lazyboy97o
Well-Known Member
The contradiction is saying it lacks elements that are present.I don't hate Connections; it's fine. Some of the criticisms don't make any sense to me (the idea that it should be "themed", e.g.), but Disney could have easily stuck with modern/contemporary design (the right choice IMO) while building a space that offered a bit more visual/architectural interest.
It's still one of the better things they did as part of the overhaul, but that doesn't mean it's perfect. I'm surprised you of all people don't think they could have done a better job breaking up the space etc. -- adding some second level seating could have increased capacity too, which seems needed.
Visual interest of what? For what purpose? Good design has a hierarchy. Not everything should be fighting for attention as you end IP with the sort of disordered environments to which Disney typically stands in contrast. So what purpose does this greater visual interest serve? Is it supposed to draw people into the space? Through the space? That’s not really what you want in a quick service dining venue.
I have posted plenty of criticisms of the project in this very thread. The biggest issue is that it’s just sloppy work. But I absolutely disagree with the idea that the space should have been broken up more. It’s exactly what I mean by a contradiction and reaction to other projects. Being broken up is a design concept that stands in opposition to the underlying design philosophy. Both as a building and a land, CommuniCore and Future World (and even a lot of Modernism) is about the openness space, about implying boundaries more than building them. Future World and now the neighborhoods are an experience of the monumental, not a series of cozy little spaces. The pavilions all existing as objects in space. If anything, Connections should switch to being mobile order table service so that the counter service space can become more seating and further open up sightlines to the kitchen, the literal signifier of the use of the space.