These chats have about as much insight and good info as a Saved By the Bell episode had quality script writing.
- Chris, can you go into some of the thought process behind changing King Triton’s hair from it’s California Adventure counterpart?
- Chris, is there any plan to create new Fastpass paper for the Fantasyland attractions instead of the generic Fastpass paper currently being used for Dumbo, Barnstormer and Little Mermaid?
- Chris, will there be a merchandise cart or shop for the Little Mermaid? What about a snack stand? I miss being able to get a cream cheese pretzel in Fantasyland.
- Chris, can you tell us anything more on the Seven Dwarf's Mine Train, perhaps tease us with a new piece of concept art?
- Can you let us know the thought process behind the painting of Phil Holmes?
- Chris, what can you tell us about theming an area versus decorating an area?
- What went into the decision to move the windows on Prince Eric’s castle? How often do last minute adjustments like this take place?
- Is Chris seriously not allowed to say that they're building a bathroom?
- Where can I get a Disney construction helmet with my name on it like the Imagineers and construction workers?
Can we rename this to "Jennifer chats with Chris Beatty" as opposed to a live chat with fans? Let's call it what it actually is.
To the surprise of no one, this is remarkably underwhelming. It might as well just be an interview between Jennifer Fickley-Baker and Chris Beatty, anyone on here could answer these pointed questions better.
I especially liked this non-response:
Monday October 15, 2012 2:31
2:32
Jenn Fickley-Baker:
I’ve been lucky enough to walk the queue a few times and it really is amazing. Blog reader Lois asked “Can you provide any specifics or details about the interactive queue with Scuttle for Under the Sea ~ Journey of the Little Mermaid?
Monday October 15, 2012 2:32 Jenn Fickley-Baker
2:33
Chris Beatty:
As an Imagineer, it's important for us to start the story as soon as you approach the attraction. The Little Mermaid provided us a great opportunity to pull that story out of the ride and farther out into the grotto.
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