One of the main characters turned into any number of animals.....and his power to do so was a main sub plot.Yeah but the animals were not the focus. The culture however was! I fully believe it belongs as an expansion at the mk
One of the main characters turned into any number of animals.....and his power to do so was a main sub plot.Yeah but the animals were not the focus. The culture however was! I fully believe it belongs as an expansion at the mk
Lets just shove it into Epcot. It's a fake country after all. Makes as much sense.One of the main characters turned into any number of animals.....and his power to do so was a main sub plot.
Yeah but the animals were not the focus. The culture however was! I fully believe it belongs as an expansion at the mk
Kubo.
I am highly impressed with the lack of this animation at the parks. After frozen, every park was frozen, i was so fed up. I am elated the magic kingdom has no visible signs unless i was looking for it
Just now got back from seeing it tonight.
It was errr...uhmmm...I...hmmm...pretty boring, actually.
give it time Frozen didn't hit the parks until the following year. Obviously no Frozen Summer Fun, but I can see Moana showing up in different ways. Especially at the Polynesian.I am highly impressed with the lack of this animation at the parks. After frozen, every park was frozen, i was so fed up. I am elated the magic kingdom has no visible signs unless i was looking for it
The point is those films had something newish to say more or less and Moana doesn't necessarily have that.
I think that Moana did have something new to say for a 'princess movie' in the complete absence of a love interest. The more modern ones started to turn over the damsel meets a hero/prince motif. Tiana was self-sufficient to begin with and wasn't the prince-hunter that her friend was. Rapunzel was a proactive adventurer. Merida didn't want a love interest, but it was expected of her. Anna's love-at-first-sight was made fun of and proved to be dangerous. Elsa had no romantic love interest, but was hardly a proactive hero.
And then comes Moana. No love interest. The expectation of her family and tribe is not marriage, but assuming the mantle of being the chief (with no care about her gender). Moana then becomes the proactive protagonist hero. She's the one who saves Maui both physically from Tomatoa and psychologically from his abandonment issues. And she saves the world.
Moana could have been replaced by a prince-adventurer without a single change in the plot. And that's what make Moana the first truly post-modern princess (even as she demurs from the title of princess).
Elsa and Merida both have no love interests and Moana not having a love interest wasn't really apart of the plot or story. It just was and that is great but again don't see how it's that innovative there. I'm not saying the film is bad or not great Its just very familiar. Especially for Musker and Clements.I think that Moana did have something new to say for a 'princess movie' in the complete absence of a love interest. The more modern ones started to turn over the damsel meets a hero/prince motif. Tiana was self-sufficient to begin with and wasn't the prince-hunter that her friend was. Rapunzel was a proactive adventurer. Merida didn't want a love interest, but it was expected of her. Anna's love-at-first-sight was made fun of and proved to be dangerous. Elsa had no romantic love interest, but was hardly a proactive hero.
And then comes Moana. No love interest. The expectation of her family and tribe is not marriage, but assuming the mantle of being the chief (with no care about her gender). Moana then becomes the proactive protagonist hero. She's the one who saves Maui both physically from Tomatoa and psychologically from his abandonment issues. And she saves the world.
Moana could have been replaced by a prince-adventurer without a single change in the plot. And that's what make Moana the first truly post-modern princess (even as she demurs from the title of princess).
Afterthought Edit: Mulan gets props for bucking the gender stereotypes of her culture and becoming a hero... but, there's a bit of a love interest and a society with rigid gender norms. Moana gets props for a culture that didn't care about gender with regard to her being chief.
I agree that "Shiny" and "You're Welcome" were forgettable at best. But there were some songs in this movie which I personally think are some of the most beautiful in the entire Disney library of music.That's one of the things that disappointed me about the movie, actually. Despite the great songwriters, there wasn't a huge stand out hit, like Let It Go, Colors of the Wind, Part of Your World, or anything from The Lion King & Beauty and the Beast. The songs were great, but while "How Far I'll Go", "You're Welcome" and "Shiny" were fun, they don't hold a candle to some of the other soundtracks.
IF it were any other year it would be a shoe in for best original song....then la la land happened :/ lolI think it's possible that Disney splits the categories that it's up for at the Oscars this year. Best Animated could go to Zootopia, while Best Original Song goes to "How Far I'll Go" from Moana... Which would complete Lin Manuel Miranda's incredibly short quest to get his EGOT.
That's one of the things that disappointed me about the movie, actually. Despite the great songwriters, there wasn't a huge stand out hit, like Let It Go, Colors of the Wind, Part of Your World, or anything from The Lion King & Beauty and the Beast. The songs were great, but while "How Far I'll Go", "You're Welcome" and "Shiny" were fun, they don't hold a candle to some of the other soundtracks.
Register on WDWMAGIC. This sidebar will go away, and you'll see fewer ads.