Just curious what training photopass CMs go through.
Wow.
I thought your question was fairly unique, but I expected there to be at least a small amount of decent replies. We've had decent luck w/the Photopass CM's. I'm wondering if they are treated as others in regards to placement, like attraction-based CM's, or if it's a completely separate entity.
I'm not sure but based on some of the photos we have had, not much. It doesn't seem like they know much about light and "sun flares" of the lenses. (Dint know if thats the correct photo term) but we have had alot of photos that were not so great.
durangojim said:I was mostly interested if they learn about photography -- f stops, depth of field, "film" speed, etc. I would say that about 25% of the pics taken by photopass cms are good pics, but many are not exposed correctly or out of focus. This seems especially prevalent at night. Many times I'll set my camera at the aperature and speed I'd like and then ask them to take the pictures. We can usually tell the ones who know what they're doing because they say something like "nice camera" and hold it with one hand on the lens and one on the body. I cringe whenever someone holds my dslr like a point and shoot with both hands on the body with the lens waiving in front of them.
Gepettotrevor said:In all seriousness here, I wonder if they put some CP's who are studying photography in this position as part of some kind of internship?
Like i said, you want quality, You have to pay for it. Real photographers, people who make a living by the quality of their photos and can handle something outside a studio and actually photograph people (not some landscape or sunset) costs money.
Well....well..... well... From the pictures I have seen taken by photopass Photographers over the past few year, I would say most of them have as much training as I do, and I have no professional photography training. Most pics that I took with my camera were IMO just as good or better than the photopass photo. True that some pics by photopass were better and I am sure than some photographers are much better at it than others. I will say the photopass pics taken at the waterparks did come out much better then mine. Overall nothing to make me want to pay the crazy amount for the CD though.
This has been my experience with Photopass and is just my opinion. I know it works well for others so please don't start the BS.
As long as it is run like a sales department as opposed to a photo outfit, it will never change.
Thats the correct term. At the risk of alienating the resident photopass CMs who reside on these forums, 95-99% of them are "shutter monkeys" wherein all they know how to do is push the freakin button.
Conversely.....
You get what you pay for. I will not take $8-$9 dollars an hour for grip-and-grin photography. I take what i do very seriously, and if you want serious photo quality, you're going to have to pay a whole heck of a lot more than that to get better photos.
Most do not understand that concept. The advent of digital photography has made it so that "Anyone can be a photographer"...... much like "Anyone can be a chef." Quality photography is not valued (ask Sam Zell) because the general conception in this country is that "anyone can do it." Thus people accept and strive for mediocrity when all you need to know is to learn a few basics and you can take good pictures consistently.
Best advice? Have a point and shoot handy and ready for the photopass people, set on auto. I'm not handing over my brand-new dSLR to anyone, letalone a theme park CM.
That WAS the original concept when the program was started in summer 2004. Good photos by college interns studying photography, something beyond what Kodak was offering as well a unique photo or two. Of course they got some GSMs in who were all about retail and sales and frankly didn't give a flying F about what the photos looked like. They were concerned with numbers and goals. The original management team on the front line had one former entertainment person and one from toontown merch and the rest were just your garden-variety Disney park GSM's who were trying to just get by and get a promotion. Later they promoted a few of the original photographers into management but at that point the die had been cast and the culture already established.
They got tired of babysitting and trying to get people to actually approach guests and take pictures rather than just standing around and by the end of 2004, all the CPs were gone and it was all moved to hourly cast.
Like i said, you want quality, You have to pay for it. Real photographers, people who make a living by the quality of their photos and can handle something outside a studio and actually photograph people (not some landscape or sunset) costs money.
Your opinion seems rather condescending . So you'll have to excuse any "BS" that you are inferring from people not agreeing with you and frankly, having experiences that differ from yours is not "BS."
Most of us expect the basics from Disney photopass - proper exposure and a decent if not basic composition. For a $9/hr photographer, thats all I'd expect. For the equipment Disney has for the program (Nikon D70 SLRs and SB-800 flashes), there's no excuse for why everyone cannot have the experience the above poster had. This is a skill that is worked on every day, 32-40 hours a week. People should be getting better but clearly they're not. Granted, there are a couple of good ones here and there but the average photo produced still isn't up to what it should be.
There's no way you cannot train people how to use a camera basically and produce good images, unless you have bad management and a sales-oriented culture.... which is what the first manager ****** ever cared about. It was all about sales then, which i suppose is what you get when you start a photo department managed by people with a sales/merch background. You start with a sales culture, you end up with a sales culture.
The program still to this day cares more about numbers and high volumes of images rather than producing basic images that guests cant complain about - proper exposure and basic composition.
There's lots of reasons why not every photopass shot comes out like Gorjus or Mattboom's. Management, money, training, CM motivation and every other reason why you aren't 100% at your job every moment of your life. (6 or 8 hour shift, 95 degrees, 80% humidity?) I'm going to continue to fault management as to why things aren't the way they should be. As long as it is run like a sales department as opposed to a photo outfit, it will never change.
I was referring to the wisenheimer comments as "BS", so sorry if you misunderstood.
The same thing could be said about almost everything at Disney... in fact, it's the same thing I've said for years.
Disney needs less MBA/MPA/MHA and more people that actually give a ________ about the company as opposed to their career.
With caring about both, I am of the belief that there needs to be compromise in play. Generally, human greed will compromise their caring for the company.[/B]
Why not have MBA's who care about the company and their career? That would seem like a logical goal.
With caring about both, I am of the belief that there needs to be compromise in play. Generally, human greed will compromise their caring for the company.
That's why.
And it's not a bash on MBA's[/quote]
No worries, I do not have one. My grad degree only has 2 initials. As far as greed, I am not sure that any human is totally immune from it, whether they care or not.
As far as what Photodave said, this seems odd. Logic would tell me that if you wish to boost sales, you should put out a superior product. If what he said was true, (and I have no reason to believe otherwise) this a troubling trend.
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