to inhabit the aptly named Theater in the Wild, first with the Festival of the Lion King in 1998 (an opening coincided with its sister show in Orlando), and later with a brief run of Indiana Jones and the Secret of the Stone Tiger in 2008 to coincide with the release of Indiana Jones and the Kingdom of the Crystal Skull. After, the theater became a secondary meet ‘n’ greet, with a focus primarily on Aladdin and Jasmine, unfitting for the more African theming around it.

It wasn’t until Legends of the Jungle arrived in early 2017, almost a decade after the closure of its last performance, that the Theater in the Wild once again received entertainment.

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In celebration of the many stories told in the Disney jungle, Legends of the Jungle celebrates through the use of costumed characters, world-class acrobats, singers, dancers and puppetry, not just The Lion King, but also The Jungle Book, Tarzan, and even lesser-known tales like Goliath II and Goofy’s Tiger Trouble. All the action on the round stage is centered on storytelling through music, dance, and special effects, from “I Wan’na Be Like You” to “Trashin’ the Camp.”
 

PrinceCharming617

Well-Known Member
Indy belongs in either Adventureland or Hollywood Studios. God knows why they are putting it in Animal Kingdom. I guess it's to save a measly buck. But they aren't exactly slumming it at Disney with their bad Epcot rethemings and such. hahaha. I guess it's just another case of them not knowing what they're doing with their money (Snow White, Captain Falcon).
 

Twilight_Roxas

Well-Known Member
Indy belongs in either Adventureland or Hollywood Studios. God knows why they are putting it in Animal Kingdom. I guess it's to save a measly buck. But they aren't exactly slumming it at Disney with their bad Epcot rethemings and such. hahaha. I guess it's just another case of them not knowing what they're doing with their money (Snow White, Captain Falcon).
Maybe because some of Indy’s adventures are set in the jungle.
 

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