I haven’t fully decided where I stand on Weapons yet. May need a second viewing before I can even rate itThis might be a hot take but for me Together > Weapons
I haven’t fully decided where I stand on Weapons yet. May need a second viewing before I can even rate itThis might be a hot take but for me Together > Weapons
Just did a rewatch, and it elevated the movie from a 7.5/10 to a 9/10 for me. Definitely worth a second viewing. There's so much that clicks into place from the get go when you know what's going on.I haven’t fully decided where I stand on Weapons yet. May need a second viewing before I can even rate it
I’m definitely there with you after a rewatchJust did a rewatch, and it elevated the movie from a 7.5/10 to a 9/10 for me. Definitely worth a second viewing. There's so much that clicks into place from the get go when you know what's going on.
Hell we even got an Aronofsky rerelease this month in Black Swan. Of course I missed it but it was thereReally looking forward to doing my ranking this month. August has been truly special. One of those rare moments in film where every week there's stuff coming out that's genuinely fresh and exciting. It's crazy to think on top of all the awesome stuff we've gotten this month there's still a new Darren Arronofski movie releasing next week. Freaking wild!
Not only have the new releases been awesome, I feel like we're in a golden age for re-releases. Seeing Shin Godzilla for the first time in 4K on the big screen was one of the most memorable movie theater experiences I've had all year.
I’ve got a big movie day Monday to finish up the month, but I agree August was incredibly strong, especially compared to July’s very mixed batchI legitimately think August 2025 might be my single favorite movie month since this thread started. There's not a lot here that's going to be considered a classic years down the line, but pretty much everything that came out was at least interesting. I was genuinely excited for each week's batch of new releases and I hope this sets a standard for August being a showcase for more experimental genre fare. Let's get into it.
11. Freakier Friday
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The one movie this month I can say was legitimately bad, but really what was anyone expecting from this? God bless Jamie Lee Curtis, she's really trying. Between putting out a killer dramatic performance in The Bear and reminding us all how awesome she was in the original Freaky Friday in this movie it really feels like she's on an apology tour for winning an Oscar for the wrong movie. Seriously though, Jamie Lee Curtis recreating her famous "screaming at the mirror about how old she looks" bit is about ALL this movie has going for it.
I think we might have had something here had the two daughters also got mixed up in the body swap antics. Their presence made the plot feel really jumbled and the two teen actresses were so obviously a few classes below Jamie Lee Curtis and Lindsay Lohan. Good to see Lohan turning in some solid work here is Curtis is always reliably hilarious, but there's too much other plot surrounding the two of them to make this movie even remotely satisfying between brief flashes of Member Berries induced serotonin hits. Definitely the least memorable thing of the month and it was SOOO satisfying to see Weapons curb stomp it at the box office.
10. Relay
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Relay is one of those "they don't make movies like this anymore" mid budget thrillers that...Frankly...kind of serves as a reminder of why they don't make them anymore. There's nothing about the movie that's actively bad, but there's just a sense of dullness and malaise in the pacing that kind of ruins the otherwise intriguing premise. Honestly there were a lot of moving plot threads and by the end I thought we'd committed to one too many twists to make the end result actually satisfying (a reoccurring problem I had with a couple movies this month, including Freakier Friday to an extent). I like seeing mid budget stuff hit theaters, but this is such a "serious movie for serious adults" coded affair that it just barely has any actual personality. It has a couple memorable performances but is overall pretty damn mid.
9. Nobody 2
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Oh yes, the classic "sequel to a cult classic comedy that just kind of...does the first movie again...". Nobody 2 is definitely a step up from the bottom two of the month but still not really anything that substantial. Bob Odenkirk is predictably entertaining as hell here, and Colin Hanks turns in such a good performance as the corrupt small town sheriff that I really wish he was the main villain instead of Sharon Stone who was WAAAY too over the top and cartoony for the movie's good. Seriously though, props to Colin Hanks because he's slowly morphing into a true second coming of his father when it comes to screen presence.
I did really enjoy some elements of this movie. I think the original had the slightly better story but I liked the setting and action in this one more, so it kind of evens itself out. I'm a total sucker for the run down theme park vibe so I loved all the parts that took advantage of that. There's also a couple surprisingly effective genuine arcs for minor characters that don't often get that kind of depth in movies of this caliber. All in all I had a really good time in the theater with this one but it's ultimately a totally disposable little comedy action movie that doesn't have nearly the same cultural impact as the first film which I already wasn't that big of a fan of.
8. Caught Stealing
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I totally agree with Jeremy Jahns, this movie was a total "shadow drop". It's appropriate that I saw Snatch for the first time this month during a movie night as this movie radiates early Guy Richie energy which is really unique for Arronofsky. I really like the first and last act of this, but the "too over convoluted for its own good" criticism rears its head once again. Unlike Relay I could follow all the twists just fine, I just think the cast of characters here was too packed resulting in a lot of good performances pretty much competing for screen time.
Austin Butler does a solid job at a more "straight man" role than were used to seeing him in, and his character arc from beginning to end was surprisingly poignant for a movie this frenetic. Matt Smith is fantastic and really memorable in the limited screen time he has, while Regina King steals the show in a role that has a genuinely effective twist to it. I think my biggest problem with this movie is that the situation snowballs on itself so much that it ceases to be any kind of believable and just sort of devolves into cartoon chaos by the end, fortunately not sacrificing Butler's arc and character development in the process. This is a solid 7/10 movie and I certainly enjoyed it a hell of a lot more than the misery fest that was The Whale, but it's far from being an Arronofski classic.
7. The Knife
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Out of everything that came out this month, The Knife is the movie I was the most mixed on. It's a lean mean "bottle episode" thriller that does a fantastic job holding the tension all the way through the very limited run time. Melissa Leo delivers a career defining performance here and it was utterly surreal seeing the boyfriend from Freakier Friday as a racist cop haha. Ultimately I SHOULD love this movie, but a couple things drag it down. For one I think the police escalate the situation to an absolutely comical degree in record time.
I get that the movie is trying to make a commentary on racial profiling, but how INSTANTLY the situation turned into an all hands on deck crime scene over one dead homeless lady really stretched the line of realism for me. There's also a straight up INSANE decision a character makes that kind of defines the whole movie's plot but was a pretty ridiculous "why the hell would you do that??!?!" moment. This movie is definitely worth watching for the pressure cooker tension, I just wish the mechanics of the plot were a bit less sloppy.
6. The Bad Guys 2
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The most "Yea, that was pretty good!" movie of the summer haha. I don't have anything great to say about this movie but I don't really have anything negative either. It's just overall a really solid little heist movie that sadly made very little impact in a year that's already been brutal for theatrical animation. I think the action and heist stuff in this movie is fantastic and a step up from the first film. These movies really do just radiate chaotic Looney Tunes energy and the amount of craziness happening on screen at any given point in the action sequences are a joy to behold.
While the villains are definitely well done, I think I'm kind of in the minority in thinking Marmalade was overall the stronger antagonist and even in his limited screen time here I still found him more memorable than the new "Bad Girl" characters. The biggest step down from the first movie is definitely the lack of interpersonal drama between the titular Bad Guys which I thought gave the first film an almost Pixar level of sincerity. Snake in particular is really dumbed down and Flanderized in this one which is a shame. Sam Rockwell is still smooth as hell, Mr. Shark's costume antics are still hilarious, and Awkwafina is actually tolerable, there's just not nearly as much depth here. I feel like they traded off the individual dynamics between the team members for more focus on Wolf and Diane's will they/won't they dynamic which just did not land for me at all. It's a decent time and a visual spectacle, but I think there's a reason this barely made a blip on the pop culture radar.
5. Honey Don't!
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I liked this movie A LOT more than most people. It still suffers from that "too convoluted for its own good" issue that keeps coming up, but I still had a blast with this. Margaret Qualley is an absolute superstar at this point in her career and I'm really looking forward to seeing where she goes from here. As someone who's been binging all of It's Always Sunny over the past yea seeing Charlie Day in a supporting role was delightful. A t this point I think I associate Chris Evans more for playing smarmy villains than playing Captain America which is a really cool evolution in his career. I also think the title sequence here was an all timer along with having an awesome bookend with the opening and closing.
I was NOT a fan of the twist in this at all, and thought it convoluted an otherwise really enjoyable character study. Still, this movie in a lot of ways feels like a lighter and more fun version of the "small town pressure cooker" atmosphere Eddington was trying to go for. I think it's a step up from last year's Drive Away Dolls and I'm really looking forward to seeing the last piece of Ethan Coen's "Lesbian B Movie" trilogy especially because these films REALLY know how to use Margaret Qualley and I'm stoked to see her next character.
4. The Toxic Avenger
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I'm not that well versed in Troma and have never seen the original, but I still had a blast with this. I think it's great that the cast consists of genuine A listers while the movie itself still sticks very closely to its cheesy B horror movie vibes. There's some awesome laughs to be had here, a lot of it coming from throwaway background dialogue ("Oh my god, that dude just saved a cat!!") Kevin Bacon and Elijah Woods are serious standouts here, and I think the film should be a shoe in for a Best Makeup nomination at the Golden Tikis. There's not really a lot to this thing. Either you're not going to be on its wavelength or you're going to have a ton of fun with it. There's really no in between. It's about as deep as a kiddie pool which is why I can't really put it any higher, but it still resulted in one of the most fun movie theater experiences of the month. There was a single group of like five or six people in the theater with me but they were clearly Troma super fans and were eating in the hell up. I loved feeding off that energy!
3. The Roses
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Easily the biggest surprise of the month for me, I really loved this thing. It's a slow burn pressure cooker of a divorce comedy, but that slow burn really pays off in one of the most genuinely insane final acts we've seen all year that comes complete with a complete and total mic drop of an ending. Olivia Coleman and Bennedict Cumberbach are both on their absolute A game here, and unlike most other movies this month I thought the script was razor tight and everything fell into place within the story in a really satisfying way. I think the biggest issue I have is with the supporting characters. Andy Samberg is weirdly toned down from the kind of performance he usually gives, while Kate McKennon feels like she just stumbled off the set of one of her more high concept goofball comedies. Neither of them fit the movie that great at all, but the lead performances are so fantastic that it really doesn't matter that much. Definitely curious to check out the original War of the Roses after seeing this, as I hear it's even darker.
2. The Naked Gun
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I don't even know what to say here. It's THE return of the screwball comedy. I don't even think this is the most rewatchable movie by any stretch, but that in theater experience the first time simply can't be beat. Unlike The Toxic Avenger, the theater was PACKED and everyone in the audience was locked the hell in. Liam Neason and Pamela Anderson make an awesome romantic pairing and I think it's adorable that they actually fell in love on set. Neason lives up to every inch of promise he had in his Seth McFarlane roles and delivers a comedic performance for the ages, and Anderson does a fantastic job matching his energy. There's not a ton of depth here and honestly even on a second viewing some of the gags didn't hit as hard, but this was still just such a triumphant return to form for the spoof movie and kind of EXACTLY what we needed as a culture in this particular point in time.
1. Weapons
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As I said in my initial impressions, I think Weapons is a movie that practically requires a second viewing. Holy cow, once I started the movie again knowing all the pieces of the puzzle it just got elevated to one of the absolute best of the year. Were truly living in a golden age of horror, and while I think Sinners is probably the better overall movie Weapons might be the best straight up horror movie of the year while still having the bonkers genre bending especially in the comedy department. There's a ton of memorable comedic beats but also a ton of genuinely freaky moments and the whole thing comes together into an absurdly satisfying package.
Everything I said about the last act of The Roses can be amplified tenfold here. I can't get over the very last line of narration before we cut to credits. I think a lot of people are razor focused on the insanity that comes right before that...and make no mistake, THE chase scene is just absolute CINEMA in the same way something like the worm ride in Dune Part Two was from last year. Still, that last line of the movie just genuinely haunts me and really puts such a brilliant punctuation on the themes of the story and I don't think enough people are talking about just how hard it hits. The cast is all brilliant, the non linear storytelling...while I worry might beome a one trick pony if Zack Cregger continues to implement it going forward, worked really well here, and pound for pound this is such a more satisfying movie over the already very good Barbarian. It might go down as an all time great sophomore outing for a promising new voice in the genre.
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