matt9112
Well-Known Member
The majority of Monsters films are from the 20s and 30s and still remain culturally relevant. Perhaps people don't really watch those films, but Universal's films have come to define popular depictions of those particular stories. I would hazard to say that Epcot's new attractions will age in the same way that Herbie the Lovebug and The Mighty Ducks did at the All-Star Movies. I like the campiness and the obscurity of those properties, but I doubt most people staying there connect with them.
There's also a case to make that Universal and Disney approach IP differently. Disney fails to understand that part of drawing people in just isn't the name, but the quality of the attractions has to match. We've seen a whole slate of lazy and mediocre attractions use their IP as a crutch. Frozen Ever After, Toy Story Land, Pixar Pier, Avengers Campus, Cars Road Trip, Lightning McQueen's Racing Academy, etc. Even Galaxy's Edge would probably be perceived as underwhelming if it weren't for Rise of the Resistance, and even then I don't think it'll age well once the shininess wears off for most people.
In contrast, what Rohde and his team were able to achieve with Pandora was a fluke for Disney. The well thought-out nature of the land and its incorporation into the themes of Animal Kingdom has surpassed the mediocrity of the film it's based upon. Had anyone else tackled it, I believe it may have been a flop.
Universal has also shown a strong understanding of how quality surpasses IP. The Secret Life of Pets is reportedly not a great film (I haven't seen it), but the attraction is superb. The same applies with the new Jurassic World attractions in Hollywood, Beijing and the Velocicoaster. The attraction quality comes first, and the IP comes second. You can bring in the plebs with brand name, but they won't return if the experience is a waste of their time. Jurassic World was fine, and Fallen Kingdom was an out-right poor film, but even I would be in favor of the River Adventure getting the Jurassic World treatment based on how well it was executed in Hollywood.
Finally, the true testament of attraction quality over IP lies with the Bourne Stuntacular. Bourne isn't particularly relevant, yet the show is still technically impressive and outstanding. There's not a lot of buzz for it (which I believe has to do with it quietly debuting during the pandemic), but it's a pretty popular show every time I go to experience it.
If Universal continues on its trend of exceptional attractions post-Fast and Furious, then I do believe that Disney will find itself in serious trouble.
I saw the bourne show for the first time recently and yeah it was pretty awesome. Again your right. The IP is less relevant but it dosen't matter.