DrStarlander
Well-Known Member
Well put. If the back bar was built as realistic cabinetry with alcoves and columns and cabinet doors and therefore felt believable and immersive as an 18th century tavern in the Caribbean...but then when the special effects lights go on and the alcoves reveal themselves as glowing eyes and nose and sinister grin because of their subtle shapes and clever placement, and there is a "Wow, look!" moment throughout the bar as the skull is revealed...that would be cool. Satisfying kids and adults.Disney's obsession with self-referential ornamentation is also unnecessary because it's not the job of one piece of wood paneling or one chandelier alone to set the tone and communicate the story of an environment.
All the pieces and furnishings ultimately work in harmony to support the narrative. We're already in Caribbean Plaza next to the ride, it's an old tavern with servers and wait staff in period dress, there's music choices and so many other things that all come together to communicate "pirate". The audience has so many reference points they bring from their own experience with pirate media, that they can do a lot of the storytelling interpretation on their own.
It's why people think the load area for The Flying Dutchman at Efteling feels like Disney's Pirate ride. Not because there's anything visually or in the soundscape that's directly taken from Disney, but because the whole vibe of the space says "pirates" to the average guest who has a familiarity with that subject.
They chose to do this bar in a Toontownish Jake and the Neverland Pirates way and that is precisely what I'm questioning.
or Bibbidi-Bobbidi-Bar in Fantasyland.You're not going to like the announcement of Stitch's Great Elixirs....
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