Sir_Cliff
Well-Known Member
Is it just me, or is the song not that good? I know it's supposed to be moving and the characters are acting as though it is, but I don't really find the lyrics, tune, or performance all that impactful. Possibly it could have worked if they just had the first verse and cut it off after the first "a wish worth making".I still don't get Chris Buck's rationale as to why Sabino singing "A Wish Worth Making" was cut: "The film tells you what it needs"? I would think fully resolving the situation that caused all the trouble in the first place was worth an extra minute or two.
It kind of puts me in mind of a lesser version of Miguel singing Remember Me to Mama Coco:
Ah, I love Coco!
Since I brought up Asha and Valentino's lack of chemistry compared to Olaf, Anna, and later Elsa. I love how the original Frozen handled Olaf's role by not only being a comic relief character next to Sven. But he actually played an important role in Anna and Elsa's relationship. Prior to The Trolls changing Anna's memories of Elsa accidentally hurting her, Olaf was built when the girls were playing with Elsa saying "Hi, I'm Olaf and I like warms hugs." After Elsa unknowingly brought Olaf to life, he served as a reminder of Anna and Elsa's innocence and playful nature they once had.
While giving moments of levity, audiences were worn over by Olaf since he wasn't only appealing to children. But he ended up risking his life by getting close to fire for the first time in his life just to keep Anna alive much longer after getting her "heart frozen" and on the verge of death. It's why the line "Some people are worth melting for" is my favorite scene and line from the film.
Wish the filmmakers thought of a similar approach with Asha and Valentino if the movie had a better plot. I preferred if the movie had a different prologue going along the lines of showing how Valentino helped Asha feel more confident or something. The only time the two have any personal interaction is the goat crying after learning Star has to go and even that has a somewhat comedic line.
Olaf is a good example of comic relief that also serves a purpose in the story and involves a fully-developed and appealing character. Valentino is one of the many elements of the film that didn't seem fully developed beyond the basic idea of having a talking animal sidekick as that's clearly his only role.