At least one attraction name had better have 6+ words and a colon.
Poor Unfortunate Souls: Battle in the Underworld
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At least one attraction name had better have 6+ words and a colon.
Given current management's take based on many of their animated to live action stories, the villains are now just misunderstood and we should feel sorry for them.I actually think there’s a ton they could do with a villains theme, because there’s such an interesting psychology to “villains” - and I think those are themes that would be universal enough to be easily recognized. It could be the dark, rebellious world of the outcast. It could be the electrifying, heady feeling of Halloween night. It could the strange, eerie feeling of something glowing just beneath the surface (haven’t been there but it looks like parts of Potter World do that well). It could be smirking, dramatic camp. Etc.
I think an overarching theme for Villains will have to be more about broad archetypes, less about specific storylines. It is true that the villains as a group don’t have any kind of group narrative - but in their case, I think the psychological themes are interesting enough to make up for that.
Given current management's take based on many of their animated to live action stories, the villains are now just misunderstood and we should feel sorry for them.![]()
The only two that I can think of are Maleficent and Cruella, and those were more reimaginings than remakes. They’re so far removed from the original stories that they’re basically different characters. And those reimaginings did have their own vile, unredeemable, hate-able villains. They just weren’t the villains from the animated versions.Given current management's take based on many of their animated to live action stories, the villains are now just misunderstood and we should feel sorry for them.![]()
Bob Chapek.Anyone else?
Gravity Falls' Bill.I have an idea! Let's all play a rousing game of "Which villains will most certainty NOT be featured in Villains Land"? I'll start:
- Brer Fox and Brer Bear (for obvious reasons)
- Alamedia Slim (because Disney doesn't give a crap about Home on the Range)
- Amos Slade (because Disney doesn't give a crap about The Fox and the Hound either)
- Any of the villains from the direct-to-video sequels (such as Ursula's sister from The Little Mermaid 2, Saluk from Aladdin and the King of Thieves, Sarousch or whatever his name was from The Hunchback of Notre Dame 2, etc.)
- Roruke from Atlantis (another film Disney doesn't give a crap about)
- Jeffrey Katzenberg
Anyone else?
Wasn't at least one of those projects cancelled to fund the Splash Mountain retheme?
I would LOVE IT if the next CEO had outright disdain for Iger. I know that's very unlikely, but it's what Disney needs.
The only park with single IP land with no overarching theme is Hollywood Studios + technically Animal Kingdom but I argue that that is one park that NEEDED the 1 IP land because it fits the other lands in AK being locations presented as "real places"The issue with all of the recent new lands is that they no longer build them with an over-arching, general theme. The theme is always whatever IP. Any story treatments are just meant to explain the land’s existence in a defined time and place. They no longer build lands with a general theme where the attractions are loosely interconnected. And they certainly don’t worry about connecting to other lands. This is how Disneyland ended up with a Batuu. They adapt it to make it work visually, but thematically, it has no place in Disneyland.
As with so many things, I blame J. K. Rowling and, by extension, Great Britain for this.
I’m referring to the overall company that built Cars Land, a SWGE in Disneyland, Toy Story Land, and will build a Monsters Inc land and Cars sub-land.The only park with single IP land with no overarching theme is Hollywood Studios + technically Animal Kingdom but I argue that that is one park that NEEDED the 1 IP land because it fits the other lands in AK being locations presented as "real places"
Given current management's take based on many of their animated to live action stories, the villains are now just misunderstood and we should feel sorry for them.![]()
They just took characters who were good guys in the original films and made them evil to make the existing villains look better.And those reimaginings did have their own vile, unredeemable, hate-able villains. They just weren’t the villains from the animated versions.
Her castle is prominent in the background of the artist concept.Maleficent’s castle will be the centerpiece? Just saw that on insta. Not a reliable source. No idea if it’s true.
I’d say it’s a pretty good assumption.Maleficent’s castle will be the centerpiece? Just saw that on insta. Not a reliable source. No idea if it’s true.
They'd probably find a way to go cheap even on that.At least one attraction name had better have 6+ words and a colon.
While thinking about the necessity for a lot of indoor lands at Abu Dhabi, it occurred to me WDI may very well want Villains land to be an all-indoor experience. Perpetual night with eerie glows in the sky.
I know that would mean a lot of those distant landmarks in the concept art world actually be smaller forced perspective items than we originally hoped, but everything in that design is still possible under a giant roof.
Isn’t it more realistic that someone “goes bad” because of circumstances, rather than just being born that way?
Also, there are two sides to every story. Both stories can coexist and contradict each other.
And she purposefully interfered so that Ariel would lose the bargain they made. She had no intention of honoring the 'transaction.'Ursula, for example, provided a straight transaction that was accepted by Ariel : legs for her voice.
And she purposefully interfered so that Ariel would lose the bargain they made. She had no intention of honoring the 'transaction.'
That’s how they were traditionally portrayed…. What redeeming values does Ursula, Maleficent, Evil Queen, etc. have in the original movies?I hope they are all portrayed as being evil and not misunderstood in this new land. No redemption or redeeming values.
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