ddbowdoin
Well-Known Member
Been there. Didn't get my first digital until a few years ago.
fireworks on film... holy balls that is hard
Been there. Didn't get my first digital until a few years ago.
Nah, what's the point... digital is all about convenience anyway.
T![]()
Took me a little while to find it. Definitely not the best, but we were laughing too much while running back and forth. I do want to try again.
try working in a medium where you can't see instant results... it's amazing when you nail it and a real kick in the behind when the results aren't there.
fireworks on film... holy balls that is hard
The problem I have is that my medium format cameras don't have a bulb feature, they have the time setting. So you have to manually switch the leaf shutter to another shutter speed to close the lens. It's a pain in the rear or you need a 90 dollar Mamiya double cable releaseActually, i found fireworks on film much easier. bulb. Shutter release. Tripod. 400 ASA Kodak gold.
I'm planning a film project for spring training. Know a source where I can get reasonably priced 620 film?
nope... 620 is a pain in the a$$. It's just 120 respooled onto a slightly different size roll.
You could do it yourself but I've never bothered. 620 is a kodak creation so it's a lot of brownies and hawkeyes and I've never found the quality to be impressive, to me they are somewhere in-between a Holga and a "real" camera.
Well, the camera Im using is rather old. Belonged to my grandfather. Still trying to get it to work right.
This! If anyone has any tips on how to make this possible, please let me know! Thanks Fractal!
You can also get what I consider a better effect if you do a double exposure. Not sure if you camera allows that but I have one that lets you do a double exposure and it works very well for creating ghosts.... if you do that method there are two way to do it and get decent results. 1) using a tripod you set up for you scene that you want. take an under exposed shot of the the scene with or without your ghost then, either have the ghost leave or get in the shot and shoot it again while everyone else is staying still. 2) photograph you ghost somewhere with a black background and then photograph the scene you want them in (this way is harder because you need to try and remember where the ghost is in your first shot).... I prefer this method from the long exposures because the long exposure often get blurry ghosts, unless that is your goal.
I have a Canon so no double exposureYou can also get what I consider a better effect if you do a double exposure. Not sure if you camera allows that but I have one that lets you do a double exposure and it works very well for creating ghosts.... if you do that method there are two way to do it and get decent results. 1) using a tripod you set up for you scene that you want. take an under exposed shot of the the scene with or without your ghost then, either have the ghost leave or get in the shot and shoot it again while everyone else is staying still. 2) photograph you ghost somewhere with a black background and then photograph the scene you want them in (this way is harder because you need to try and remember where the ghost is in your first shot).... I prefer this method from the long exposures because the long exposure often get blurry ghosts, unless that is your goal.
This! If anyone has any tips on how to make this possible, please let me know! Thanks Fractal!
I'm planning a film project for spring training. Know a source where I can get reasonably priced 620 film?
You can get it but it will NOT be reasonably priced, I would get some 620 spools on ebay and respool 120 film onto them. What is this an old Rolleicord or something equivalent
You can't find reasonably priced 620 spools
You can't find reasonably priced 620 spools
You can get it but it will NOT be reasonably priced, I would get some 620 spools on ebay and respool 120 film onto them. What is this an old Rolleicord or something equivalent
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