It feels like misery p*rn to me and I legitimately don't know if I'm mentally prepared to even handle it. Is it more than just "child dies = sad"?
Anyways, my November was all the hell over the place because of trip preparation, so it ended up being one of the lighter months of the year for me. I didn't end up catching Eternity, Knives Out, Rental Family, Nuremberg, among others. It Was Just an Accident had a very limited spot in the art house theater a few towns away from me. That same theater is fortunately still playing Sentimental Value so I definitely want to make it a point to catch that this weekend. Anyways, out of the stuff I did see...
8. Predator: Badlands
My first and only Predator movie. It wasn't bad, it just kind of fell off after the first half. I legitimately kind of loved everything until the Grogu stand-in got introduced. The first 10 minutes or where it was just the Predator family was really cool and very much reminded me of the Matt Reeves Apes films. I even loved the introduction to Elle Fanning's character because it was a super cool environmental danger set piece. Unfortunately that character really got on my nerves and is the exact kind of comic relief I don't attach to.
The bigger problem was the film completely jumps off a cliff in the second half when the setting goes from a super cool, Pandora-level alien planet to boring military base. Considering my annoyance with the Ell Fanning character and the Grogu stand in, by the time the film actually ended there was barely anything for me to actually latch on to. Certainly some good elements and I generally think the film I have above this has lower lows, but it also has more consistent highs.
7. The Running Man
Not a terrible movie, but a VERY generic one by Edgar Wright standards. It's hard to believe this was written by the same dude who gave us the Cornetto trilogy, as the character motivation stuff is just painfully cookie cutter. Glenn Powell genuinely feels like he has no idea if his character is supposed to be a sympathetic family man or an unhinged loose canon, and so he just kind of does...both, in a half hearted way. The big stand outs here are Josh Brolin and Coleman Domingo. Brolin is basically just coasting on Thanos charisma but his character is one of the few with any real depth, and Domingo is absolutely the MVP here and a total scene stealer. I'd be all the hell over Michael Cera's role if his inclusion didn't feel so random, but I at least loved his deranged mother which was one of the few things in the movie that felt authentically Stephen King.
Much like Badlands, the movie falls off a cliff at a certain point. Shoehorning in a female lead that were supposed to actively care about 20 minutes before the ending is just ridiculously sloppy storytelling. If the Golden Tikis had a "Worst Ending" category, this would honestly be a shoe in. It's a shame because there is stuff to like here. I think the world building is genuinely good and Wright's style is there in certain moments, it's just a film that gets dragged way the hell down by the writing which is genuinely baffling considering that's usually one of Wright's strongest elements. I feel like this, Baby Driver, and Last Night in Soho all kind of fall off a cliff at a certain point in the third act, but this is certainly the weakest of his post-Scott Pilgrim "trilogy".
6. Die My Love
I definitely liked this a lot more than PerGron did, but it's A LOT to take in. It's got hands down the best Jennifer Lawrence performance I've ever seen. My god, she gives EVERYTHING to this role and having dated a couple women with BPD I've gotta just be honest and say parts of her performance, while slightly exaggerated, were still SCARY realistic. I think this is a movie that is just a bit too "art house" for its own good. It's got a very repetitive, abrasive tone to the whole thing and is an actively unpleasant viewing experience and very intentionally. It's not going to end up in my top 20, but it was still pretty memorable for me and I'm glad I saw it. We'll have to see how December shakes up but I wouldn't be surprised if J-Law snuck into one of my wild card Best Actress nomination slots.
5. Zootopia 2
It's just kind of...baseline good? It's definitely NOT the trainwreck that something like Ralph Breaks the Internet or Frozen 2 is, but at the same time I didn't really feel much about it one way or another. It's got a great kinetic energy and pace to it, I guess I just didn't land with a lot of the emotional beats. I honestly thought they tried a bit too hard to make Gary sympathetic to the point where I felt it was borderline emotionally manipulative. I pretty much hated the otter podcaster character and once again found her to be the worst kind of comic relief. I also thought the screen time distribution was a bit all over the place, with most of the memorable characters from the first movie coming in for just quick little cameos. It felt very similar to Finding Dory in this regard. It's still hands down the best WDAS movie since Encanto, but that's obviously not a very high bar to clear and I just didn't find it to be all that memorable. I know I'm an outlier here.
4. Sisu: Road to Revenge
Outside of my initial "it's not an Oscar movie and it's a sequel to a movie I haven't seen" disappointment at the surprise screening, I definitely think Road to Revenge is one of the absolute most successful post-Fury Road action movies that tries to emulate that film's "feature length chase scene" style. It honestly felt more like a spiritual successor to Fury Road than Furiosa did. I ended up finding it really memorable, with some obviously great action set pieces and a super compelling lead character at the center of it. I had to laugh at how funny the timing is considering how close the last Visions Fantastic project ended up turning into a full blown "Killing Nazis" theme park. I also love the plot device of the main character carrying his whole freaking family home in the back of his truck and thought that element of the movie made for really great, consistent moments of micro-tension. It's not the most substantial thing in the world but it does have a super cathartic, emotional ending and is overall just a damn good time at the movies.
3. Wicked: For Good
Yep..it's pretty much Wicked act two exactly. While I'm a bit disappointed that the movie didn't course correct the wonky rapid fire pacing of the source material, I'd be lying if I said I didn't find this thing super watchable. Maybe this is a hot take but I actually found the cinematography a lot less washed out than the first movie. The problem is that the musical numbers are a lot less dynamic. Lots of "characters standing around singing to each other" scenes. Take the choreography of the first film and the cinematography of this film and it would have been perfect.
That being said the two leads are obviously still fantastic (even with the press tour weirdness kind of clouding that) and the production design continues to be absolutely incredible. These movies are just BEGGING to be turned into a theme park land. "Wonderful" is hands down my favorite scene in the movie and kind of worth the price of admission in its own right. I also love just how much "weird little creep" energy Spongebob continues to have, and I find that character's abrupt villain turn unintentionally hilarious. I also have a lot of friends who REALLY resonated with this one, so that very much colors my view of it.
2. Jay Kelly
Easily up there with Punch Drunk Love and Uncut Gems in the "Oh man, Adam Sandler can be a FANTASTIC actor when he actually tries" category. I really liked this one a lot. I found the meditation on legacy, death, and how certain choices can impact other people to be really meaningful. I loved Billy Crudup's brief role and kind of wish more of the movie revolved around that dynamic instead of just being a plot catalyst. The thing with this movie is that it's also very much a "Hollywood patting itself on the back" movie and with that in mind I actually think George Clooney is the weakest element of it. He's basically just playing himself, but not in a compelling, meta way like Keaton in Birdman. Sandler is absolutely the heart and soul of this movie and THE reason to see it, and his character arc alone elevates this to one of the best of the month. Once again it probably won't end up in my top 20 but it absolutely had a lot of standout elements to it.