Yep, exactly, and the funny thing is that a lot of writers make most of their income from amateur productions. A good example is the musical "Working", which was a major flop on Broadway but which has earned hundreds of thousands of dollars in royalty income in the amateur markets over the years. I guess the moral of this thread is that if you perform or present a show, you have to pay for the rights, whether or not you are on Broadway or at the Pepper Pot Playhouse in the basement of a junior high school.