Disney Irish
Premium Member
For Hollywood the sun always rises in the west, no matter the studio exec you despise.And tomorrow the sun will rise in the east…even if the Iger fan club tries to convince you it’s the west

For Hollywood the sun always rises in the west, no matter the studio exec you despise.And tomorrow the sun will rise in the east…even if the Iger fan club tries to convince you it’s the west
I was speaking from the standpoint of the Disney company; they consider everything a success on one level of another, having nothing to do with the numbers.
For example, the EPCOT refurb was, to Disney, a success.
…ok…I’ll give you thatFor Hollywood the sun always rises in the west, no matter the studio exec you despise.![]()
There was no goal post movement for Disney+. It was never going to be profitable until 2024.Of course they did…and if you want to know when?…it was right around them tanking 10 movies a couple years back
Include Lucas and Marvel movies
Then the incessant excuse making/goalpost moving about D+ started.
And at the end of the day…those bad movies have been forgetten and make about ZERO in additional revenue
And tomorrow the sun will rise in the east…even if the Iger fan club tries to convince you it’s the west
That wasn’t what I was sayingThere was no goal post movement for Disney+. It was never going to be profitable until 2024.
And yet…failure is still a consistent concept. We haggle over the “fringes”Some more fun and better sourced history.
From 97-2014 Disney's worldwide market share in the theatrical landscape fell between 10-17%. 2001, 2005, 2008 were notable lulls around 10%. 99 (Sixth Sense, Toy Story 2), 2003 (Nemo, Pirates) and 2006 (Cars, Pirates) were stronger years around 17%. Pretty interesting that they were all banded around essentially one live action and one Pixar big success.
Sequentially their two studio problem started to unlock. WDAS came back. Marvel joined the fold and then Star Wars.
Starting in 2015, theatrical market share surged above 20%, a level it hadn't previously enjoyed since 95/96. It remained above this threshold for a great 5 year run (not 10); running 20-26% for 2015-18 and then completely blew the doors off the industry in 2019 when it owned 33.34% of the market.
During this time Disney became the number one distributor from 2016-2019. It missed out in 2015 by a hair as Universal owned a tad more share.
In 2022 Disney had a good year by historical standards, owning 18% of the market. Still above the entirety of 1997-2014. In 2023 Disney had a "bad year". Falling to 16% of the market share. Then rebounded into another exceptional year at 21.44% of the market again. If 20th Century is included, market share is actually almost 29% (thanks Way of Water) in 2022 and 20.6% (thanks Way of Water) in 2023.
Ultimately, the market is not where it was pre-pandemic, but Disney seems to still be commanding it.
So anyways, that's the less myopic history lesson. 2022 and 2024 were still strong years even without Cameron. More importantly, as I've highlighted a lot: flops and misses and barely break evens occur almost every year of the companies modern history. Even most of the great ones.
Steve and Sam are both out on Campus at different times during the day. Sam gets a special show moment to assemble the Avengers and do photo ops.Reporting live from Avengers Campus at DCA. There is a meet and greet currently with Captain America... not Captain Falcon.
Hilarious being Captain Falcon is supposed to be the hot thing at this moment.
Ah yes.
A super piece on the amazing turnaround the company has made!
Disney Touts Two-Year Turnaround Behind Studio’s Stellar Quarter.
The company’s fiscal fourth quarter that ended in September was one of the best ever in the studio’s history. Pixar’s Inside Out 2 and Marvel’s Deadpool & Wolverine became the top films of the year so far, setting box office records. Disney became the first studio to cross $4 billion globally in 2024.
In executive commentary around the numbers this morning, Iger and CFO Hugh Johnson cited renewed creative strength, “a result of the extensive work we began two years ago to restore creativity to the center of the company.”
“We are encouraged by this momentum in our studio business going into the holiday season,” they said, with upcoming Moana 2 later this month and Mufasa: The Lion King in December.
The studio, housed in Content Sales/Licensing — one of three divisions in Disney’s Entertainment Segment with streaming and linear TV — saw revenue jump by 39% to nearly $2.6 billion last quarter. It swung to a $316 million profit from a $149 million loss.
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