ElvisMickey
Well-Known Member
Looking forward to keeping an eye on that stock price tomorrow lol…
This deserves a separate reply.This is only the latest box office bomb or straight-to-free-streaming that Disney/Pixar has had in the past year or so. The Walt Disney Company's collection of major movie studios can not continue on this financial path; box office bombs or releasing movies basically for free on an $8 streaming service. The company needs to make profit off the products it sells. Burbank can't just rely on Marvel movies to earn some money.
I love the “people didn’t know it was only in theaters” excuse. That didn’t seem to hurt Top Gun, or even Doctor Strange, which is under Disney’s umbrella. There‘s no excuse here…the box office for this is horrendous.
These were all release during a pandemic. The first two were only released in theaters in countries that had open theaters.2021 - Luca: Production Budget - $150 Million, Global Box Office = $49 Million
2022 - Turning Red: Production Budget = $175 Million, Global Box Office = $19 Million
2022 - Encanto: Production Budget = $150 Million, Global Box Office = $256 Million
Disney Live Action studios has not been profitable for decades and decades, if you only count the theatrical release window.
Yes, they have a few huge hits making hundreds of millions. But then the rest are duds, not being profitable at the theaters.
Again, not true.Remember, the studio industry rule of thumb is that you have to bring in double the budget at the global box office ticket sales to break even.
Not the right figure. Not true.2022 - Lightyear: Production Budget = $200 Million, Global Box Office = $51 Million (opening weekend)
Exactly! This isn’t getting better anytime soon. It’s not like it’s a one off situation. Even if they cleaned house tomorrow, which obviously they’re not going to do, there’s no easy way out for them. In regards to Hollywood in general and what the audience does and doesn’t want to see, I believe these last few weeks may be a wake up call. Do you want to pander to Twitter or the people who actually pay to go see your movies?What's even more concerning for Disney shareholders and the future of the studios is that it's just the latest flop in a string of box office flops or straight-to-streaming financial losses.
Remember, the studio industry rule of thumb is that you have to bring in double the budget at the global box office ticket sales to break even.
2021 - Luca: Production Budget - $150 Million, Global Box Office = $49 Million
2022 - Turning Red: Production Budget = $175 Million, Global Box Office = $19 Million
2022 - Encanto: Production Budget = $150 Million, Global Box Office = $256 Million
2022 - Lightyear: Production Budget = $200 Million, Global Box Office = $51 Million (opening weekend)
The closest thing to success for Disney/Pixar family films the past two years has been Encanto. But even then, owing to its bloated $150 Million budget, it did not turn a profit can cost Disney at least $40 Million in losses. From the Encanto page on Wikipedia...
"Factoring in both the film's production budget and marketing expenses, along with the theaters' share of revenues, Encanto was estimated to need to gross at least $300 million worldwide to break-even."
The other Disney/Pixar films were absolute dumpster fires full of cash that Burbank burned and lost. To the tune of hundreds of millions of dollars on Luca and Turning Red, and now Lightyear. This is not a business plan that is sustainable much longer. Disney/Pixar needs to make movies that people want to actually buy a ticket to see.
My point in bringing up the Live Action Studios often not being profitable is that a spate of non-profitable animated features not having gangbuster Box Office is not the death knell for a studio as you make it out to be.I agree. But in general here we are not talking about the live action movies Disney releases. We are talking about movies like Lightyear; the classic animated motion picture that Disney and Pixar have been releasing about twice per year for the past 25 years, usually a summer pic and then one released at Thanksging and/or Christmas.
Yes, the live action stuff is often duds. But that's a tradition over 50 years old now, going back to Herbie Goes Bananas and The Apple Dumpling Gang.
The issue at hand here is the mega-budget animation movies. Toy Story, Lion King, etc.
The rule of thumb is that the extra costs are 50% of budget. So, it cost $300M.
And the studio gets, as a rule of thumb, half of the Box Office.
Lightyear will have to hit $600M to break even.... In the theatrical window. There are other 'windows' in which a movie can make extra dough (PPV, DVD, streaming, merch).
Lightyear is the one-off. The others were mostly straight to D+, or a shortened theatrical window, released during a pandemic when other family friendly movies didn't do well.Exactly! This isn’t getting better anytime soon. It’s not like it’s a one off situation. Even if they cleaned house tomorrow, which obviously they’re not going to do, there’s no easy way out for them. In regards to Hollywood in general and what the audience does and doesn’t want to see, I believe these last few weeks may be a wake up call. Do you want to pander to Twitter or the people who actually pay to go see your movies?
My point in bringing up the Live Action Studios often not being profitable is that a spate of non-profitable animated features not having gangbuster Box Office is not the death knell for a studio as you make it out to be.
Attempts to do business in this economic milieu has hurt a lot of businesses.Yikes! Judging by the miserable box office for Lightyear, using your numbers it appears that Lightyear may cost Disney nearly Half a Billion Dollars this fiscal year. That's gonna leave a mark.
There are already at least 6 feature films that had losses of potential income due to the pandemic.
But when a studio (in this case the flagship Disney/Pixar animation operations) gets in a rut where year after year they release nothing but box office bombs, with only one weak fiscal performer in Encanto, that's just not a sustainable business plan.
Again, let me go over this carefully:
Soul, Luca, and Turning Red were released directly to D+ in the U.S. They were released only to some theaters worldwide. That's why they didn't make a profitable Box Office.
But you're including them in a list of bombs. They didn't bomb. They couldn't bomb. They weren't released in such a way that they could bomb because they didn't have a wide release at all.
You are just wasting your time. His posts are laughable missing facts, context, and reasoning. He is just pushing his flawed agenda.
My flawed agenda that Lightyear is a box office bomb?
That's not my "agenda", that's my opinion backed up by financial data and ticket sales statistics.
What facts are we missing that Lightyear only made $51 Million in box office this past opening weekend? Fill us in on the missing facts, if you please.
It is to early to make a judgement on Lightyear but even if it under performs you are ignoring all your other claims about how bad Disney/Pixar is doing. Conveniently ignoring that several Pixar movies went straight to video because of the Pandemic but using them to prove a point is an "agenda". Or blind ignorance.
Sorry, but it’s definitely NOT too early to make a judgement on Lightyear. This was OPENING WEEKEND. Disney should be embarrassed…It is to early to make a judgement on Lightyear but even if it under performs you are ignoring all your other claims about how bad Disney/Pixar is doing. Conveniently ignoring that several Pixar movies went straight to video because of the Pandemic but using them to prove a point is an "agenda". Or blind ignorance.
Register on WDWMAGIC. This sidebar will go away, and you'll see fewer ads.