The quicker you're into it, the quicker you're out of it. -Mary PoppinsThe sooner you start something, the sooner it can get finished
The quicker you're into it, the quicker you're out of it. -Mary PoppinsThe sooner you start something, the sooner it can get finished
Which is why I have said in the past, Disney bloggers should be required to identify themselves here.If you’re going to be snide to people who have expertise in certain areas and reject what they say out of hand - not debate it, just reject it - what is the point of discussion? You say you respect posters like Lazy and Peter but you absolutely don’t behave that way.
The fact that you have a podcast does make certain things make sense.
Did you ever tell us what quarter and year you expect the Muppets replacement to open?
Also FWIW - I discussed this topic with Scott Gustin on my podcast this evening and he also mentioned the demo accelerating now could be something boring like fiscal year spending.
That was a point I was trying to making earlier. There are more factors involved then just simply it takes 1 year to re-do a courtyard.
Marketing, Accountants, other projects can play a role into all of this.
I don’t see how these two posts square. What should Scott’s statement be worth? He’s a media guy who follows Disney news. Your point was that you think I didn’t consider some basic factor. If you’re not convinced I know a thing or two about construction then just be forward and say that.I am not discounting their expertise, but it doesn’t mean I agree with their premise “Disney cut MV3D just to save operating costs.”
You do not in fact respect expertise if you then claim it does nothing to provide a more informed view. It’s not as much of an assumption if you’re familiar with those factors, which aren’t as special nor given equal weight as you try to claim.I get that and respect expertise. But when educated guesses translate into fury or resentment for a company, suspecting nefarious or anti-customer policies (e.g., "unnecessarily" closing a show that some guests still like), it starts to come across as delusion. Now, if a WDI insider came out and said they saw a project plan or sat in a meeting where it was clear the timeline to close MV3D was suspect, that is different. But otherwise looking at a big coaster building vs. a courtyard renovation and assuming one has to be done first while the other is still open for months is not lending credence to the multitude of very plausible reasons why that could be a bad decision. And very few people in the world have the expertise in all of those fields (finance, safety, construction, project management, operations, marketing, etc.) to make some of these bold claims here. Remember, it was a team of people that informed this decision, not one person.
I never dismissed any of that. All I did was dismiss primary motivation behind the work.I don’t see how these two posts square. What should Scott’s statement be worth? He’s a media guy who follows Disney news. Your point was that you think I didn’t consider some basic factor. If you’re not convinced I know a thing or two about construction then just be forward and say that.
What makes this funny though is that this isn’t the first time you’ve ended up circling around to financial considerations. You tell us other teams could play a role, but reject that it could be financial and operational considerations in a way that has been done before.
Is maximizing profit at the expense of the customer experience “nefarious?” Is it something corporations never, ever, ever do - or is it in fact very, very common? What we’re seeing here is one of the most baffling aspects of modern America - almost every once respected expert is now disregarded at best and demonized at worst - doctors, professors, lawyers, teachers, bureaucrats, politicians, scientists, etc - except for corporate executives, who are increasingly seen as all-knowing and infallible.I get that and respect expertise. But when educated guesses translate into fury or resentment for a company, suspecting nefarious or anti-customer policies (e.g., "unnecessarily" closing a show that some guests still like), it starts to come across as delusion. Now, if a WDI insider came out and said they saw a project plan or sat in a meeting where it was clear the timeline to close MV3D was suspect, that is different. But otherwise looking at a big coaster building vs. a courtyard renovation and assuming one has to be done first while the other is still open for months is not lending credence to the multitude of very plausible reasons why that could be a bad decision. And very few people in the world have the expertise in all of those fields (finance, safety, construction, project management, operations, marketing, etc.) to make some of these bold claims here. Remember, it was a team of people that informed this decision, not one person.
I’m completely baffled how everyone is just ok with the difference in pay. How does a Board of Directors agree that any CEO is worth that?except for corporate executives, who are increasingly seen as all-knowing and infallible.
It would have been awfully hard to keep MuppetVision open with that level of destruction taking place right next door.Aerial photo by bioreconstruct showing the demolition of Stage 1 Company Store:
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It’s weird to see how the absence of one building makes the area look so different.Aerial photo by bioreconstruct showing the demolition of Stage 1 Company Store:
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You are dismissing all of that by saying I didn’t consider “nuances”. I am not dismissing the notion of nuance, I’ve considered more nuances and factors than you or anyone else has mentioned. That’s the benefit of knowledge and experience, you know what is involved, especially things that are fairly common and repeatedly occur.I never dismissed any of that. All I did was dismiss primary motivation behind the work.
There is more nuance to this is what I'm suggesting (and in my conversation with Scott - that's how the conversation went).
You keep dismissing that notion completely and that's your opinion unless you work at WDI and I missed it.
Because the area was designed as “space making objects” and not “objects in space”.It’s weird to see how the absence of one building makes the area look so different.
They’re going to be doing work in Animation Courtyard fairly close to guests. It’s the Animation Building, and not really the theaters, that is blocking access to that larger area.What is only speculation on my part - if mermaid didn’t exist would monsters be going into the animation plot. (Meaning if mermaid had continued to sit closed as an empty theatre).
Oh not because of the construction work - I meant if that theatre was still sitting empty, it could have been used for the monsters project.They’re going to be doing work in Animation Courtyard fairly close to guests. It’s the Animation Building, and not really the theaters, that is blocking access to that larger area.
All of those things do not equal motive. Your educated guess on motive is as good as anyone elses. The WDI line was an analogy of being an real insider behind all the decision making, not just someone who has experience with construction and projects.You are dismissing all of that by saying I didn’t consider “nuances”. I am not dismissing the notion of nuance, I’ve considered more nuances and factors than you or anyone else has mentioned. That’s the benefit of knowledge and experience, you know what is involved, especially things that are fairly common and repeatedly occur.
The great irony is that you then toss the old “you don’t work at WDI” which only works if you ignore or don’t know the nuances of that statement. First, if I do work at Walt Disney Imagineering, it is not really something I’d be broadcasting. Second, these decisions are not made by Walt Disney Imagineering alone and include not only the parks themselves but also vendors like architects, engineers and contractors. Third, let’s say I post a Walt Disney Imagineering paycheck for you to see, that in and of itself is meaningless. Walt Disney Imagineering involves all sorts of disciplines and most are not directly related to construction as the bulk of facility design work is outsourced to third-party architects and engineers. Being an Imagineer could mean being a graphic designer or a show controls programmer or a writer or any number of other disciplines. A good creative director would have experience to know if they’re being played but would still defer to others. Even show set designers, the ones most connected to designing what guests see, and even document it in “blueprints”, stay away from getting into actual construction and fabrication as that work is handed off to various vendors.
It’s bizarre how you seem more motivated by some sense of revenge. You are also again ignoring the nuances that have been explained to you repeatedly. The show opening first doesn’t disprove what has been said (and reinforces a lot of the points made about scope and scheduling). Nor does work slowing, and visible changes will absolutely slow as they do on every project, wouldn’t disprove anything you’re thrown out as an explanation.Pray to the gods of your "knowledge and experience" that the Monsters show (or land itself) doesn't open before the door coaster or I'll be back with vegenance.
Also, I'll add this caveat, if things start to move terribly slow in this space for 3 years, I'll come back and eat some crow.
I've also taken a beating for my opinion here.It’s bizarre how you seem more motivated by some sense of revenge. You are also again ignoring the nuances that have been explained to you repeatedly.
Please share a timeline then.It’s bizarre how you seem more motivated by some sense of revenge. You are also again ignoring the nuances that have been explained to you repeatedly. The show opening first doesn’t disprove what has been said (and reinforces a lot of the points made about scope and scheduling). Nor does work slowing, and visible changes will absolutely slow as they do on every project, wouldn’t disprove anything you’re thrown out as an explanation.
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