The original iPod was released 12 years ago today. While I know that Napster and other digital formats for music had come first, the iPod really made the revolution. Its first ads touted "1,000 songs in your pocket". Here is the first commercial...
The morning show hosts on WSM, the iconic Nashville radio station, which is itself online now (www.wsmonline.com) but also hosts the world's longest running radio show (the Grand Ole Opry, since 1925) and the second-longest (the Ernest Tubb Record Shop's Midnight Jamboree, which you will have seen if you saw Coal Miner's Daughter) were talking about it this morning, and it got me to thinking, especially about the ET Record Shop, which is still going and has a niche market for classic and hard-to-find country, but struggles I am sure.
In fact, I would love to see what everyone – industry people, artists, and all – thinks of the digital revolution. It has made certain things more possible (like “playlists” that take over your good old “mix tape”, and downloading podcasts like your own, and finding hard-to-find individual songs), and overall I believe has been a good thing; but I do believe that it has been at a cost – and part of that is the loss of many record stores.
There was nothing like browsing through a real record store, with knowledgeable employees and the atmosphere of cool music. And in the country world, the ET Record Shop, with the Midnight Jamboree and everything else, is that and much more. I hope that places like that can continue to evolve and prosper in their own way, especially with that niche market maybe.
But anyway, I can’t help but think also about that among the “cons” of the iPod revolution. Some are not really cons, I guess, but changes. What do you think?
Another casualty of the iPod is “mix tapes”. Did you make them growing up?
Personally, I remember when I was a teenager, I would not always have the money to buy albums, and so I was famous for recording the radio… and thought I was brilliant for taping the last hour of Casey Kasem’s American Top 40. I thought I had found a way to have the top 10 songs every week! I still have some of those tapes, and these days they are a gem to listen to, a time capsule. And Casey’s narration was the best, especially the “long distance dedications”!
The best mix tape I ever made, though, was in college, when I was the DJ for “Rock of Ages” themed dance at the Baptist Student Union (yes, Baptists danced, but not in the church mind you!). It was a ‘50s, ‘60s, ‘70s, ‘80s progressive dance on campus, that went through time (and you picked a decade to dress up for ). I pre-recorded the whole dance, and those tapes were gems to have later. And recorded on “high-bias” tapes (remember those?)…
Anyway, thanks for reading.
Would love to hear some of your memories of pre-iPod days, and thoughts about the future of icons like the Ernest Tubb Record Shop in Nashville.
The morning show hosts on WSM, the iconic Nashville radio station, which is itself online now (www.wsmonline.com) but also hosts the world's longest running radio show (the Grand Ole Opry, since 1925) and the second-longest (the Ernest Tubb Record Shop's Midnight Jamboree, which you will have seen if you saw Coal Miner's Daughter) were talking about it this morning, and it got me to thinking, especially about the ET Record Shop, which is still going and has a niche market for classic and hard-to-find country, but struggles I am sure.
In fact, I would love to see what everyone – industry people, artists, and all – thinks of the digital revolution. It has made certain things more possible (like “playlists” that take over your good old “mix tape”, and downloading podcasts like your own, and finding hard-to-find individual songs), and overall I believe has been a good thing; but I do believe that it has been at a cost – and part of that is the loss of many record stores.
There was nothing like browsing through a real record store, with knowledgeable employees and the atmosphere of cool music. And in the country world, the ET Record Shop, with the Midnight Jamboree and everything else, is that and much more. I hope that places like that can continue to evolve and prosper in their own way, especially with that niche market maybe.
But anyway, I can’t help but think also about that among the “cons” of the iPod revolution. Some are not really cons, I guess, but changes. What do you think?
Another casualty of the iPod is “mix tapes”. Did you make them growing up?
Personally, I remember when I was a teenager, I would not always have the money to buy albums, and so I was famous for recording the radio… and thought I was brilliant for taping the last hour of Casey Kasem’s American Top 40. I thought I had found a way to have the top 10 songs every week! I still have some of those tapes, and these days they are a gem to listen to, a time capsule. And Casey’s narration was the best, especially the “long distance dedications”!
The best mix tape I ever made, though, was in college, when I was the DJ for “Rock of Ages” themed dance at the Baptist Student Union (yes, Baptists danced, but not in the church mind you!). It was a ‘50s, ‘60s, ‘70s, ‘80s progressive dance on campus, that went through time (and you picked a decade to dress up for ). I pre-recorded the whole dance, and those tapes were gems to have later. And recorded on “high-bias” tapes (remember those?)…
Anyway, thanks for reading.
Would love to hear some of your memories of pre-iPod days, and thoughts about the future of icons like the Ernest Tubb Record Shop in Nashville.
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