danlb_2000
Premium Member
Can we change the name of this sub forum to "Devolving Epcot"?
That's one of the things that most has me scratching my head here. The one thing that might have been nice was to showcase different languages and voices from around the world and connect the films to their settings in different parts of the world. I felt the English versions of the songs mostly overpowered the versions in the other languages and there was no real sense of showcasing global diversity or harmony to be gleaned from the vocals or imagery. Also no connective thread either through narration or visuals to suggest that was the idea here. It was kind of weird, in a way, as Disney showed a bunch of clips of films they'd based on stories they'd taken from other parts of the world and then mostly had people from those countries (or other random ones) sing along with English-language vocals.Another problem is that they didn’t even pull of promoting themselves as something that brings cultures together well! If that’s your angle (and I really don’t think it should be), really drive it home. This is a mess. I wouldn’t be shocked if it get’s a bit of reworking at some point in the near future. Give us **in show** context and story. I hope it happens and it’s enough to help.
Here is our first video of Harmonious.
It appears for about 10 seconds about 4 1/2 minutes in:So.. umm... whatever happened to the Compass theme early rumors mentioned?
They light up at the beginning and the end. That's all I can see.Wait. Do the pavilions no longer light up?
Indeed. They had plenty of money to put together a new show, but there were so many bad choices here in terms of the technology used and in how the show was conceived and put together.Then they shouldn’t have wasted the huge sum of money they were given. Like most things for years now, lack of funds is not a problem.
or "Evolving Chapek's Epcot"Can we change the name of this sub forum to "Devolving Epcot"?
It appears for about 10 seconds about 4 1/2 minutes in:
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From what I saw in other videos they are lit...Wait. Do the pavilions no longer light up?
Yep, goes back to the initial concepts they showed off.Pretty sure the central barge was also originally supposed to resemble an armillary sphere with screen rings that could rotate independently. I suppose the compass theming waned when the scope of the physical center of the compass was reduced.
My late teen watched it with me, well I can't type many of the words he had to put money in the jar for using so he's not old at all but he's hardly a casual park goerSince I’m up late for work and waiting on some things, I decided to take a look around a few social media platforms about this. It’s trending heavily towards “Bad”, like 95% or more of the comments I’ve read have been negative about the overall show. I’m truly stunned by the reactions so far.
When the “casual” park goer is agreeing with us old curmudgeons about something, you know it’s not good.
It seems obvious to me, as someone who saw it online, why the online reaction is so poor. The best thing to translate from in person to online in terms of experiential fidelity is the soundtrack, and it seems like the worst part of the show. Does that seem right? I don't expect to love it in person but I imagine you can see the bones of potential when you're there.Join the club.
We have 5 members. Feels like high school again…
I reached out because folks want to know the story. The theme is “music brings us together” and the vignettes are meant to show music bringing people together to make a better world by building a mutual sense of curiosity, respect, and friendship.
So it is an Epcot theme. Maybe some dialogue to explain that? A theme like this is admittedly a bit above the average American. That’s Epcot. The thought was “make them understand using music they know.”
I tip my hat to the creators on attempting to make an Epcot show within their boss’s parameters. Some of the comments here feel unfair.
I’m told the in-park response was not as negative as the online response.
Well... they kinda failed. Not to toot my own horn, but, I've got serious education in the Liberal Arts including delving into the hermeneutics of texts for theme and meaning. It's something I've been trained to do.
And the songs chosen for their intended theme just doesn't cut it.
If "bringing us together through music" is a theme, then you don't choose a bunch of songs sung from an individual's point of view of their own journey and wants (How Far I'll Go, Go the Distance, Out There). Putting them in different languages doesn't make it communal.
And Arabian Nights?
Oh, I come from a land, from a faraway placeWhere the caravan camels roamWhere it's flat and immenseand the heat is intenseIt's barbaric, but hey, it's home (?!!)When the wind's from the eastAnd the sun's from the westAnd the sand in the glass is rightCome on down, stop on byHop a carpet and flyto another Arabian nightArabian nights like Arabian daysMore often than notare hotter than hotin a lot of good waysArabian nights 'neath Arabian moonsA fool off his guardcould fall and fall hardout there on the dunes
Not a dance song. Not a "we come together song." Not a crowd pleaser, "Hey, cool, it's 'Arabian Nights'! That's my jam!"
It's clear the people that chose the music were thinking that if the music was associated with some culture, regardless of its lyrics, it is sufficient for their chosen theme.
It's not.
I know a lot of people put really hard work into this. But the one's who were responsible for the direction of the show dropped the ball.
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