Disney Closes Last Animation Studio

DizneeFanatic

New Member
Original Poster
The Walt Disney Company has announced the closure of its DisneyToon Studios Australia in Sydney, the company's last studio producing hand-drawn animated features.

Disney is set to close it Sydney studio in mid-2006 after completion of work on sequels to the films Brother Bear and Cinderella. Almost 250 Australian animators and other staff are about to lose their jobs.

It is with regret that DisneyToon Studios has decided to close their animation production facility in Sydney in mid-2006," the company officially stated. Disney’s decision is partly based on ‘the changing creative climate and economic environment" of animation, which is now dominated by computer-ganerated and 3D films.

According to producer Tim Brook-Hunt, who represents the animation and new media community on the Screen Producers Association of Australia council, this is a major blow to animation in Sydney.

"We've lost a major source of training and talent in the industry but also for the people involved, it's very difficult to see that all of them can be absorbed into the rest of the industry," said Brook-Hunt.

The Syney studio, which opened in the late 1980s, and has produced films like “The Lion King II”, “The Jungle Book”, “The Lady and the Tramp II” and “Lilo and Stitch II”, is just one of Disney’s animation facilities in the world set to close, as the new Disney unit focuses on computer-animated films, especially those made with Pixar Animation Studios, like “Toy Story”, their first successful collaboration.

:cry:

Source: Softpedia
 

mickeysaver

Well-Known Member
Why is it so hard for the morons at Disney to understand that it's all about THE STORY not the pretty freakin' 3D images. :brick:

This is just so sad. :cry: Maggie
 

Woody13

New Member
It's my understanding that the DisneyToon Studios in Sydney just became too expensive. Disney is going to contract with various animation studios in Asia to do the same work. It will result in the same high quality animation, but at a lower cost.
 

Bluewaves

Well-Known Member
Well they can keep cranking out these beautifully drawn movies and hopefully someday they will realize that they need some good writers and not just pretty pictures.

Pixar could do the worst animation out there but its the story itself that makes the movie not the effects, something all of hollywood should realize.
 

wdwswan&dolphin

New Member
DizneeFanatic said:
The Walt Disney Company has announced the closure of its DisneyToon Studios Australia in Sydney, the company's last studio producing hand-drawn animated features.

Disney is set to close it Sydney studio in mid-2006 after completion of work on sequels to the films Brother Bear and Cinderella. Almost 250 Australian animators and other staff are about to lose their jobs.

It is with regret that DisneyToon Studios has decided to close their animation production facility in Sydney in mid-2006," the company officially stated. Disney’s decision is partly based on ‘the changing creative climate and economic environment" of animation, which is now dominated by computer-ganerated and 3D films.

According to producer Tim Brook-Hunt, who represents the animation and new media community on the Screen Producers Association of Australia council, this is a major blow to animation in Sydney.

"We've lost a major source of training and talent in the industry but also for the people involved, it's very difficult to see that all of them can be absorbed into the rest of the industry," said Brook-Hunt.

The Syney studio, which opened in the late 1980s, and has produced films like “The Lion King II”, “The Jungle Book”, “The Lady and the Tramp II” and “Lilo and Stitch II”, is just one of Disney’s animation facilities in the world set to close, as the new Disney unit focuses on computer-animated films, especially those made with Pixar Animation Studios, like “Toy Story”, their first successful collaboration.

:cry:

Source: Softpedia
Wow, that sucks! So, I guess right now the only traditional animation will be made by Don Bluth, Hayao Miyazaki, and Sylvain Chomet.
 

wdwswan&dolphin

New Member
Bluewaves said:
Well they can keep cranking out these beautifully drawn movies and hopefully someday they will realize that they need some good writers and not just pretty pictures.



Pixar could do the worst animation out there but its the story itself that makes the movie not the effects, something all of hollywood should realize.



Very true. I mean, look at Studio Ghibli. They're the closest Japanese animation has come to Disney's lifelike, realistic movement without the benefit of rotoscope and ultra-big budgets, but even they can't reach the heights of Disney's best traditionally animated films when it comes to the animation component. I mean, despite the fact that the Ghibli style greatly resembles Disney's style of full-motion animation, it still can't break from some minor limited animation techniques. And right now, now that Disney has closed their traditional animation departments, Ghibli is the best you can get when it comes to technical components in traditional full animation. But when it comes to storytelling, Ghibli knocks everyone out cold. From http://nausicaa.net/miyazaki/nausicaa/ to http://nausicaa.net/miyazaki/opp/ to http://nausicaa.net/miyazaki/umi/ to http://nausicaa.net/miyazaki/mimi/ to http://nausicaa.net/miyazaki/ghiblies/
to http://nausicaa.net/miyazaki/porco/, they have made some of the most original, inventive, and most admired animated films of the past twenty years. It is their storytelling, whether it's a film by Miyazaki, Takahata, or the late Yoshifumi Kondo, that has earned their place as some of the most loved animated films around the world from contemporary times. Pixar is the American Ghibli; they learned from the modern masters. That is why they are successful; people such as Brad Bird and John Lasseter, big Studio Ghibli fans, learned that storytelling counts more than anything else, except characterization, another thing the talented writers and directors at Ghibli excel at. American animation is a dry landscape; it needs a "hot desert wind" (that's the definition of Ghibli) to blow through it and revolutionize it. No matter whether it's traditional animation or CG, it's great storytelling that wins audiences over.
 

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