He's beloved throughout the world. Believe what your heart tells you, son. You don't have to listen to those older kids.Wait, Santa's not real?
He's beloved throughout the world. Believe what your heart tells you, son. You don't have to listen to those older kids.Wait, Santa's not real?
Eh, I don't know. "Milky Milky Coco Puffs" are some quality lyrics. This checks out.The new version is rated higher by every age demographic we ask.
The new version gets a 4.5 out of 5 from pre-schoolers, grade school, over 30's, and seniors. It gets 4.0 from teens and young adults.
The old version got 4.0 from preschoolers, over 30's, and seniors, and 3.5 from everyone else.
I'm just going to point out that The Black Eyed Peas' My Humps, which critics have called the worst pop song of its decade, hit #1 in many countries and #3 in the US. Sometimes ratings and quality diverge.
I have seen both - and see the vacation version when I am in Tokyo in the summer - but both were/are temporary.That seems a bit extreme - have you seen Vacation or Christmas versions?
Two quick notes. I’ve done the Tokyo Tiki Room many times. It’s not anywhere near as fun or engaging as the original version. It gets old really fast. Disney needs to stop messing with good originals.
And having just experienced the Country Bears for the first time live since the redo - I cannot imagine a worse show. It was a terrible redo, and worse, it was a boring show. I hated everything about it. I left the theater mad. It wasn’t just bad, it was horrendous. Even the rest of the audience didn’t seem to vibe with it. The parents in the room kept trying to get their kids to engage by telling them where the songs came from, but it never connected with anyone. When parents have to coax their kids into enjoying something that was re-written specifically for them, it’s bad. I’d rather have just seen the whole thing close completely.
I’m glad that with everything slated for Frontierland, let alone Walt Disney World, that they decided “this his has significance to the park and resort’s history, we need to find a way to save it”. It really did deserve it, and to me it proves that imagineering does care about park history, individuality, and all the stuff we love, they’re just stuck with management who doesn’t.Clearly, you’re entitled to your opinion and your interpretation of the room.
I’ve seen it several times now, including twice last week, and I love it. It is much tighter than the most recent version. The most recent version hasn’t been the original in a long time, since it was chopped up. Most notably, my boys on the wall seemed to have a disjointed part in the old version. Now they are fully integrated once again and make more sense.
I don’t know half the songs, and I don’t care. I didn’t know any of the songs in the last one before I saw the show.
“Blood on the saddle“ was perfectly replaced.
The songs were good choices in my opinion, and the ones I did know landed very well. I’ve yet to see a showing without audience clapping when “You’ve got a friend in me” comes on.
The characters have a more modern country vibe with the sequins and all. OK, they are in frontierland, so I don’t know that technically fits, but it is relatable to modern audiences. If we’re being picky, bears can’t sing or play instruments, either.
I see just as much engagement as the old one, no more no less, from my visits. Sometimes it depends on how crowded the theater is, sometimes it depends on one family getting into it and getting the clapping started, and everyone else joins in.
This was an excellent move. This was an excellent business decision. Probably not too costly, completely revamped a beloved show while maintaining the integrity of individual characters and the show itself. Well done. Bravo.
I don’t know where that narrative comes from.they’re just stuck with management who doesn’t.
“Blood on the saddle“ was perfectly replaced.
Is this secretly the account of Marc Davis's Ghost? He famously hated both seasonal overlays because they "ruined" the bears, even though imo I think all three overlays do a great job at keeping the characters consistent- maybe except Liver Lips/Romeo, since the Elvis thing comes out of nowhere- though I always saw it as a "modernized" version of the Vaudeville-ian Crooner/Serenader archetype LL originally was.I have seen both - and see the vacation version when I am in Tokyo in the summer - but both were/are temporary.
This new show at MK is permanent.
People really are missing the forest for the trees here. It could've been Under New Management 2.0 (or the Marvel Small World for a contemporary comparison), with the IP just stapled on. Concept art originally showed Henry wearing Mickey Mouse ears on his top hat, the three mounted heads had theme park hats (Max notably had an Olaf hat), Big Al was dressed as Hector Rivera complete with a Coco backdrop. But instead we got a show that has the same philosophy as the other two overlays- the bears are a troupe of performers who cover songs. The characters all feel like the same exact characters we've seen in three other shows in the last 50 years, they nailed their personalities and individual song themes/choices. Even the voices are pretty accurate to the past three shows (shame we didn't get a voice for Ernest though). The "Disney" part of this was treated less as a tangible thing that gets namedropped and just as a music genre. The fact the word "Disney" or any of the movie names aren't said at all shows the respect they put into this. You could've had Trixie cosplaying as Elsa but instead we got entirely original costumes, a refreshed stage, sound, and lighting package, modern day AAs that look and work even better than anything on TBA, and a show that knew what was on the line here and did it's best to meet expectations. Is it perfect? No. I personally would've chosen different songs in some places. Is it better than the original? Of course not. Is it awful? Definitely not. This show just saved the bears from becoming another defunct classic, and showed Disney sees them valuable enough to keep (probably after they got lots of fan mail from people asking them to not remove them), likely until the day the park is literally underwater.As a country bear fan, i think we should all be more greatful for this redo. It was never gonna be perfect but with how beautiful grizzly hall and the bears themselves look now, the fact the voices of the bears don’t have “wrong sounding muppets” syndrome, and despite ip, we got a competent, respectful, and at times funny show that wasn’t overbearing on the Disney part, this is probably one of if not THE best case scenario under todays Disney. It could have been SO MUCH WORSE.
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