What didn't work:
- The movie is missing a lot of the heart of the original. Look at this scene:
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Boom. That is emotional gravitas, and in just those few seconds you *know* Lilo's character.
In the live action, we do get some emotional scenes, but nothing comes close to this.
- Hated the nosy neighbor character, and I especially hated her lame advice to Nani (and, by extension, the audience) at the end. Essentially "Do what makes you happy! Live for YOURSELF!" and promoting the idea that a college degree is a necessity. "Ohana means leaving your sister in someone else's custody while you do you, girl."
Controversial take from an Xennial incoming. I thought the original Lilo was a bit obnoxious. I know, I know, I’m a terrible person. She was somewhat better by the end of the movie, but I thought her character at the beginning of the movie could be played as comical and over the top as an animated character, but would have been unbearable if faithfully reenacted by a real kid. So I think it was a good idea to make the live action Lilo more mischievous than aggressive, less whiny, nicer to her sister, and more reflective. YMMV, of course, just my take.
Just got home from seeing it...I've got mixed opinions.
The things that worked really worked well. In fact, I would say it's the best live action remake since Jungle Book.
Which means that Disney finally got a second halfway decent live action remake.
Because all the others are trash. Just trash.
But the things that didn't work make me wish that whoever wrote it would be blacklisted so hard that they wouldn't even be allowed to write their own name.
What worked:
- 90% of the casting was spot on, especially for Lilo and Nani. They hit it way out the park. Courtney B. Vance is a suitable choice for Agent Cobra Bubbles....but more on that in what didn't work.
- I actually didn't mind the human "clone" disguises for Pleakley and Jumba (made me think of the various alien disguises from Men in Black), though I think having them just as aliens wearing human clothes would have been funnier, showing off how nobody really pays attention to things that are obviously off right in front of them. I chalk it up to things you can get away with in animation that you can't in live action.
- Gantu being absent wasn't a major loss. Not sure why he wasn't at least given a cameo, but it is what it is.
What didn't work:
- The movie is missing a lot of the heart of the original. Look at this scene:
![]()
Boom. That is emotional gravitas, and in just those few seconds you *know* Lilo's character.
In the live action, we do get some emotional scenes, but nothing comes close to this.
- Hated the nosy neighbor character, and I especially hated her lame advice to Nani (and, by extension, the audience) at the end. Essentially "Do what makes you happy! Live for YOURSELF!" and promoting the idea that a college degree is a necessity. "Ohana means leaving your sister in someone else's custody while you do you, girl."
- Courtney B. Vance is a great casting choice, but he's essentially given nothing to do. Most of Bubbles' role from the original is divvied up between Nosy Neighbor and Social Worker, and his scenes are mostly in the background with them. Even the gag that it was HIS idea to protect the earth by claiming mosquitoes were an endangered species never pans out. I don't think they mention mosquitoes aside from that one scene in the beginning of the movie.
- Zach Galifianakis' voice doesn't match Jumba's character design. The late David Ogden Stiers was spot on with the blustering faux-Russian accent, but Galifianakis' nasally whine didn't really scream "mad scientist" to me.
- How Stitch got his name in this version was really lame, and made me think of the terrible "Han....Solo" scene from bargain bin Star Wars.
I once thought as you do…then I became a public school teacher.
Original Lilo is one of the most realistic depictions of children dealing with trauma in fiction, and I think that’s why the story resonates with so many people.
In the original, Lilo and Stitch needed each other to grow and develop but in the remake, Lilo’s trauma is dialed down so much that it’s essentially only Stitch that has to change anything. Lilo is just “kids being kids”.
And because of this, Pudge the pufferfish controlling the weather turns into a jokey member berry, when if you pay attention to the original, Lilo was afraid of another storm that could take away the only family she had left.
I didn’t mind the ending. Doesn’t the portal gun kind of make any issue with Nani’s choice a moot point?
I do understand that Lilo is supposed to be going through a lot, and possibly neurodivergent according to many internet theories. That said, watching a real child beat up a peer, torment and sabotage the sibling who is trying to help them, whine, argue, and blame others for their behavior is not a family popcorn movie kind of experience (I say that as parent to an ND child.) I think you can get away with that in animated form, but it would be too gritty and realistic with live actors for what is supposed to be a relatively fluffy family film. Again, just my opinion of course.
Edited to add - if Lilo is seen through the lens of trauma or neurodivergence, I of course wouldn’t call her obnoxious. I still think a realistic portrayal of her behavior would be too heavy a topic to tackle in a live action Disney movie though.
That was bad writing, as the portal gun became a deus ex machina and broke its own established rules.
The gun has two modes: shoot a single portal to open a hole on a surface, as seen when Jumba and Pleakley accidentally reveal themselves to shaved ice guy, and when Jumba sends Pleakley through the floor to the hotel’s laundry room/basement.
Or shoot two portals to travel between them, as seen during the fight between Stitch and Jumba.
Either way, there would need to be some degree of proximity or line-of-sight for the gun to work, simply so the shooter would know where the second portal is going.
For that final scene to happen, Nani would have had the gun aimed from her dorm room in California directly at the house in Hawaii, while at the same time taking into account the curvature of the earth and having the knowledge that there were no intervening obstacles between point A and point B; Nani could have easily wound up accidentally porting herself to a tuna fishing boat instead.
Either that or there were actually two guns linked together so Lilo could fire a portal in Hawaii while Nani did in California, but that obviously didn’t happen because Lilo was surprised at her appearance.
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We've come to know it as the "Magic Bullet Theory"
You are way over thinking this. Also I don’t think it was established that line of sight is required or that it must be a straight line in order to work. I believe there is zero dialog on how the portal gun works or is limited to only its features shown during the fight scenes, so it works in whatever way the plot needs.That was bad writing, as the portal gun became a deus ex machina and broke its own established rules.
The gun has two modes: shoot a single portal to open a hole on a surface, as seen when Jumba and Pleakley accidentally reveal themselves to shaved ice guy, and when Jumba sends Pleakley through the floor to the hotel’s laundry room/basement.
Or shoot two portals to travel between them, as seen during the fight between Stitch and Jumba.
Either way, there would need to be some degree of proximity or line-of-sight for the gun to work, simply so the shooter would know where the second portal is going.
For that final scene to happen, Nani would have had the gun aimed from her dorm room in California directly at the house in Hawaii, while at the same time taking into account the curvature of the earth and having the knowledge that there were no intervening obstacles between point A and point B; Nani could have easily wound up accidentally porting herself to a tuna fishing boat instead.
Either that or there were actually two guns linked together so Lilo could fire a portal in Hawaii while Nani did in California, but that obviously didn’t happen because Lilo was surprised at her appearance.
![]()
We've come to know it as the "Magic Bullet Theory"
so it works in whatever way the plot needs.
Funny, but this isn't a Disney issue, this is a normal part of storytelling going back since the beginning of time. Some pull it off better than others, some not so much. But plot convenience has been a thing for forever. Heck using your "meme", Star Wars is just a soap opera set in space, Lucas said it himself, and soap operas have been bringing characters back from the dead almost since day one.
I don't think that is the message at all. I think the message is actually that one doesn't have to give up ones dreams just to answer that higher calling. That sometimes things can happen to allow both to be achieved, such as relying on friends and family. Self reliance is a powerful thing, but its not the only way. Its ok to ask for help, and that is the ultimate message in my opinion, as not everyone can or should do everything on their own. Also this idea that Ohana means no one gets left behind, well if you take it at the true meaning well then Nani giving up her dreams means she is being left behind because she has to give up so much. Being left behind is not limited to just those around you, but also one's self.At any rate, I still hate the implicit message on putting one’s own wants above a higher calling.
But you missed the point there, it was his stubbornness of blindly following that dream that lead to many of the issues in the first place. It was by stopping being stubborn is what allowed him to actually realize the dream in the end. Which is not really much different to Nani here, that once she stopped being stubborn and allowed others to help that she could actually realize the dream of going to college and still keep Lilo safe.‘Up’ nailed this beautifully: Carl’s final goal in life and his mission throughout the entire movie is to move his house to Paradise Falls and live out his days, thus finally keeping his promise to Ellie.
But when he realizes that the only way to save Russell is to let that dream go, he does it.
I'm not sure where you get the idea that she doesn't want to go to college. The movie sets up how she continues to struggle with wanting to go by having the college sprinkled throughout the movie, like the brochure that she looks at.In LaS25, Nani doesn’t even seem to want to go to college, except that choice gets constantly foisted upon her by Nosy Neighbor. And if she actually cares about marine biology, there is absolutely nothing in the movie to suggest it.
Also none of that contradicts what I said, there is no actual established set of rules for the portal gun in the movie or in real life for that matter. So the writers can use it however they want.
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