Slate: How the Disney animated movie became practically synonymous with Broadway.

mcurtiss

Well-Known Member
Original Poster
http://www.slate.com/articles/arts/...ed_a_turning_point_in_the_animated_movie.html

a pretty interesting clip in the article as well

The “Disney Renaissance” that spanned the late ’80s and lasted throughout the ’90s is a well-chronicled period in cinematic history. The behind-the-scenes stories are readily accessible to anyone with a passing interest in the legendary animation studio—the various box-office records and successes have been meticulously tallied, the Oscar nominations and wins notably recounted. But there’s another side of Disney’s spectacular run that hasn’t been as fully examined: the aesthetic effects of Broadway on the animation studio’s cinematic output.

Alan Menken noted in a recent Entertainment Weekly interview that with “Part of Your World” in The Little Mermaid, Disney embarked on its first full-on “I want” musical number—“that important moment where you engage the audience in the quest of the central character so you know what you’re rooting for.” Here, we’ll take a look at the significance of this Broadway-ification of Disney, as well as the many other musical theater influences that found their way into subsequent films like Beauty and the Beast, The Lion King, and Pocahontas.
 

prberk

Well-Known Member
Film is a form of theatre, and it should not surprise anyone that a successful formula for musical theatre, when translated well (considering the different limitations and attributes of film vs. stage) is also a successful formula for musical film. MGM knew that in the '40s with their glorious technicolor film musicals, and so did earlier Walt Disney musical animated films.

I agree with the author's premise for the most part. It is just sad that Disney forgets the main formula (an engaging story, written with musical accompaniment that is well-done and advances the story) from time to time. Because otherwise, the freedom of animation is a great "stage" for it, with the ability to take us places the regular stage cannot.
 

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