DISCLAIMER: MOST OF THIS INTRODUCTION IS BORROWED HEAVILY FROM THE WONDERFUL "DISNEYLAND - THE FIRST THIRTY YEARS", a book released for the 30th Anniversary of Disneyland in 1985.
This project has been a SECRET passion of mine for the past few months. After realizing my ideas for the "World's Largest Magic Kingdom" or "Disneyland Australia" were going nowhere and growing increasingly more unenjoyable to work on, I decided it was time instead to privately imagine an ALTERNATE HISTORY where Walt Disney had financial (and critical) support in the construction of his original Disneyland. Unlike the Disneyland of 2019, this alternate reality has what Walt Disney World granted: the blessing of size.
So, I would like, if I may, to take you on a strange journey... Come with me now into an alternate timeline where Disneyland was unprecedented in design, size, and immersion... Where California Adventure does not exist; rather, Westcot stands in its place... Come with me to...
Mirror Disneyland: An Alternate History
“Every great dream begins with a dreamer. Always remember, you have within you the strength, the patience, and the passion to reach for the stars to change the world.”
- Harriet Tubman
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Inspired by:
“A Dream Called Walt Disney World” (1981), DisneyChris.com, ThemeParkTourist.com, Widen Your World, Ideal Build-Out, and Disneyland - The First Thirty Years
Dedicated to:
Walt Disney and his Original Imagineers
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The Happiest Legacy on Earth
“If we can borrow some of the concepts of Disneyland and Disney World and Epcot, then indeed the world can be a better place.”
- Ray Bradbury
This project has been a SECRET passion of mine for the past few months. After realizing my ideas for the "World's Largest Magic Kingdom" or "Disneyland Australia" were going nowhere and growing increasingly more unenjoyable to work on, I decided it was time instead to privately imagine an ALTERNATE HISTORY where Walt Disney had financial (and critical) support in the construction of his original Disneyland. Unlike the Disneyland of 2019, this alternate reality has what Walt Disney World granted: the blessing of size.
So, I would like, if I may, to take you on a strange journey... Come with me now into an alternate timeline where Disneyland was unprecedented in design, size, and immersion... Where California Adventure does not exist; rather, Westcot stands in its place... Come with me to...
Mirror Disneyland: An Alternate History
“Every great dream begins with a dreamer. Always remember, you have within you the strength, the patience, and the passion to reach for the stars to change the world.”
- Harriet Tubman
***
Inspired by:
“A Dream Called Walt Disney World” (1981), DisneyChris.com, ThemeParkTourist.com, Widen Your World, Ideal Build-Out, and Disneyland - The First Thirty Years
Dedicated to:
Walt Disney and his Original Imagineers
***
The Happiest Legacy on Earth
“If we can borrow some of the concepts of Disneyland and Disney World and Epcot, then indeed the world can be a better place.”
- Ray Bradbury
Will Jones of the Minneapolis Tribune once wrote of Walt’s Disneyland, “If it’s an amusement park, it’s the gosh-darndest, most happily-inspired, most carefully-planned, most adventure-filled park ever conceived. No ride or concession in it is like anything in any other amusement park anywhere.”
Disneyland was never meant to portray the county fair or amusement park that Walt had known too well. It was instead to represent a “flight into a dimension beyond the reach of time.” The new concept in entertainment was that of a fabulous playground - a fairytale kingdom, a metropolis of the future, an untamed jungle - it was, above all, a place for people to find happiness and knowledge with a universal sense of communication and understanding.
“I don’t want the public to see the world they live in while they’re in Disneyland. I want them to feel like they’re in another world.”
- Walt Disney
“Disneyland really began,” Walt said, “when my two daughters were very young. Saturday was always ‘Daddy’s Day’ and I would take them to the merry-go-round and sit on a bench eating peanuts while they rode. And sitting there, alone, I felt that there should be something built, some kind of a family park where parents and children could have fun together.” - Walt Disney
So, in his "spare time" between films and other projects, Walt began to dream of this "magical little park." Members of his staff recall Walt's vision for a "Magic Kingdom" adjacent to his Burbank movie studio. It was to be about eight acres in size, with pony rides, a riverboat, a train, and statues of Mickey, Donald, and Goofy alongside which visitors could pose for pictures. However, this "little idea" quickly became more magical and less "little." In fact, designs for themed architecture were being worked into the plan to give it more flavor. It soon became clear that eight acres would be far too small to hold Walt's vision.
By the early 1950s, concepts for the project had outgrown Burbank. By now, the project was something that would require a major amount of capital, and remarkably, the entire industry stood with Walt and Roy in their faith for this bold investment. "It was never a problem to convince the financiers that Disneyland was feasible," Walt recalled, "because dreams of this sort offer much collateral and great reward." To build Disneyland, Walt and his brother Roy not only had enough financial backing from eager-eyed investors, but also the support of the nation's amusement-park owners and operators.
With all doors open, Walt Disney Productions and the American Broadcasting Company (ABC) signed a seven-year contract that called for Walt to produce a weekly, one-hour television show.
The land, as Walt Disney remembered, was all flat - no rivers, mountains, castles, or rocket ships - just 10,000 acres of orange groves, farmland and walnut trees in Anaheim, California. As one designer recalled, “When we began designing Disneyland, we looked at it just as we do a motion picture. We had to tell a story, or in this case a series of stories. In filmmaking, we develop a logical flow of events or scenes that will take our audience from point to point through a story.” Because it had no precedent, there would be no simple solutions in Disneyland's design and construction. Everything would be one-of-a-kind. And yet, the uniqueness of Walt Disney's concept was nearly equaled by the uniqueness of the "Imagineering" team he formed to help make his dream a reality.
"There was another thing we had to keep in mind in developing our Disneyland 'story.' In filmmaking, although we can control the sequence of events, the viewer might walk in late and, through no fault of our own, miss Scene One and never catch up on the story. But in Disneyland, we had more control. We designed the entire Park so that a guest couldn't miss Scene One or Two. From the moment he entered our 'theatre,' that is, our front gate, Scene One would begin for him." Thus, in Disneyland's design, everything would be a form of storytelling. The Disneyland audience would not simply sit before a motion-picture screen. They would physically experience an adventure, seldom as spectators, but almost always as "participants" in the drama.
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More to come! I promise! For reals this time!