DHS Monster Inc Land Coming to Disney's Hollywood Studios

HMF

Well-Known Member
I think that is the Intended plan...To pretty much update the Laugh Floor Tech for more interaction in a bigger better venue...Then they can close the Laugh Floor in Tomorrowland for something else down the line...
Hopefully not too far down the line, like they have been doing with Star Tours.
 

FigmentJedi

Well-Known Member
Hopefully not too far down the line, like they have been doing with Star Tours.
Even with the updates coming to Falcon, Star Tours is still too valuable to keep as a "All the classic familiar Star Wars characters and locations" thing. I feel like they'd sooner relocate it to Galaxy's Edge then get rid of it entirely and they'd probably see it as worth the investment versus the unfortunately ignored cries to move Muppetvision over to Sunset.
 

BrianLo

Well-Known Member
Philharmagic's CGI has also aged much worse than the practical sets and puppets used in Muppet-Vision

2003 Ariel doesn't hold up as well as even 2010 Rapunzel

I really want them to re-animate Philharmagic. Especially since it would be a shared cost project.

I unabashedly love Philharmagic. I’m a sucker for the effect of expansion and contraction.
 

Sir_Cliff

Well-Known Member
I really want them to re-animate Philharmagic. Especially since it would be a shared cost project.

I unabashedly love Philharmagic. I’m a sucker for the effect of expansion and contraction.
I feel exactly the same way: if they re-animated it (perhaps adding a new segment for marketing purposes along the way), there would be no real reason for it to go away. The only issue with it at the moment (for me, anyway) is the animation from all the segments except Coco now looks dated.

Well, another issue is its placement in Discoveryland in Disneyland Paris...
 

phillip9698

Well-Known Member
MV3D was a singular piece of art from one of the greatest living artists of our time, it does not exist anywhere else in the world. It does not function as a painting which can be moved, or a simple digital recording which can live on a streaming service. I don't care if that theater had ten seats or ten thousand, there should always be a way for someone to come sit down and see the final work of Jim Henson. The same way I can fly to the Louvre and look at the Mona Lisa. The LEAST the company could do is move the dozen or so animatronics and a couple of the seats to the Center for Puppetry Arts but for some inexplicable reason they can not bring themselves to do that, and people should not be letting them off the hook for it. There's not a single other thing at Walt Disney World that carries this kind of historical significance in my opinion.


That place is awesome. I’m a member and take the family to see a couple shows a year.
 

Drew the Disney Dude

Well-Known Member
In the Parks
Yes
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The quality content you all have been waiting for.
 

Tha Realest

Well-Known Member
They are not just talking away a 30 year old movie. They are talking away the last work of Jim Henson. I fall into the group of people who are excited for monsters inc. and I would be even more excited if this was replacing literally anything else.
Like the office space behind Animation Courtyard? But won’t anyone think of the poor office workers?
 

Agent H

Well-Known Member
Like the office space behind Animation Courtyard? But won’t anyone think of the poor office workers?
Anything would be preferable. Animation courtyard. Echo lake. Rock and roller coaster. Sunset boulevard. Or just move muppet vision to the sunset showcase and save the animation courtyard parcel for something bigger. (Yes I’m aware @lentesta said that wasn’t happening)
 

Mr. Sullivan

Well-Known Member
LOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOL

Disney own the IP. They license the parks from Disney. They have 80% of the same rides at the Disney parks in America. Yet the won't share an original attraction they've built with Disney? Give me a break.
They have a very public contract with Disney that grants them exclusivity for an extended period of time. The Beauty and the Beast ride is still very comfortably in that time period. It does not take much searching to find the details of this deal which has been in place for decades.

It is rather evident that once that period expires that OLC still holds influence over Disney to not clone seeing as Disney has yet to clone any Tokyo originals anywhere.

OLC has influence over Disney. They are not subservient to the Mouse. Hence their ability to decline getting their Splash Mountain turned into TBA.

Also, one look at the Tokyo resort would reveal that they do not in fact have 80% the same ride as the parks in America. Not only are most of their shared attractions different, there are multiple attractions in Tokyo Disneyland unique to them and 95% of Tokyo DisneySea is completely unique.

I highly recommend you do a bit of research before jumping into conversations with this attitude. Though I guess I shouldn’t be shocked at this attitude coming from someone who thinks annual passholders ought to be treated like war criminals.
 

Casper Gutman

Well-Known Member
They have a very public contract with Disney that grants them exclusivity for an extended period of time. The Beauty and the Beast ride is still very comfortably in that time period. It does not take much searching to find the details of this deal which has been in place for decades.

It is rather evident that once that period expires that OLC still holds influence over Disney to not clone seeing as Disney has yet to clone any Tokyo originals anywhere.

OLC has influence over Disney. They are not subservient to the Mouse. Hence their ability to decline getting their Splash Mountain turned into TBA.

Also, one look at the Tokyo resort would reveal that they do not in fact have 80% the same ride as the parks in America. Not only are most of their shared attractions different, there are multiple attractions in Tokyo Disneyland unique to them and 95% of Tokyo DisneySea is completely unique.

I highly recommend you do a bit of research before jumping into conversations with this attitude. Though I guess I shouldn’t be shocked at this attitude coming from someone who thinks annual passholders ought to be treated like war criminals.
This all may be true, but could you please cite your source? I have a vague and possibly incorrect memory that Disney was choosing between Rat and Tokyo’s B&B when they expanded EPCOTS France.
 
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