Blackie Pueblo said:
Disney definitly needs more hits, and I think it all starts with the writing.
I am not so sure about that...
I really think it depends on the time of year it will come out.
Summer films can be brainless, poorly written, and still make a ton of money. Special effects and big stars or directors seem to rule the summer.
Fall/winter films seem to need a good story, and cheap films that are well written can do well. At the same time, the big budget special effects orgies that rule in the summer typically do not fare well in the fall and winter, unless they also have a good story.
Overall, writing is important, but more important depending on when the movie will be released.
I think Touchstone needs to get back to producing movies like Ruthless People, Down and Out in Beverly Hills, Outrageous Fortune, Can't Buy Me Love, Stakeout, Three Men and a Baby, Good Morning Vietnam, Cocktail, Beaches, and Pretty Woman. These movies were not expensive, made a reasonable amount of money, and they were not "Disney". Not everything Disney does has to be "Disney". It seems when the Weinsteins wanted to start making larger-budget films, Touchstone lost its edge. Miramax needs to get back to the art-house films, and Touchstone to the "non-Disney" films. The problem right now is that Disney has a few production brands, but they are all overlapping eachother.