Walt Disney – A Magical Life

McMickeyWorld

Well-Known Member
Eisner is the perhaps the most glazed individual in the company’s history. It really floors me how one can complain about Iger’s faults (and many of them are valid complaints!) but not recognize Eisner had a lot of the same ones.

Maybe it’s just me but just because Eisner was a more creative person doesn’t mean all of his poor choices and terrible management as he went along suddenly disappears. A lot of what folks dislike about the company today comes right from him.
I think Eisner was publicly presented as a good guy, compared to Iger, who comes off as too distant and corporate.
 

Too Many Hats

Well-Known Member
Eisner is the perhaps the most glazed individual in the company’s history. It really floors me how one can complain about Iger’s faults (and many of them are valid complaints!) but not recognize Eisner had a lot of the same ones.

I think we all just miss big exciting rides like Tower of Terror and Indiana Jones Adventure.
 

Mr. Sullivan

Well-Known Member
I think Eisner was publicly presented as a good guy, compared to Iger, who comes off as too distant and corporate.
I would honestly say that’s a little worse for me LOL

Iger is at least pretty up front with who he is. Eisner made a career off of doing the opposite. He sold himself to the public as someone he really wasn’t because he was smart enough to see that it would work. And to his credit it did work for a long until people got better at sniffing out BSers.

I’d much rather the shark I see than the one I don’t.
 

Mr. Sullivan

Well-Known Member
I think we all just miss big exciting rides like Tower of Terror and Indiana Jones Adventure.
And I do get that!

But I would also say if we were going to hold Eisner and Iger up based solely on the rides they opened, I would be more than willing to defend the position that their amount of hits and their amount of misses are fairly close.

But Eisner I think deserves much of the credit for the company’s shift toward profit above all than he has ever been given. His first few years are so mythologized that people forget he was suggesting using cutouts in place of real facades in Hong Kong.

Eisner I believe is beloved for the potential he showed and people’s daydreaming about what could have happened if he stayed on the track he was on when he started. But that never came to be. He is defended often on the basis of things that just never happened.

He’s like that girlfriend that you had a really awful relationship with by the end so you break up but when time passes you think back on those first few dates and get stuck with a lot of what ifs instead of what was.
 

FutureCEO

Well-Known Member
I also just feel like some of his movements are too robotic, muscles naturally sway and contract, decontract etc. If you look at the arms you can see them make like a perfectly precise movement that no human can do still. I'm not sure if you can ever perfectly mimic a human though.


it is a robot
 

truecoat

Well-Known Member
it is a robot

Shocked Patrick Stewart GIF
 

brb1006

Well-Known Member
why? eisner has as much to do with walt disney as iger does (nothing at all). just because eisner is the fan-favorite of the two doesn't mean he'd be any more fitting

Eisner is the perhaps the most glazed individual in the company’s history. It really floors me how one can complain about Iger’s faults (and many of them are valid complaints!) but not recognize Eisner had a lot of the same ones.

Maybe it’s just me but just because Eisner was a more creative person doesn’t mean all of his poor choices and terrible management as he went along suddenly disappears. A lot of what folks dislike about the company today comes right from him.
I'm aware of Eisner's faults, but at least Eisner actually tried to be as charismatic and presentable as Walt did on public television and special occasions. As evident in numerous introductions Eisner did for The Wonderful World of Disney and Disney Sunday Movie program during the 80s and 90s.






There's even a playlist that shows all of Eisner's introductions during The Wonderful World of Disney and Disney Sunday Movie.


When I see or hear Iger speaking and hosting events, he comes across as more stoic and less passionate. Just look at his opening day speech for Shanghai Disneyland and during Walt Disney World's 50th Anniversary (with Chapek).


I doubt Iger would make the show sound genuinely interesting like Julie Andrews did for Walt Disney World's Share A Dream Come True Parade (which ran from 2001-2006) which celebrated Walt's 100th Birthday.
 
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FiestaFunKid

Well-Known Member
I'm aware of that, but at least Eisner tried to be as charismatic and presentable as Walt did on public television. As evident in numerous presentable Eisner did for The Wonderful World of Disney during the 80s and 90s. When I see or heart Iger speaking and hosting events, he comes across as more stoic and less passionate. I doubt Iger would make the show sound genuinely interesting.
Also, if you are to believe any of the books written about him, Eisner had a genuine affinity for Walt and felt a great connection there (you can debate if this was true inspiration or driven by hubris). Iger does not exude this at all and comes off more like a standard corporate leader.
 

CaptinEO

Well-Known Member

It's narrated by Iger?!

Disgusting to have Iger narrate, he has a god complex and thinks he is Walt, just look at the imagineering story documentary. He surrounds himself with yes men and corporate kiss ups who inflate his ego all day and he likely believes it.

Walt is a creative who believed in what he did and Iger is a multimillionaire creep who lays off front line workers while getting paid 25 million a year.
 

brb1006

Well-Known Member
Disgusting to have Iger narrate, he has a god complex and thinks he is Walt, just look at the imagineering story documentary. He surrounds himself with yes men and corporate kiss ups who inflate his ego all day and he likely believes it.

Walt is a creative who believed in what he did and Iger is a multimillionaire creep who lays off front line workers while getting paid 25 million a year.
Love him or hate him, at least Michael Eisner had genuine affection to Walt. He even managed to do opening introductions for various Disney television special and programs during the 80s and 90s. You don't see Iger putting that much effort into making himself know to the general public.
 

DCBaker

Premium Member
Disneyland Resort has released a few additional details in a press release:

Seven decades after the opening of Disneyland Park on July 17, 1955, Walt Disney’s vision continues to inspire the magical touches that fill the park he loved. A new attraction based on the life of Walt Disney, “Walt Disney – A Magical Life,” will debut at the Main Street Opera House in Disneyland on July 17, 2025. Guests will first experience a cinematic journey (approximately 15 minutes) through the film, “One Man’s Dream,” culminating in a visit with Walt in his office, made possible through the magic of Audio-Animatronics® storytelling.

When the curtain rises on Walt’s office, guests will hear heartfelt stories, anecdotes and words of wisdom shared by Walt using historical recordings. They will encounter him like never before, through a medium he pioneered with his team when they created the Audio-Animatronics figure of Abraham Lincoln. The total run time of the attraction will be approximately 17 minutes.

After its initial run, the Main Street Opera House will welcome back “Great Moments with Mr. Lincoln,” which will play in rotation with “Walt Disney – A Magical Life.”

Did you know?
  • Walt Disney Imagineering has put in more than seven years of work on this project, though creating a Walt figure has been an idea within Imagineering for years – decades, even.
  • The film “One Man’s Dream” leads from Walt’s early endeavors to the bright lights of Los Angeles and beyond. This beloved cinematic journey will be uniquely adapted for “Walt Disney – A Magical Life.”
  • The attraction features the first-ever Walt Disney Audio-Animatronics figure and tells the incredible story of his life through historical footage and audio recordings featuring Walt’s own words.
  • Several historical sources featuring dialogue of Walt, spoken by him, are blended seamlessly to create the inspiring performance of the Audio-Animatronics figure.
  • Walt’s attire was carefully researched including his suit, shoes, tie and rings.
  • Imagineers are pushing the art form and technology of Audio-Animatronics storytelling in every way possible to capture Walt’s likeness and mannerisms.
  • The creative team chose the approximate time period of 1963 when determining Walt’s appearance.
  • The office that appears in the attraction is inspired by Walt’s actual office in Burbank, similar to the office set developed for Walt’s many television appearances.
  • Walt Disney Imagineering redesigned the stage inside the theater to accommodate a rotating turntable allowing for both “Walt Disney – A Magical Life” and “Great Moments with Mr. Lincoln” to play in rotation.
  • For the first time, the Main Street Opera House will feature a new marquee with two titles, displaying in the center “Opera House now featuring two dramatic theater presentations!” with A Magical Life above Walt Disney’s name on the left, and to the right, Great Moments with Mr. Lincoln.
Latest Audio-Animatronics Technology
  • The Audio-Animatronics figure of Walt Disney is the most lifelike figure that Walt Disney Imagineering has ever created. The team achieved many innovations never done before in a humanoid figure, such as:
  • Achieving a ‘twinkle in the eye’
  • The first ‘lean to stand’ motion for an all-electric figure
  • Realistic skin through new methods
  • Imagineering studied muscle structure and the nuances of speaking and gesturing such as how the mouth falls when the figure is speaking, as well as the very Walt mannerisms and movements including the way Walt used his hands.
  • The technological leaps to achieve these far-reaching ambitions were called “moonshots” within the team that innovated them.
“Evolution of a Dream”

Inside the lobby of the Main Street Opera House, an all-new gallery experience titled “Evolution of a Dream” will display images, artifacts and art – some never before seen – that show Disneyland before, during and after Walt’s dream became a reality. Included will be pencil drawings and other concept artwork featuring preliminary plans for Disneyland.
  • Walt Disney Imagineering and the Walt Disney Archives have curated relics and memorabilia from the early stages of Disneyland including vintage merchandise, correspondence and more.
  • The Walt Disney Family Museum has selected more than 30 artifacts for these experiences in the lobby, including original items from Walt’s private apartment which have never been publicly exhibited at Disneyland Park before. These artifacts will be on loan from the museum.
  • A special exhibit about the story and history of Audio-Animatronics technology will feature original and replica figures dating back to Walt Disney Imagineering’s earliest development of the technology. Attractions featured include Walt Disney’s Enchanted Tiki Room, “it’s a small world,” Pirates of the Caribbean and more.
  • In a heartfelt pre-show tribute video to “Walt Disney – A Magical Life” called “Memories of Walt,” those who worked alongside Walt Disney—and those inspired by his vision—share personal stories and reflections about Walt Disney. Through touching anecdotes and behind-the-scenes memories, they offer a rare glimpse into Walt’s character, and the man behind the magic. These intimate recollections reveal his relentless curiosity, hands-on leadership and unwavering belief in creativity and people.
  • At the conclusion of “Walt Disney – A Magical Life,” as guests leave the theater, they’ll experience another new exhibit showcasing cast members at work through the years, as well as a stunning new mural paying tribute to Disneyland history, including entertainment and attractions, plus what’s to come.
Quotes from Walt Disney Imagineering
  • “The 70th anniversary of Disneyland gave us a great opportunity to debut this attraction and remind guests of Walt Disney and his incredible journey. Creating this figure is an enormous responsibility and one that the team has taken very seriously, likely as seriously as Walt Disney did in creating the Audio-Animatronics figure of Abraham Lincoln so many decades ago. We hope to honor Walt through the art form that he pioneered, and that ‘Walt Disney – A Magical Life’ will be a permanent tribute here at Disneyland … the only Disney park Walt ever walked in.” – Tom Fitzgerald, Senior Creative Executive, Walt Disney Imagineering
  • “This fitting tribute will give millions of guests a moment of wish fulfillment – to feel like what it was like to be in Walt’s presence. We worked closely with the Walt Disney Archives and The Walt Disney Family Museum to depict the details of Walt and his office accurately in this theatrical presentation. Most importantly, we were passionate about creating an Audio-Animatronics figure designed specifically for this attraction, delivering a portrayal that has his nuances, hand gestures, facial expressions, and more- all of the attributes that make this figure’s performance feel uniquely Walt and not simply creating a figure to look like Walt.” – Jeff Shaver-Moskowitz, Portfolio Executive Creative Producer, Walt Disney Imagineering
Quote from The Walt Disney Family Museum
  • “The expertise and care that Walt Disney Imagineering has devoted to this project is nothing short of remarkable. Diane Disney Miller was driven to create The Walt Disney Family Museum to not only honor her father, but to also expose the public to the extraordinary—and real—man behind the globally impactful brand. We are endlessly grateful to The Walt Disney Company for their exceptional and considerate efforts to make Walt an integral part of the park experience. I think that Walt would be thrilled with the blend of cutting-edge technology and artistry. And I think that he would be touched by the tribute.” – Kirsten Komoroske, Executive Director, The Walt Disney Family Museum
 

FiestaFunKid

Well-Known Member
And I do get that!

But I would also say if we were going to hold Eisner and Iger up based solely on the rides they opened, I would be more than willing to defend the position that their amount of hits and their amount of misses are fairly close.

But Eisner I think deserves much of the credit for the company’s shift toward profit above all than he has ever been given. His first few years are so mythologized that people forget he was suggesting using cutouts in place of real facades in Hong Kong.

Eisner I believe is beloved for the potential he showed and people’s daydreaming about what could have happened if he stayed on the track he was on when he started. But that never came to be. He is defended often on the basis of things that just never happened.

He’s like that girlfriend that you had a really awful relationship with by the end so you break up but when time passes you think back on those first few dates and get stuck with a lot of what ifs instead of what was.
Eisner was an ideas man - both great and terrible, which why people like Wells were so important to check him. Sure his tenure went south after his health problems and the economic issues, but his good/big ideas and willingness to push for them got us MGM vs a Pavillion in Epcot, Hotels that push the envelope on design and immersion, and an ambitious, beautifully designed Euro Disney (if ill conceived strategically). Not to mention the aforementioned rides, add Splash to that list, the animation films renaissance, and he was still there for DisneySea.
 

Mr. Sullivan

Well-Known Member
I'm aware of Eisner's faults, but at least Eisner actually tried to be as charismatic and presentable as Walt did on public television and special occasions. As evident in numerous introductions Eisner did for The Wonderful World of Disney and Disney Sunday Movie program during the 80s and 90s.






There's even a playlist that shows all of Eisner's introductions during The Wonderful World of Disney and Disney Sunday Movie.


When I see or hear Iger speaking and hosting events, he comes across as more stoic and less passionate. Just look at his opening day speech for Shanghai Disneyland.

I doubt Iger would make the show sound genuinely interesting like Julie Andrews did for Walt Disney World's Share A Dream Come True Parade (which ran from 2001-2006) which celebrated Walt's 100th Birthday.

Sure I can agree that he presented better. I still don’t think that really erases any of his failures. It ultimately was just a character he was playing. We all know that that’s not really what Michael Eisner was like.

And like I said above, I would much rather the devil I know than the devil I don’t.

Igee presents himself as exactly what he is, which is a CEO. You are never under the impression he is anything more than that. Yeah it’s not fun or inspiring to watch, but I’d prefer that over a lie.

At the end of the day, the affinity that a lot of Disney fans have for Michael Eisner to me is just proof of the old adage that you can get folks to believe anything if you make them feel good. A strong segment of folks are very keen on propping up all of his successes and not really discussing or doing whataboutism on his failures purely because he was good TV.
 

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