Toy Story 3-D in 2010 and more

daringstoic

Active Member
Looks cool. Not so excited about the direct to DVD stuff, and I still don't like the whole fairies thing, but the feature films sound pretty good.
 

Mr.EPCOT

Active Member
Well, yeah, Disney announced Toy Story 3(-D) a few months ago. In addition, they will be rereleasing the first two in 3-D over the months leading up to the third movie.
 

MousDad

New Member
You can say what you want about Pixar in the parks, but when it comes to their approach to moviemaking - whoa!

You absolutely can not fault them for originality, creativity, thinking outside the box, and sheer boldness in their approach to story. A movie about 2 newts - are you kidding me? Kudos, Pixar, kudos.

Only TS3 doesn't live up to this standard, but I get the feeling about TS3 that Disney had to hold a gun to Pixar's head to get them to make that one.

And then I look at the Disney Studio offerings and I'm like - okay that's nice.

I hope they are all successful, though. I'll be at every one. :wave:
 

JimboJones123

Well-Known Member
10 films by 2012

Enjoy the presser


New York, New York -- April 8, 2008 -- The Walt Disney Studios unveiled a diverse and ambitious slate of 10 new animated feature films from Walt Disney and Pixar Animation Studios to be released through the year 2012 at a New York press conference held today by ________ Cook, chairman of The Walt Disney Studios, and John Lasseter, chief creative officer for Walt Disney and Pixar Animation Studios.

The line-up includes new films from Disney and Pixar’s accomplished team of filmmakers, and features vocal performances by such top celebrity talents as John Travolta and Miley Cyrus (“Bolt”), Reese Witherspoon and Billy Connolly and Emma Thompson (“The Bear and the Bow”), Anika Noni Rose and John Goodman (“The Princess and the Frog”), as well as return engagements by Tom Hanks, Tim Allen and the rest of the “Toy Story” vocal ensemble (“Toy Story 3”). The roster of new animated features includes six new films from Pixar Animation Studios, four from Walt Disney Animation Studios, and the first four in a series of direct-to-DVD films featuring Disney Fairies from DisneyToon Studios. Starting later this year with the release of Disney’s “Bolt,” all Disney and Pixar animated features will be presented in state-of-the-art Disney Digital 3-D™. Additionally, newly converted 3-D versions of the beloved classics, “Toy Story” and “Toy Story 2,” are set to debut in 2009 and 2010 respectively.

Among the upcoming animated films on the 2008 release schedule are “WALL•E” (Pixar) from Academy Award®-winning director/writer Andrew Stanton (“Finding Nemo”) opening nationwide June 27th; “Bolt” (Disney) from the talented new directing team of Chris Williams and Byron Howard, due in theatres on November 26th; and the Disney DVD and Blu-ray release of “Tinker Bell,” the first in a new franchise of original entertainment set in the world of Fairies, on October 28th. The Studio’s 2009 animated slate includes the summer release of Pixar’s first 3-D feature, “Up,” from director Pete Docter (“Monsters, Inc.”) and co-director Bob Peterson, the Christmas Day release of Disney’s original animated fairy tale “The Princess and the Frog” from acclaimed veteran Disney directors John Musker and Ron Clements (“The Little Mermaid,” “Aladdin,” “Hercules,”) and the Disney DVD and Blu-ray release of "Tinker Bell North of Never Land" (working title). 2010 brings the highly anticipated return of Buzz and Woody in the Disney Digital™ 3D summer release of Pixar’s “Toy Story 3” directed by Lee Unkrich (“Finding Nemo,” “Monsters, Inc.”); followed by the Christmas arrival of Disney’s version of the classic fairy tale, “Rapunzel,” featuring the directing debuts of animation legend Glen Keane and directing partner Dean Wellins, and the Disney DVD and Blu-ray release of "Tinker Bell A Midsummer Storm" (working title).

In the summer of 2011, Pixar’s “newt” marks the directing debut of multiple Oscar® winning sound designer Gary Rydstrom. Christmas 2011 brings Pixar’s first fairy tale, “The Bear and the Bow,” from acclaimed filmmaker/writer Brenda Chapman (“The Prince of Egypt”). The Disney DVD and Blu-ray release of "Tinker Bell A Winter Story" (working title) also debuts in 2011. The year 2012 will mark the return of Lightning McQueen, Mater the tow truck, and an international cast of favorite and new car characters in Pixar’s “Cars 2,” directed by Brad Lewis (producer of “Ratatouille”). Scheduled for Christmas 2012 from Walt Disney Animation Studios is “King of the Elves,” an adaptation of a Philip K. ________ short story, directed by Aaron Blaise and Robert Walker (“Brother Bear”).

Commenting on the announcement, Cook said, “We couldn’t be more proud and excited about our upcoming line-up of feature projects. With so many great films literally on the drawing boards and computer screens, we felt that now was the perfect time to give moviegoers all over the world an update on the state of our art. In a year when our Studio is marking the 80th anniversary of Mickey Mouse, the character that started it all for us, it seems especially timely to share our plans for the future of animation. With John Lasseter and Ed Catmull guiding our creative efforts both at Emeryville and in Burbank , this is as exciting a time as any in our history.”

Lasseter added, “This is an amazing time for animation at Disney and Pixar, and it’s a thrill to be working on such a diverse and original group of films with such an all-star team of filmmakers. The thing I love best about my job is that I get to work at both Disney and Pixar with filmmakers who are passionate about their projects and who are the absolute best in the business. We’re excited to be pushing the boundaries of 3-D and computer technology to tell our stories in the best possible way. At the same time, we’re drawing on our past to emphasize memorable characters, original edge-of-your-seat stories, and believable worlds. Walt Disney and his creative team taught us how to blend comedy, powerful emotion, and action-filled excitement in our films, and this group of incredible filmmakers is bringing their own originality and sensibilities to the process.”

WALT DISNEY ANIMATION STUDIOS/ PIXAR ANIMATION STUDIOS RELEASE SCHEDULE

2008 – 2012:

2008:

WALL•E (Domestic Release Date: June 27th, 2008)
Pixar Animation Studios
Director/Screenwriter: Andrew Stanton
Producer: Jim Morris
Co-Producer: Lindsey Collins
Sound and Character Voice Designer: Ben Burtt
Composer: Thomas Newman, with an Original Song Performed by Peter Gabriel
Voice Talent: Fred Willard, Jeff Garlin, Sigourney Weaver, John Ratzenberger, Kathy Najimy

What if mankind had to leave Earth and somebody forgot to turn off the last robot?

Academy Award®-winning writer-director Andrew Stanton (“Finding Nemo”) and the inventive storytellers and technical geniuses at Pixar Animation Studios transport moviegoers to a galaxy not so very far away for a new computer-animated cosmic comedy about a determined robot named WALL•E.
After hundreds of lonely years doing what he was built for, WALL•E (short for Waste Allocation Load Lifter Earth-Class) discovers a new purpose in life (besides collecting knick-knacks) when he meets a sleek search robot named EVE. EVE comes to realize that WALL•E has inadvertently stumbled upon the key to the planet’s future, and races back to space to report her findings to the humans (who have been eagerly awaiting word that it is safe to return home). Meanwhile, WALL•E chases EVE across the galaxy and sets into motion one of the most incredible comedy adventures ever brought to the big screen.

Joining WALL•E on his fantastic journey across a universe of never-before-imagined visions of the future is a hilarious cast of characters including a pet cockroach, and a heroic team of malfunctioning misfit robots.

BOLT (Domestic Release Date: November 26th, 2008, Disney Digital 3-D™)
Walt Disney Animation Studios
Directors: Chris Williams, Byron Howard
Producer: Clark Spencer
Voice Talent: John Travolta, Miley Cyrus, Susie Essman

For super-dog Bolt (voiced by John Travolta), every day is filled with adventure, danger and intrigue – at least until the cameras stop rolling. When the canine star of a hit TV show is accidentally shipped from his Hollywood soundstage to New York City , he begins his biggest adventure yet – a cross-country journey through the real world. Armed only with the delusions that all his amazing feats and powers are real, and with the help of two unlikely traveling companions – a jaded, abandoned housecat named Mittens (voiced by Susie Essman), and TV-obsessed hamster in a plastic ball named Rhino – Bolt discovers he doesn’t need superpowers to be a hero. Miley Cyrus (“Hannah Montana”) brings her vocal talents to the role of Penny, Bolt’s human co-star on the television series.

TINKER BELL (Disney DVD and Blu-ray Release Date: October 28th, 2008)
DisneyToon Studios
Director: Bradley Raymond
Producer: Jeannine Roussel

Enter the magical world of fairies and meet the enchanting creatures of Pixie Hollow, who “nurture nature” and bring about the change of the seasons. Changing the colors of the leaves, moving a sunbeam to melt snow, waking animals from their winter slumber, or giving a patch of sproutlings a sprinkle of water are all within the realm of these seasonal specialists. Tinker Bell thinks her fairy talent as a “tinker” isn’t as special or important as the other fairies’ talents. But when Tink tries to change who she is, she creates nothing but disaster! With encouragement from her friends Rosetta, Silvermist, Fawn and Iridessa, Tink learns the key to solving her problems lies in her unique tinker abilities…and discovers that when she’s true to herself, magical things can happen.

2009:

UP (Domestic Release Date: May 29th, 2009, Disney Digital 3-D™)
Pixar Animation Studios
Director: Pete Docter
Co-Director: Bob Peterson
Producer: Jonas Rivera
Writer: Bob Peterson
Voice Talent: Ed Asner, Christopher Plummer, John Ratzenberger, Jordan Nagai

From the Academy Award®-nominated team of director Pete Docter (“Monsters, Inc.”) and co-director Bob Peterson comes “Up,” a comedic adventure taking off (and lifting spirits) in summer 2009. Carl Fredricksen spent his entire life dreaming of exploring the globe and experiencing life to its fullest. But at age 78, life seems to have passed him by, until a twist of fate (and a persistent 8-year old Wilderness Explorer named Russell) gives him a new lease on life. “Up” takes audiences on a thrilling journey where the unlikely pair encounter wild terrain, unexpected villains and jungle creatures. When seeking adventure next summer – look “Up.”

TOY STORY in 3-D (Domestic Release Date: October 2nd, 2009)
Pixar Animation Studios
Director: John Lasseter
Producers: Ralph Guggenheim, Bonnie Arnold
Composer: Randy Newman
Voice Talent: Tom Hanks, Tim Allen, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger

Originally released by Walt Disney Pictures in 1995, “Toy Story” was the first feature film from Pixar Animation Studios and director John Lasseter. The film went on to receive Oscar® nominations for Best Original Score, Best Original Song, and Best Original Screenplay, and earned Lasseter a Special Achievement Award (Oscar®) “for the development and inspired application of techniques that have made possible the first feature-length computer-animated film.” The 3-D version of this landmark film is being personally overseen by Lasseter with his acclaimed team of technical wizards handling all the necessary steps in the conversion process.

THE PRINCESS AND THE FROG (Domestic Release Date: Christmas 2009)
Walt Disney Animation Studios
Directors: John Musker, Ron Clements
Producer: Peter Del Vecho
Composer: Randy Newman
Voice Talent: Anika Noni Rose, Keith David, Jenifer Lewis, John Goodman

A musical set in the greatest city of them all, New Orleans , “The Princess and the Frog” marks Disney’s return to the timeless art form of traditional animation. The film teams Ron Clements and John Musker, creators of “The Little Mermaid” and “Aladdin,” with Oscar®-winning composer Randy Newman to tell the most beautiful love story ever told…with frogs, voodoo, and a singing alligator.

TINKER BELL NORTH OF NEVER LAND - working title (Disney DVD and Blu-ray Release Date: 2009)
DisneyToon Studios
Director: Klay Hall
Producer: Sean Lurie

In autumn, Tinker Bell is entrusted with crafting a great treasure that can rejuvenate the Pixie Dust Tree. But when her friend Terence offers to help, Tink's temper and stubbornness get the better of her, shattering both her creation and her friendship with Terence. To set things right again, she must embark on a journey far North of Never Land… and along the way, she will discover an even greater treasure.

2010:
TOY STORY 2 in 3-D (Domestic Release Date: February 12th, 2010)
Pixar Animation Studios
Director: John Lasseter
Co-Directors: Lee Unkrich, Ash Brannon
Producers: Helene Plotkin, Karen Robert Jackson
Composer: Randy Newman
Voice Talent: Tom Hanks, Tim Allen, Joan Cusack, Kelsey Grammer, Don Rickles, Estelle Harris, Jim Varney, Wallace Shawn, John Ratzenberger

Originally released in 1999, “Toy Story 2” went on to become one of the most popular animated features of all time. The film picks up as Andy is heading off to Cowboy Camp and the toys are left to their own devices. When an obsessive toy collector named Al McWhiggin (owner of Al’s Toy Barn) kidnaps Woody, and Woody learns that he’s a highly valued collectable from a 1950s TV show called “Woody’s Roundup,” the stage is set for a daring rescue attempt by the gang from Andy’s room. The film introduced such other memorable characters from “Woody’s Roundup” as Jessie the cowgirl, Bullseye the horse, and the Prospector.

TOY STORY 3 (Domestic Release Date: June 18th, 2010, Disney Digital 3-D™)
Pixar Animation Studios
Director: Lee Unkrich
Producer: Darla K. Anderson
Writer: Michael Arndt
Composer: Randy Newman
Voice Talent: Tom Hanks, Tim Allen, Joan Cusack, Don Rickles, Wallace Shawn, Estelle Harris, John Ratzenberger, Ned Beatty

The creators of the beloved “Toy Story” films re-open the toy box and bring moviegoers back to the delightful world of Woody, Buzz and our favorite gang of toy characters in “Toy Story 3.” Lee Unkrich (co-director of “Toy Story 2” and “Finding Nemo”) directs this highly anticipated film, and Michael Arndt, the Academy Award®-winning screenwriter of “Little Miss Sunshine,” brings his unique talents and comedic sensibilities to the proceedings.

RAPUNZEL (Domestic Release Date: Christmas 2010, Disney Digital 3-D™)
Walt Disney Animation Studios
Directors: Glen Keane, Dean Wellins
Producer: Roy Conli

In this new telling of the classic fairy tale, “Rapunzel,” audiences will be transported to a stunning CG fantasy world complete with the iconic tower, an evil witch, a gallant hero and, of course, the mysterious girl with the long golden tresses. Expect adventure, heart, humor, and hair…lots of hair, when Rapunzel unleashes her locks in theaters for the 2010 holiday.

TINKER BELL A MIDSUMMER STORM - working title (Disney DVD and Blu-ray Release Date: 2010)
DisneyToon Studios
Director: Carolyn Gair
Producer: Margot Pipkin

After being confronted by her antagonist Vidia, an irritated Tinker Bell retaliates by taking a photograph of Vidia…without considering the consequences. Now, the two must set aside their differences and cooperate to prevent evidence of the existence of fairies from falling into human hands.

2011:

NEWT (Domestic Release Date: Summer 2011, Disney Digital 3-D™)
Pixar Animation Studios
Director: Gary Rydstrom
Producer: Richard Hollander
Writers: Gary Rydstrom, Leslie Caveny

What happens when the last remaining male and female blue-footed newts on the planet are forced together by science to save the species, and they can’t stand each other? That's the problem facing Newt and Brooke, heroes of ”newt,” the Pixar film by seven-time Academy Award® winner for sound Gary Rydstrom, and director of Pixar's Oscar nominated short, "Lifted." Newt and Brooke embark on a perilous, unpredictable adventure and discover that finding a mate never goes as planned, even when you only have one choice. Love, it turns out, is not a science.

THE BEAR AND THE BOW (Domestic Release Date: Christmas 2011, Disney Digital 3-D™)
Pixar Animation Studios
Director: Brenda Chapman
Producer: Katherine Sarafian
Voice Talent: Reese Witherspoon, Billy Connolly, Emma Thompson

A rugged and mythic Scotland is the setting for Pixar’s action-adventure "The Bear and the Bow.” The impetuous, tangle-haired Merida , though a daughter of royalty, would prefer to make her mark as a great archer. A clash of wills with her mother compels Merida to make a reckless choice, which unleashes unintended peril on her father’s kingdom and her mother’s life. Merida struggles with the unpredictable forces of nature, magic and a dark, ancient curse to set things right. Director Brenda Chapman (“The Prince of Egypt,” “The Lion King”) and the storytelling wizards of Pixar conjure humor, fantasy and excitement in this rich Highland tale.

TINKER BELL A WINTER STORY - working title (Disney DVD and Blu-ray Release Date: 2011)
DisneyToon Studios
Producer: Sean Lurie

The fourth, as-yet-untold story of Tinker Bell and her fairy friends will take place in winter, completing the cycle of the seasons.

2012:

CARS 2 (Domestic Release Date: Summer 2012, Disney Digital 3-D™)
Pixar Animation Studios
Director: Brad Lewis

All the world’s a racetrack as racing superstar Lightning McQueen zooms back into action, with his best friend Mater in tow, to take on the globe’s fastest and finest in this thrilling high-octane new installment of the “Cars” saga. Mater and McQueen will need their passports as they find themselves in a new world of intrigue, thrills and fast-paced comedic escapades around the globe. “Cars 2” is being directed by Brad Lewis, producer of the Oscar®-winning film “Ratatouille.”

KING OF THE ELVES (Domestic Release Date: Christmas 2012, Disney Digital 3-D™)
Walt Disney Animation Studios
Directors: Aaron Blaise, Robert Walker
Producer: Chuck Williams

Legendary storyteller Phillip K. ________’s short story (his only experiment in the fantasy genre) becomes the basis for this fantastic and imaginative tale about an average man living in the Mississippi Delta, whose reluctant actions to help a desperate band of elves leads them to name him their new king. Joining the innocent and endangered elves as they attempt to escape from an evil and menacing troll, their unlikely new leader finds himself caught on a journey filled with unimaginable dangers and a chance to bring real meaning back to his own life.
 

DisneyAnole

New Member
Who else thinks that the primary reason they're making a Cars sequel is to ensure brisk sales of Cars merchandise?...

Cars 2 before Incredibles 2?

Lame. And Pixar? Sellouts.
 

Mr.EPCOT

Active Member
Who else thinks that the primary reason they're making a Cars sequel is to ensure brisk sales of Cars merchandise?...

Cars 2 before Incredibles 2?

Lame. And Pixar? Sellouts.

Whoa, Cars was an amazing film, just as deserving of a sequel as The Incredibles. And The Incredibles is my favorite Pixar movie.
 

DisneyAnole

New Member
Whoa, Cars was an amazing film, just as deserving of a sequel as The Incredibles. And The Incredibles is my favorite Pixar movie.

Cars was by far Pixar's least inspired effort. And the least deserving of a sequel IMO. But it's clear Disney/Pixar sees Cars as a great way to sell merchandise. And I guess that's what Pixar's concerned with now, not the much-vaunted "story" that we always hear about.
 

lpet11984

Well-Known Member
Some of it certainly sounds more exciting than the others, but at least it all shows progress. I'll wait to see anything before passing judgement.
 

JimboJones123

Well-Known Member
Who else thinks that the primary reason they're making a Cars sequel is to ensure brisk sales of Cars merchandise?...

Cars 2 before Incredibles 2?

Lame. And Pixar? Sellouts.
This comment makes no sense to me. Why would we need another super hero story? If that doesn't seem like the most pointless of pointless tack-ons, I don't know what does. The Cars franchise opens itself up for something new and fresh much more than ANOTHER superhero movie. There are already more than a dozen coming out in the next few years. Iron Man, Hulk, the Will Smith movie, Dark Knight, Hellboy 2, Punisher, Justice League, Watchmen, Wolverine, Magneto, X-men 4, Spidey 4 and 5, Superman VI, Wonder Woman, Silver Surfer, Thor, Avengers and I'm sure plenty more.

So, yeah, I don't think we need to kill ourselves to see the ongoing struggles of the Parr family trying to balance their family, secret lives and public lives. We for sure don't need another kidnapping movie.
 

DisneyAnole

New Member
This comment makes no sense to me. Why would we need another super hero story? If that doesn't seem like the most pointless of pointless tack-ons, I don't know what does. The Cars franchise opens itself up for something new and fresh much more than ANOTHER superhero movie. There are already more than a dozen coming out in the next few years. Iron Man, Hulk, the Will Smith movie, Dark Knight, Hellboy 2, Punisher, Justice League, Watchmen, Wolverine, Magneto, X-men 4, Spidey 4 and 5, Superman VI, Wonder Woman, Silver Surfer, Thor, Avengers and I'm sure plenty more.

So, yeah, I don't think we need to kill ourselves to see the ongoing struggles of the Parr family trying to balance their family, secret lives and public lives. We for sure don't need another kidnapping movie.

Durrr...if you didn't understand the ironic difference between the Incredibles and X-Men, then I don't know what to say to you. It's pretty obvious that the Incredibles wasn't "just" another superhero movie. You could argue it's more about family than the fantastic elements...

But you're right, of course. Cars screams to have a sequel made. Because of all the Cars toys and merchandise that will sell.

Making Cars 2 proves that Pixar isn't all about "story" as Lassiter likes to claim. And the reservoir of Pixar's creativity isn't endless, obviously.
 

MousDad

New Member
How you can look at Pixar's upcoming slate - with the exception of TS3 and C2 which are obviously cash cows - and say they are not all about story is completely beyond me.

You could look at Disney's upcoming lineup and say that easily, but not Pixar's. IMO, of course.

In further defense of TS3 and C2, though, I view the originals as embodying creative storytelling. The sequels are justified because of the potential financial success.
 

Mr.EPCOT

Active Member
I'm sorry, there is no denying that Cars had a beautifully-crafted, clever story. If you watched the (admittedly somewhat meager) special features on the DVD, you would realize how much research and love was poured into this movie, especially by John Lasseter. This was a subject near and dear to his heart. In any event, the movie was certainly way better than A Bug's Life.

Perhaps the movie just doesn't resonate with you. Maybe you've never been on a road trip, maybe you've never watched a place you love dearly fall into disrepair, maybe you've never had a close group of weird, quirky friends, or maybe you just really really are not interested in cars and/or racing. But to say that Cars is evidence of Pixar has "given up on story" is completely false.
 
Cars was by far Pixar's least inspired effort. And the least deserving of a sequel IMO. But it's clear Disney/Pixar sees Cars as a great way to sell merchandise. And I guess that's what Pixar's concerned with now, not the much-vaunted "story" that we always hear about.

Actually, you can't put the blame of Cars 2 on Pixar. Don't forget that they are now owned by the a company who has proven that the dollar is much more important than either the story or even quality. Lasseter does have creative control, but even he has a boss and I see "Disney" wanting to cash in on the merchandise...Pixar doesn't see that money, they only see what the film and DVD's make. All money made off of merchandise belongs to Disney.

I enjoyed Cars and felt it was a strong movie, I seem to be in the minority when I felt that the Incredibles was the weak link. Yeah, yeah...it won Best Animated Movie...I think that category is really a joke and just there to appease the animation studios. Beauty and the Beast (which is the most artisticly weak film that Disney put out - check out Belles constantly changing appearance) got a nomination when there was no best animated category.

Remember...Disney controls all...not Pixar.
 
Nope...she is probably the worst animated character of the modern era. Her characters design breaks from the model sheet (which is definitive and is the guide by which they all work from - personal style does not play a role in any film). If you compare her design from the beginning intro walk through the town to the version of her during the intro scene of Maurice in the basement to the version of her cleaning the Beasts wounds to the version of her walking down the hallway of the west wing and seeing herself in the broken mirrors. She is a completely different character (visually) in each scene. In no other Disney film will you see such alterations in a characters model.

There are other scenes that I could point out that are different from the ones I already mentioned, but I think you get the point. Maybe I'll watch it someday and keep track of each differing version, but those are by far the most noticable. I love Beauty and the Beast and it's the reason I pursued animation as a career, but it definitely has some "overlooked" issues.

Anyhow, I think the two most looked forward films on that list of releases are Wall-E (which is very innovative in it's delivery, especially with a character that really doesn't speak much) and Rapunzel. The software for Rapunzel has cost Disney millions so hopefully it'll be as great as the preliminary visuals have shown.
 

MousDad

New Member
Nope...she is probably the worst animated character of the modern era. Her characters design breaks from the model sheet (which is definitive and is the guide by which they all work from - personal style does not play a role in any film). If you compare her design from the beginning intro walk through the town to the version of her during the intro scene of Maurice in the basement to the version of her cleaning the Beasts wounds to the version of her walking down the hallway of the west wing and seeing herself in the broken mirrors. She is a completely different character (visually) in each scene. In no other Disney film will you see such alterations in a characters model.

There are other scenes that I could point out that are different from the ones I already mentioned, but I think you get the point. Maybe I'll watch it someday and keep track of each differing version, but those are by far the most noticable. I love Beauty and the Beast and it's the reason I pursued animation as a career, but it definitely has some "overlooked" issues.

Anyhow, I think the two most looked forward films on that list of releases are Wall-E (which is very innovative in it's delivery, especially with a character that really doesn't speak much) and Rapunzel. The software for Rapunzel has cost Disney millions so hopefully it'll be as great as the preliminary visuals have shown.

Interesting. I know zip zilch about animation, so enlighten me. How, specifically, would you describe the design change? In other words, how does she look different? Would a non-animator ever notice?
 
The change comes completely in her face. It's not hard to recognize when someone looks different....it's very obvious and a non-animator should be able to recognize it. I remember the first time I watched it I noticed that during the scene where Belle is attending to Beasts wounds that she looked completely different than in all the previous scenes. At that point I was still in high school and 6 years away from going to college for animation.

If you watch you will notice the differences. They aren't hard to spot since she is really the main character. In the animation world though, a character should never alter during the course of the movie. I'm not sure how many lead animators Belle had, James Baxter was considered the lead, but it appears as if there was more than three leads on this film. (or it was just a lousy clean-up supervisor)

I do love this film though even with the alterations, I find the characters some of the most appealing in that line of films starting with Little Mermiad and ending with Pocahontas. (in my opinion, the decline of Disney Animation was noticable almost immediately thereafter.)
 

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