The Sorcerer's Apprentice - Season 5 - Stanza XIII - The Legend of Hercules

Evilgidgit

Well-Known Member
Original Poster
THE LEGEND OF HERCULES


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The Legend of Hercules is a brand new attraction coming to Shanghai Disneyland in 2021, celebrating the wonder boy himself: Hercules. Replacing Voyage of the Crystal Grotto in the heart of Fantasyland, The Legend of Hercules is an elaborate new suspended dark ride, and perhaps one of the biggest and ambitious in Imagineering history. In layman terms, it is an advanced suspended dark ride akin to Peter Pan’s Flight, but on a sense of scale that could rival Pirates of the Caribbean: Battle of the Sunken Treasure.

Tucked behind the Enchanted Storybook Castle, but now at the centre of Fantasyland, is Mount Olympus. The Grecian mountain is around the size of the Matterhorn Bobsleds, big enough to hide the show building within, but uses forced perspective to look bigger. On top of the mountain, water is sprayed out to create a layer of mist, making it look like Zeus’ clouds are obscuring the peak, and the home of the gods. Replacing a large boat ride, the mountain takes up most of the room, the surroundings outlined with Grecian-originated trees and ancient ruins.

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Taking inspiration from the Acropolis and Athenian Parthenon, guests travel under an ancient marble archway and venture up a hill to a grand Greek temple dedicated to Hercules, with the shadow of Olympus towering over it. Flaming torches line the path, and our eager eyes behold an enormous statue of Hercules, Greek demigod of strength, and the son of Zeus, his muscular arms raised and flexed to show off the great hero’s might. Watching through his legs will take guests to his temple and to the attraction itself, but before that, let’s explore the surrounding environment.

On the lower level of the acropolis is a small but busy Greek agora and market, lined with twelve pillars representing the Olympian gods. The place is as grand and breathtaking as the temple, made from stone, marble, and tiled roofs. Indoor plumbing is pretty big here. There is a small market place, mostly selling themed food and merchandise, the larger Hercules Store, a Greek comic take on the Disney Store, selling Hercules-based merch, and Greek food and products, including small bottles of wine. There is a small play area/obstacle course called The Trials of Achilles, acting as a counterpart to Camp Discovery over in Adventureland. Guests can test their agility and strength, throwing foam discus, jumping over hurdles, etc.

There is a small garden where guests can have meet-and-greets with a variety of heroes and gods, including Hercules, Meg, Phil, Hades, Pain, Panic, and several of the Olympians themselves. The final feature is an amphitheatre, where guests will encounter the Troupe of Delphi, who perform goofy 25-minute re-enactments of classic Greek stories –“even the tragic ones, which is basically all of them.”

Onwards, we go into Hercules’ temple and into the queue line of The Legend of Hercules. The queue weaves through the torch-lit halls of the Hercules’ temple, each decorated with magnificent sculptures, pottery, frescos, and mosaics, depicting the heroic acts of Hercules and other heroes. One statue of Hercules is cleverly designed to look like it is holding up the ceiling. There is a Fastpass queue, which goes straight to loading, but skips most of the environment. But, in each room, the Muses come to life via artwork on the wall (animated projections), performing “The Gospel Truth” as guests go onwards to the loading bay. We learn how Zeus banished the Titans to a vault and ushered in the golden age of gods in Greece, before he and his wife, Hera, gave birth to their son Hercules.

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We go on to the loading zone, creating the illusion that we are outside in a beautiful garden, the Garden of Heroes. The five Muses – Calliope, Clio, Melpomene, Terpsichore, and Thalia – morph in and out of garden statues, bantering with each other and encouraging guests to go on to experience Hercules’ adventures. Our chariots await, quite literally, as a row of golden chariots serve as the ride vehicles, each pulled by a small winged pegasus. Both horse and chariot are suspended from the ceiling on magnetic rails, their arrivals timed with the attraction’s scenes, and can fit around six guests, three in each row. The pegasi and chariots glide out of the loading and into the realm of Greek legend.

The chariots are wide enough to hide the floor below. In the event of an evacuation, cast members will be on hand with ladders to help guests out of the vehicles.

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Onwards to the attraction!
 
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Evilgidgit

Well-Known Member
Original Poster
THE ATTRACTION

The chariots leave the garden, suddenly finding ourselves amongst the clouds of Mount Olympus as the gods gather to celebrate the birth of baby Hercules. The great temples, made of nimbus, and cumulus, are visible in the distance. The sky is blue, and the shining gods are on full force, the large crowd created through a projection. On one side of us is the large pile of divine gifts for Hercules’ birth. Hermes cracks jokes with Apollo, Narcissus blows kisses to himself via a handheld mirror, whilst Zeus and Hera cradle their newborn son on the other side of the track, whilst a baby Pegasus hovers around them (attached to the wall).

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The clouds turn a little dark and murky as Hades watches from the shadows, conniving and formulating a plan to rid himself of “the little sunspot”, asking Pain and Panic rhetorically how to kill a god – by making them mortal. As we fly past through the clouds, we see he has a vial marked with poison.

We appear to descend down the mountainside to ground level, going down into the basement level, seeing silhouettes of Pain and Panic kidnapping Hercules, muttering how he has to drink the whole potion to lose his immortality. The chariot passes by the baby Hercules as he plays with Pain and Panic as snakes, his foster parents, Amphitryon and Alcmene, watch on in alarm.

We pass on through a rocky ridge, lined with high walls. Calliope stands atop one to the left, narrating how Hercules grew up a mortal, and his true parents could only watch from afar, until one fateful encounter in Zeus’ temple.

Our chariot flies into the huge stone temple, passing by the equally huge, animated statue of Zeus as he addresses the older Hercules, who stands in his palm. Zeus informs his son that in order to regain his godhood, he must seek out Philoctetes, the trainer of heroes, and understand what it means to be a true hero. Via a projection in the ceiling, a little Pepper’s Ghost, and mirror, a shooting star descends from the open roof, transforming into the adult Pegasus, Zeus giving him to Hercules to complete his quest.

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The chariots fly out back into the clouds as a sunrise occurs, passing by Hercules and Pegasus as he sings “Go the Distance”. Projections/screens in the clouds give the illusion that we are flying with Hercules as he soars and flips through the sky on his trusty stead. Before we go into the next scene, the clouds part above, revealing the aligning planets, foreshadowing the release of the Titans. In a little nod to Peter Pan’s Flight, we pass over a model of an island – the home of Philoctetes.

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The clouds cover up the scene, and all of a sudden, we pass into a cluttered, messy interior, visiting the home of Philoctetes (or Phil). The room is filled with huge amounts of items, statues, and medals of glory days. Olympic medals and trophies, skulls belonging to several mythical creatures like the Minotaur and Medusa’s head, which is covered by a sheet (though that doesn’t stop the snakes beneath from peeking out), the head of the wooden Trojan Horse, the Golden Fleece, a bowl of golden apples, the mast of the Argo, the shield of Athena, memorabilia from Sparta, and the crumbling statue of Achilles. There are nods to other Disney films and attractions for eagle eyed guests.

Hercules has bumped his head on the suspended mast of the Argo, whilst Phil reminisces about his failed heroes, commenting how he had a dream that he would train a hero so great, the gods would make a constellation of him (“And people would say, ‘That’s Phil’s boy!’,”). As he says the dialogue, an image of Hercules unveils itself on the wall. Hercules tells Phil to give him a chance. We go outside as “One Last Hope” is performed, Hercules now a grown man and twice as strong, training under Phil’s instruction. The goat from Big Thunder Mountain makes a cameo here. At the end of the scene, Phil tells Hercules they will head for Thebes.

Another cloud formation transitions us to the next, introducing us to Megara. She stands in a forest by a small pool, where Hercules dukes it out with the centaur Nessus, using a mix of animation, projections, and animatronics. Phil and Pegasus also act as spectators. Meg is impressed by “Wonder Boy”.

We leave the scene going under a cluster of trees, where Hades lurks with Pain and Panic, realising that Hercules is alive and decides to make him go toe-to-toe with the bloodthirsty Hydra. The pegasus and chariot fly on through a short tunnel, and find ourselves in large, dark, stormy quarry, where Hercules faces off against the Hydra. This multi-headed beast would be an epic animatronic, one of the largest build, around the size of giant from Tokyo DisneySea’s Sindbad’s Storybook Voyage – perhaps even bigger! Phil, Meg, Pegasus, citizens of Thebes, and Hades watch as Hercules is trapped on a cliff about to be eaten, but he slams his fists against the rock, causing a landslide.

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Through flashes of light, and darkening of the scenes, the Hydra is suddenly killed, buried under rubble, and Hercules has survived. This scene would be pulled off by the scene being on a turntable, quickly changing as the lights go out, changing to the secondary scene. Winning with a literal landslide, Hercules becomes a hero and celebrity in Greece.

Our next sequence is through the streets of Thebes as Hercules is praised as a hero, allowing for a lot of sight gags (like the mosaic ‘Air Herc’ billboard), as the Muses perform “Zero to Hero”. We pass by Hercules’ rapid fangirls, being held off by Phil. The ugly-looking Stymphalian Bird is trapped in a large cage, and put on display. The skyline in the background made up of huge temples. In the middle of a plaza, Hercules stands before a crowd of static figures, posing atop of Pegasus, wearing the skin of the Nemean Lion, and holds aloft a sword and shield.

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As we leave the scene, Hades stands above on a balcony with Meg, asking her to find Hercules’ weakness, and promises to free her soul in return. We also catch Pain and Panic enjoying some Hercules-branded merchandise.

Day turns to light as we travel through a romantic cluster of trees into the beautiful, starlit garden where Meg performs “I Won’t Say I’m In Love”, with the Muses providing backup, whilst appearing as five busts in a nod to The Haunted Mansion (as in the films). The other statues come alive too, as the love of Aphrodite animates the garden in a spectacular musical number. A statue of Cupid (or Eros) shoots arrows of love, water fountains playfully squirt a little water at guests, cherubs dance around a water fountain.

Things soon get dark as we move on to another portion of the garden, now burning and withered as Hercules gives up his strength for a day to free Meg from Hades’ enslavement. Meg is bound in smoke chains, the animatronic surrounded by a screen that animates the disappearing-reappearing mist. Hades shakes Hercules’ hand, the demigod’s bright colour pallet is distilled to a pale one, symbolising the loss of his godly strength. Pain and Panic sit nearby in a gothic chariot pulled by winged dragons, as Hades excitedly gets ready to go and unleash the Titans.

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We plunge into darkness, seeing a projection of a swirling whirlpool in a stormy sea, revealing the prison of the Titans beneath the waves. Hades flies into view and frees the Titans with his powers. As we go on through the darkness, we hear Hades ask the Cyclops to go to Thebes and squish Hercules.

The chariot rides on through back to Thebes and towards the interior of a large temple. We see a glimpse of a burning Thebes, the sky bathed in a fiery red. In the far distance, we can see the Titan scaling Olympus. The chariot fly into the temple, the roof destroyed as the enormous Cyclops’ eye stares through the hole. Meg has been partially crushed by a pillar, which Hercules slowly lifts up to free her, his strength restored as per the deal he made with Hades. Meg and Phil encourage Hercules to go and stop Hades from conquering Mount Olympus.

We ascend back up to the ground floor, finding ourselves back on Mount Olympus, through the busted gates to the home of the gods. On our left, the lights are out at the home of the Olympians, a projection of the Rock Titan appearing to menace us. The clouds that make up Olympus have swirled and turn black, fiery, frozen, or wild as the other Titans tower over us. The Ice Titan crouches, leering at us as our chariots go by, whilst the Lava Titan traps Zeus within a tower of molten rock. Hades taunts Zeus from his new throne. Hercules flies in overhead on Pegasus, but Hades claims he won’t stop the Titans.

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Our chariots are drawn towards the terrifying form of the Wind Titan, our speed picks up, and next thing we know… we are inside the living hurricane. For this scene, our chariots and pegasi spin and twirl on the magnetic rails above, with three ride vehicles in the tornado at once. It is loud and windy inside, though the sequence is brief, and has a similar feel to the finale of Mystic Manor. Around us, the Wind Titan blows around temples and houses (on wall-to-wall projections), only for Hercules to leap in and slash a hole through the Tornado, allowing us to escape. Another projection screen follows, showing Hercules sucking up the Titans and hurling them into space, destroying them. However, Hades flees in his flying chariot, warning Hercules that he has Meg’s soul.

We dramatically dive down to the Underworld, back into the basement, passing by the three-headed dog Cerberus, and Hades’ lair. We fly over the river Styx, filled with the souls of the dead, including Meg. On a high ledge, we see Hercules speak to Hades, and then, he jumps into the river to save Meg. We steer around a corner, past a rock, seeing the three Fates to our right, trying to cut the thread of Hercules’ life, but can’t. On the other side of the rock is the Styx, now a practical set piece, as a shining golden Hercules rises from the river, carrying Meg’s soul with him. Hades freaks out upon realising Hercules is now a god.

A shining golden light illuminates the path ahead, and up we go through the clouds (and the floor), back up to Olympus for our finale, featuring “A Star Is Born”, as Hercules and friends are welcomed by Zeus, Hercules and Meg get together, as the Muses sing us out, and Phil gets is wish granted as the gods create a constellation of Hercules in the sky.

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Our chariots and trusty pegasi take us to the unload zone, within a small side-temple where Hercules, Meg, Phil, and Pegasus are immortalised in stone, the exit taking us back to the main path of Fantasyland.

BONUS MATERIAL


An audio-visual taste of what the attraction might look and sound like in slideshow form.

The Dialogue Script for The Legend of Hercules - https://docs.google.com/document/d/1KXLADoh1Pwf_0HDjUguhlQc1Tm1yb9ea_yLECb_55fc/edit?usp=sharing
 

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