Steven Kay hall with wells Wells Fargo please go a head. >> Thank you. Bob, you mentioned a lot of content in your remarks.
It seems like the operations are really starting to hum again but I think the lifeblood of the company is always going to be the studio output. It drives so much culture.
I think that's an area that you said you have been spending a lot of time on.
Do you feel like the content is also now turning the corner like you've seen in the operations?
If so, when do you think we might see some of the results of that with renewed focus on studio output.
And Hugh, -- might end up ultimately paying for Hulu, just wondering if you have sense on the timing of that outcome or situation?
And related to that, I think the exceeds $7.5 billion in savings was a bit new. Curious where you found the extra buckets of cost savings. Thank you.
BOB >> Steven, I feel great about where we are with the studio. Let's not lose sight of the fact that in the last year the studio had some real success, not to suggest we didn't have some that were not successful that we were really disappointed in.
We also had great success with the guardian sequel and avatar at the end of calendar 22 but part of fiscal 23.
One of the things that I have been saying before is that volume sometimes can be detrimental to quality.
In our zeal to greatly increase volume partially want to chase more global -- some of our studios lost focus.
The first step is we reduced volume, we reduced output particularly in Marvel. When you fix or address these issues in movies you do three things.
You get aggressive at making sure the films you're making can be even better.
Sometimes you kill projects you don't believe in and putted things in the pipeline that you do believe in. We're doing all of that.
I've also observed over the years that managing creativity sometimes is best done with great partnerships.
I have established great partnerships with the people at our company that really manage the creativity, Alan Bergman with the studio, Dana - - Jimmie petar oh at ESPN, and the partnerships that Alan and I have is a strong one and we believe that the time that I'm now devoting to this and the attention that the two of us are giving this business not only will bear fruit but it's already starting to.
We're very bullish about the films coming out. We mentioned inside-out 2 and talked about Deadpool and the planet of the anticipates film. We feel good about that.
We have mufausa, we're very excited about the addition of Moana which was the number one streamed movie across all streamers in the U.S. in 23 and has had over a billion hours of consumption on Disney Plus and that's going to be released in November.
Then I mentioned what we're doing after that. I would say we're leaning a little bit more into sequels and franchises, some that we feel great about, like Toy Story is a for instance, obviously Star Wars, avatar we've talked about, Marvel is starting to focus on some of its stronger franchises going forward. I'll leave it at that.
I think given the environment and given what it takes to get people out of their homes to see a film, doing that, leaning on franchises that are familiar is actually a smart thing. We have got work to do still. We are not resting on our laurels or sitting on our hands, we're working hard at it. I feel quite good about the .
HUGH >> Steve, from my perspective, regarding Hulu, timing, we have got a clearly defined process. That process is going to take a little bit of time based on the work that needs to go into valueing the business.
I would expect before we get to the end of the year we should have this figured out and closed. Regarding cost savings.
A -- when a company goes on a cost effort, once you start to build momentum on that, people tend to find additional opportunities.
That's what gives us the confidence around the numbers to at least meet if not exceed them. So no one specific area.
It's content side as well as SGNA side. I think we have momentum on managing our expenses more entirely, which is great news for investors.