Sirwalterraleigh
Premium Member
Better check the scoreboard againYou'd have to tell me. Because the fallacies in this thread? They ain't comin' from me.
Better check the scoreboard againYou'd have to tell me. Because the fallacies in this thread? They ain't comin' from me.
The new Final Destination reception(both with critics and audiences)is the most surprising in 2025 to meThunderbolts* is expected to be in a dogfight with Sinners this weekend for 2nd place behind the new Final Destination, which is pulling in much better reviews than I expected.
as you have been told before Disney doesn’t judge whether a movie is a success or failure only in box office performance. It also gets judged in merchandise sales. If it can be translated into the parks in successful ways. And yes in home video sales and how many times it’s steamed on Disney+What were you “correcting”? Budgetary estimates? Those aren’t hard numbers…and again…nobody questions them on the successful movies
And you again (for the 5 people that self reinforce with the likes)…just skipped the part where I said inside out was great and a huge hit
Keep peeing upwind. Successes aren’t argued…they just have to be proven. The entire issue is “failures aren’t actually failures”
For some reason…that has to be disputed every time
Yes. We’re comparing it to the most recent marvel movie. It’s not a direct sequel to anything so if we’re not comparing it to captain America 4 then what should we compare it to? Ps. I would not recommend using the phrase “captain falcon” it’s not a good look.So now the benchmark for the expendables (or whatever the hell this one is called?) is Captain Falcon?
Minute point of order: that was a FAILURE
Yeah…like really it was.
I'll let @BrianLo speak for himself, but the idea is that TP and others constantly overestimate the marketing during the theatrical. So the correction comes in that form, lower the marketing used to being what is typically used during theatrical and it would be consistent across all the discussions win or lose.What were you “correcting”? Budgetary estimates? Those aren’t hard numbers…and again…nobody questions them on the successful movies
And you again (for the 5 people that self reinforce with the likes)…just skipped the part where I said inside out was great and a huge hit
Keep peeing upwind. Successes aren’t argued…they just have to be proven. The entire issue is “failures aren’t actually failures”
For some reason…that has to be disputed every time
So now the benchmark for the expendables (or whatever the hell this one is called?) is Captain Falcon?
Minute point of order: that was a FAILURE
Yeah…like really it was
Awesome post. This should settle this once and for all.I'll let @BrianLo speak for himself, but the idea is that TP and others constantly overestimate the marketing during the theatrical. So the correction comes in that form, lower the marketing used to being what is typically used during theatrical and it would be consistent across all the discussions win or lose.
Also you keep harping on this "failures aren't failures" thing as if that is what is being said by some (I assume you lump me in that group). No one is saying a movie isn't a failure DURING theatrical, its clear more than a few over the last couple years have fell in that territory, though there is debate among a couple movies that you claim are failures but aren't really but I'll let that go for now. What is being said is the OVERALL if you count ALL monies made during the life of a movie it wouldn't be considered a failure in that sense, that they pretty much all do turn a profit with rare exceptions.
And before you get on the rant of "Disney expects xyz at the box office, they don't expect to lose money", I'd like to point out as @coffeefan rightfully posted, right from Disney's FY24 earnings report right at the top of page 6 -
"The Company incurs significant marketing and advertising costs before and throughout the theatrical release of a film in
an effort to generate public awareness of the film, to increase the public’s intent to view the film and to help generate consumer interest in the subsequent home entertainment and other ancillary markets. These costs are expensed as incurred, which may result in a loss on a film in the theatrical markets, including in periods prior to the theatrical release of the film"
So its clear that Disney not only is ok with a movie losing money during theatrical, they almost expect it. And that they do in order to promote the movie for a post-theatrical market. Now obviously they'd like to minimize those losses as much as possible, but if they lose money they are set to absorb that in their post-theatrical earnings on a movie. This is a new world of the post-pandemic box office my friend. This isn't the 70s, 80, 90s, or even 00s anymore. You have to stop thinking the box office is the end all be all for a movies earning potential, its just the start not the end. And what you consider a "failure" is in reality not a failure to Disney, its a future earner post-theatrical. This is what several of us have been trying to tell you and others for years now.
Not if it isn’t read.Awesome post. This should settle this once and for all.
I don't think it is surprising considering how well both new Scream movies did. I think the reboot "I know what you did last summer" will do well too.The new Final Destination reception(both with critics and audiences)is the most surprising in 2025 to me
It always felt like it had more of niche audience and after the first one it was less predictable…you understood the template… this is one of the best wide releases reviewed movies of the year…. None of the other are even in fresh territory… including the first one…. Perhaps nostalgia really does get more beloved with age
What were you “correcting”?
and again…nobody questions them on the successful movies
There’s only “disagreement” when we got a fish out of water to deal withThe exact same thing I’m doing now. The profit estimates and break even points. Click on my post, it’s directly correcting TP. About inside out 2.
You are quoting evidence to the contrary…
When you say nobody, what you really mean is yourself.
Just planning to ignore my request?
The movies in question are The Marvels, Dial of Destiny, Haunted Mansion, and Wish. The numbers that you flog differ from reported reality by... well, by a lot. Which is the whole point in this most recent conversation around formulas.
The below was cut and pasted in 2025 from that New Year's 2024 post for brevity...Okay, gang, have we all recovered from last night?....
The Marvels: $220* Production/$100 Marketing, $51 Domestic, $46 Overseas = $223 Million Loss
Haunted Mansion: $158 Production/$75 Marketing, $41 Domestic, $19 Overseas = $173 Million Loss
Wish: $200 Production/$100 Marketing, $37 Domestic, $47 Overseas = $216 Million Loss
Indiana Jones 5: $300 Production/$100 Marketing, $105 Domestic, $83 Overseas = $212 Million Loss
So marvel batting 0-2 this year.
I'm assuming you'll post figures from Deadline that show The Marvels and Haunted Mansion brought it untold Millions and wealth to Burbank's coffers from all that Disney+ profit?
The Marvels: $220* Production/$100 Marketing, $51 Domestic, $46 Overseas = $223 Million Loss
Haunted Mansion: $158 Production/$75 Marketing, $41 Domestic, $19 Overseas = $173 Million Loss
Wish: $200 Production/$100 Marketing, $37 Domestic, $47 Overseas = $216 Million Loss
Indiana Jones 5: $300 Production/$100 Marketing, $105 Domestic, $83 Overseas = $212 Million Loss
Okay, now you go!
Unfortunately for the 2 or 3 posters who constantly misrepresent the box office they'll never use a formula shown to be more accurate because they have a narrative to continue, for reasons. And they've pretty much already admitted to that. And that the only way there is nothing to "talk" about for them is for Disney movies to "over perform" in theaters so they have nothing to cling onto, because it'll be a clear "success" in their mind. Its clear they only value the box office, because anything else doesn't make sense to them, a very "old school" thought process, even though we've all discussed the paradigm shift that is currently happening.Sadly, no. Deadline indicated that they lost a total of $628m on those four movies combined.
All right, so you're off by a total of $196m (~30%) on these four movies. The formula Brian Lo is urging you to use only missed by a total of $68m (~10%).
I already went back in the post chain you're responding to, bro. And Brian went months before that.
So nothing new then.Unfortunately for the 2 or 3 posters who constantly misrepresent the box office they'll never use a formula shown to be more accurate because they have a narrative to continue, for reasons. And they've pretty much already admitted to that. And that the only way there is nothing to "talk" about for them is for Disney movies to "over perform" in theaters so they have nothing to cling onto, because it'll be a clear "success" in their mind. Its clear they only value the box office, because anything else doesn't make sense to them, a very "old school" thought process, even though we've all discussed the paradigm shift that is currently happening.
I thought for sure Thunderbolts would pass CA4 box office. It still might, but will still end up being less of a hit than I thought. Oh well
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