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The First Five Years of Eisner/Wells at Disney were remarkable

MK-fan

Well-Known Member
Original Poster
For many, it’s hard to look at Eisner’s tenure at Disney without a bit of disdain considering the latter half of it was a disaster. Those first ten years were pretty spectacular though while the first five years really brought Disney into the limelight. Before the Eisner/Wells regime, Disney did set in place some pieces that would help contribute to that success some years before. This included the launch of Walt Disney Home Video, Epcot Center, Disney Channel, Tokyo Disneyland and Touchstone Pictures.

The beginning of duo’s tenure began in 1985 and saw the company give the company a small makeover with the iconic Walt Disney Pictures logo we grew up with from the mid-80’s to the mid-00’s. Touchstone Television was created and debuted the major TV sitcom “Golden Girls”. Walt Disney Television Group was launched with two of Disney’s first animated shows, “The Wuzzles” and “Adventures of the Gummi Bears”. Deals were set in stone to create Euro Disneyland and Disney-MGM Studios along with Lucasfilm creating new attractions for the theme parks. Disney VHS sales were hitting record numbers with news classic releases like Pinocchio which were off limits before Eisner/Wells.

The next year in 1986, the Duo’s first new film was “Down and Out in Beverly Hills”, the first R rated feature from the company under the Touchstone Label, their biggest hit in a long time. Touchstone would continue its streak of top revenue movies year after year with hits like Good Morning Vietnam, Turner and Hooch, Adventures in Babysitting, Stakeout, Can’t Buy Me Love, Ruthless People, Cocktail, The Color of Money, Three Men and a Baby and Dead Poets Society. Walt Disney Productions and WED Enterprises were renamed The Walt Disney Company and Walt Disney Imagineering. Disney teamed with Capcom to create video games with Disney characters. The Disney Sunday debuted after 1983’s cancelation the Wonderful World of Disney with Michael Eisner as the host of the show. Disney Channel subscriptions were hitting record numbers.

1987 saw the opening of the first Disney Store which would expand yearly. Disneyland saw the new major hit attraction Star Tours and the parks began to sell “Disney Dollars”. The Disney Legend award debuted and was given to those who had a significant part in the company’s past. Long time deals were made with Mattel and McDonald’s. The major TV animated series “Ducktales” debuts.

1988 was headlined by the major studio hit “Who Framed Roger Rabbit” and the Disney studio was finally the top studio in movie revenue in the industry. More hit shows debuted with “Empty Nest”, “Regis and Kathy Lee” and “The New adventures of Winnie the Pooh. Walt Disney World began its first expansion in six years with two new hotels “Grand Floridian” and “Caribbean Beach Resort”. Mickey Mouse celebrates an epic “Sixty Years” anniversary campaign.

1989 began with a bang with major theme parks expansions at WDW with Disney-MGM Studios, Typhoon Lagoon and Pleasure Island while Disneyland opened the new 3 E-Ticket Splash Mountain. Two new hit shows debuted “Chip n’ Dale Rescue Rangers” and “The New Mickey Mouse Club”. The company also begin to collaborate with the Jim Henson Company and also created a new movie label “Hollywood Pictures”. The Disney Studio finally had two major hits under their own label, “The Little Mermaid” and “Honey I Shrunk the Kids”.

Even though Disney was ever changing during this time, I feel like a lot of Disney Magic was kept intact while the company celebrated with a heavy helping of Disney nostalgia along with some new Magic. What I feel that Eisner and Wells did really well during this time was put a magnifying glass on the Disney company and helped consumers understand what Disney really meant to them growing up.

For those who remember this time, what are you’re thoughts about Eisner/Wells hold on the company those first five years?
 

Figments Friend

Well-Known Member
I have never fully understood the ‘hate’ some fans have towards Michael.

Seems to me he did a whole lot of good for the Company, and most certainly played a role in helping to refresh many elements to make them grow in new directions and become even more successful.
Film division, animation studio, the theme parks, even television to name a few.


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MK-fan

Well-Known Member
Original Poster
I wasn’t a fan of Eisner’s push on Direct to Home Sequels nor how he handled the parks towards his later years but I feel the brand was still true in a lot of ways. Iger on the other hand I feel has distorted Disney’s brand and it just no longer has the Disney spirit if you will. The brand no longer feels Disney, the magic is overhyped , oversaturated and constantly disappoints. In a lot of ways, Iger has done more irreparable damage to the company as it is lost in its own Disney dystopia and no longer celebrates its past, only its present and future.
 

denyuntilcaught

Well-Known Member
I wasn’t a fan of Eisner’s push on Direct to Home Sequels nor how he handled the parks towards his later years but I feel the brand was still true in a lot of ways. Iger on the other hand I feel has distorted Disney’s brand and it just no longer has the Disney spirit if you will. The brand no longer feels Disney, the magic is overhyped , oversaturated and constantly disappoints. In a lot of ways, Iger has done more irreparable damage to the company as it is lost in its own Disney dystopia and no longer celebrates its past, only its present and future.
I absolutely agree with this, and it's a fascinating look at how a company is ran under a creative mind running a business versus a business mind running as a creative.

Eisner, for all of his faults, was a truly passionate creative individual who had an emotional center, and I think so many of the outputs that you highlight are expressions of that emotional center. What's unfortunate is that this same emotional center made him very reactive, especially in his later years, hence pullback in the parks and other divisions.

Iger, for all of his faults, is a pretty savvy businessman whose legacy shouldn't be under spoken. What he's done with TWDC is remarkable from a business perspective (albeit plagued by short-termism), however wrong. Both things can be true.

They're night and day - especially as evidenced in Work in Progress and The Ride of a Lifetime, respectively.

This is why I've always been of the POV that the ideal leadership situation is another Eisner-Wells or Walt-Roy. One creative, one business. Disney's always thrived that way.
 

JIMINYCR

Well-Known Member
I have never fully understood the ‘hate’ some fans have towards Michael.

Seems to me he did a whole lot of good for the Company, and most certainly played a role in helping to refresh many elements to make them grow in new directions and become even more successful.
Film division, animation studio, the theme parks, even television to name a few.


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Yes he was very good for Disney when he was focused on doing good for Disney. There was massive growth and improvements throughout the company. Those years are fondly remembered by all who went on Dis trips. Then IMHO he moved into a period when he was looking into what was mostly good for Michael. He also has the ire of many for eventually moving Bob I. into place which gave us the second Bob, Bob C. and Dis took its downward tumble and hasn't recovered in the eyes of many.
 

Minnesota disney fan

Well-Known Member
I don't have too much more to contribute, except for this:
I think Disney badly needs a money man and a creative man (or woman) to balance each other out. One mind set of either one only, is not a good fit, in my opinion.
 
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