Little Mermaid doesn't get more attention than Haunted Mansion -- based on data, Haunted Mansion generally has a wait time 20-25 minute longer than LM even though it has a higher capacity. LM is actually one of the least popular attractions at the Magic Kingdom despite being a highly popular film.
Are you referring to the queue meant to hold 2 hours of guests?Functionally, Little Mermaid is like If You Had Wings or Dreamflight, a high capacity ride that gives people something to do when other lines are long.
However, I'm not sure that's what Disney was hoping for when they built it.
The Magic Kingdom's Winnie the Pooh ride is tremendously underrated. If it had been built elsewhere in Fantasyland as opposed to replacing Mr. Toad, it wouldn't get nearly as much hate.Toad was cool, but people malign MK Pooh far too much, sure it’s not Hunny Hunt, but it is still extremely charming, the ride vehicle does some cute tricks, it narratively makes sense and follows blustery days plot (throwing shade at you DL Pooh.) It is a fine FL dark ride, and Pooh belongs in Fantasyland. Do I wish it was a new build, sure, but I enjoy the ride.
But Toad's alive and well at DisneylandHonestly, though, if it HAD been built elsewhere in Fantasyland, I think Iger still would've replaced Mr. Toad with something else down the line. Maybe THAT'S where they would've put Frozen.
In a cramped spot that could otherwise never support an ADA compliant dark ride.But Toad's alive and well at Disneyland![]()
The LEGO Discovery Centers have dark rides squeezed into incredibly tight footprints.In a cramped spot that could otherwise never support an ADA compliant dark ride.
For now. I wouldn't put anything past Iger at this point.But Toad's alive and well at Disneyland![]()
Claiming what is known is not known doesn’t help your point. We do know because it’s been publicly discussed. It’s how we get gems like “non-descript roller coaster themed like India or whatever”.On the whole IP thing, none of us really knows what Disney is thinking when they come up with a new attraction. These days, it is typically associated with an IP, but Disney has always done this, from day one. Snow White, Peter Pan, Davey Crockett were all examples of early IPs Disney used. It has always merged people's love of Disney's stories with the parks and that is a huge reason for their success. No one has out-Disneyed Disney yet. With my limited knowledge, their closest competitor seems to be Universal, who sort of understands the success formula here. I'd also add that Disney is such a force that even their rides become IPs (POTC, for example). LOL!
My point about Tron is that despite not being a massively successful franchise, the ride itself is very popular.
MK's Little Mermaid another example imo. In 1989 I thought it'd make a great Fantasyland dark ride, and now we have it. BUT it just doesn't have the heart of a Peter Pan or Toad. It's not bad, it has great effects (especially Scuttle) yet it still feels like a poorly-written book report, at least compared to every other Disney Fairy Tale dark ride I've been on.So why build rides exclusively based on popular, franchise IP if that doesn't always matter?
Theme park rides are judged on their own merits. A good movie does not automatically translate to a good ride
A ride can be popular despite the IP (or lack of) it's based on, because consumers evaluate theme park rides based on other criteria besides name recognition of associated imagery.
This whole thread is a about a Zootopia show that's lame and isn't saved by the success of the movie it's based on.
At what point does the company and its fan base put two and two together and realize there's a disconnect between the strategy and the execution because the product is fundamentally different in how it's consumed than other media?
I don't think we are disagreeing here. My Tron example was of an IP that was NOT massively successful and still had an attraction based on it. I agree that rides themselves are judged based on their own merits regardless of the IP they are based on, if any.So why build rides exclusively based on popular, franchise IP if that doesn't always matter?
Theme park rides are judged on their own merits. A good movie does not automatically translate to a good ride
A ride can be popular despite the IP (or lack of) it's based on, because consumers evaluate theme park rides based on other criteria besides name recognition of associated imagery.
This whole thread is a about a Zootopia show that's lame and isn't saved by the success of the movie it's based on.
At what point does the company and its fan base put two and two together and realize there's a disconnect between the strategy and the execution because the product is fundamentally different in how it's consumed than other media?
Expedition Everest, Disney World's latest non-IP ride is a ghost town in the mornings and still rn it's pretty empty. 15 minute wait for a rollercoaster is VERY light. Especially considering its quality.
Navi River Journey is usually considered to be a lesser attraction than it, yet it has 3x the wait right now in the same park.
Pandora is nothing but AK's version to The Land at Epcot...Navi River Journey is usually considered to be a lesser attraction than it, yet it has 3x the wait right now in the same park.
MK's Little Mermaid another example imo. In 1989 I thought it'd make a great Fantasyland dark ride, and now we have it. BUT it just doesn't have the heart of a Peter Pan or Toad. It's not bad, it has great effects (especially Scuttle) yet it still feels like a poorly-written book report, at least compared to every other Disney Fairy Tale dark ride I've been on.
Are you referring to the queue meant to hold 2 hours of guests?
I feel that is an unfair comparison, as the folks who are in line for Navi River are most likely just killing time before their FoP lightning lane hits.
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